[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-686693-en-US":3},{"detail":4,"match":293,"insight":294,"providers":295,"providerLink":40,"trailer":40},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":31,"imdb_id":40,"revenue":8,"runtime":54,"similar":98,"tagline":37,"homepage":279,"overview":280,"softcore":6,"popularity":281,"vote_count":8,"poster_path":282,"release_date":283,"vote_average":8,"backdrop_path":40,"origin_country":284,"original_title":7,"watch\u002Fproviders":286,"spoken_languages":288,"original_language":23,"production_companies":289,"production_countries":290,"belongs_to_collection":40},686693,false,"Memoirs",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[16,26],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25},"5e7cdadc109dec1ebb023dd5","356442560","Memoirs - Trailer 1","Vimeo",1080,"Trailer","en","US","2019-08-28T15:52:59.000Z",{"id":27,"key":28,"name":29,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":30},"5e7cdae8d861af2f0ab80592","354257475","Memoirs - Trailer 2","2019-08-16T17:33:51.000Z",{"cast":32,"crew":64},[33,42,50,57],{"id":34,"name":35,"adult":6,"order":8,"gender":8,"cast_id":36,"character":37,"credit_id":38,"popularity":39,"profile_path":40,"original_name":35,"known_for_department":41},2579499,"Marvin Krawec",8,"","5e7cdc25d861af312ab83718",0.3743,null,"Acting",{"id":43,"name":44,"adult":6,"order":45,"gender":8,"cast_id":46,"character":37,"credit_id":47,"popularity":48,"profile_path":40,"original_name":44,"known_for_department":49},1325018,"Aaron Zeghers",1,9,"5e7cdc2eeec4f355eaa968ca",0.5576,"Directing",{"id":51,"name":52,"adult":6,"order":53,"gender":8,"cast_id":54,"character":37,"credit_id":55,"popularity":56,"profile_path":40,"original_name":52,"known_for_department":41},2579501,"Patrick Krawec",2,10,"5e7cdc386c74b94e95ca868d",0.5919,{"id":58,"name":59,"adult":6,"order":60,"gender":8,"cast_id":61,"character":37,"credit_id":62,"popularity":63,"profile_path":40,"original_name":59,"known_for_department":41},2579502,"Darren MacDonald",3,11,"5e7cdc416c74b95757ca7dd0",0.4118,[65,72,79,86,89,91,93],{"id":66,"job":67,"name":68,"adult":6,"gender":53,"credit_id":69,"department":70,"popularity":71,"profile_path":40,"original_name":68,"known_for_department":41},194144,"Music","Tom Paxton","5e7cdbd1eec4f34267a965da","Sound",0.6928,{"id":73,"job":74,"name":75,"adult":6,"gender":8,"credit_id":76,"department":77,"popularity":78,"profile_path":40,"original_name":75,"known_for_department":77},2579493,"Cinematography","Meg Diamond","5e7cdbef13a32016dc27298c","Crew",0.2741,{"id":80,"job":81,"name":82,"adult":6,"gender":8,"credit_id":83,"department":84,"popularity":85,"profile_path":40,"original_name":82,"known_for_department":84},2579498,"Screenplay","Wanda Ryder","5e7cdc11eec4f355eaa9683d","Writing",0.4761,{"id":43,"job":87,"name":44,"adult":6,"gender":8,"credit_id":88,"department":49,"popularity":48,"profile_path":40,"original_name":44,"known_for_department":49},"Director","5e7cdaff13a32016dc272872",{"id":43,"job":81,"name":44,"adult":6,"gender":8,"credit_id":90,"department":84,"popularity":48,"profile_path":40,"original_name":44,"known_for_department":49},"5e7cdbfd6c74b94e95ca863b",{"id":43,"job":74,"name":44,"adult":6,"gender":8,"credit_id":92,"department":77,"popularity":48,"profile_path":40,"original_name":44,"known_for_department":49},"5e7cdbe113a32016dc272971",{"id":94,"job":81,"name":95,"adult":6,"gender":8,"credit_id":96,"department":84,"popularity":97,"profile_path":40,"original_name":95,"known_for_department":84},2579496,"Krista Zeghers","5e7cdc0713a32046b727899b",0.5239,{"page":45,"results":99,"total_pages":277,"total_results":278},[100,112,120,128,137,145,152,162,172,182,190,200,207,218,227,236,242,251,260,269],{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":106,"poster_path":107,"release_date":108,"vote_average":109,"backdrop_path":40,"original_title":110,"original_language":111},452181,"Homo Paradoksum I","An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.",[11],0.9999,4,"\u002FmiAx68Mr3kC09x39ihLTSjB7qc8.jpg","1989-01-01",4.8,"Гомо Парадоксум I","ru",{"id":113,"adult":6,"title":114,"video":6,"overview":115,"softcore":6,"genre_ids":116,"popularity":117,"vote_count":8,"poster_path":118,"release_date":119,"vote_average":8,"backdrop_path":40,"original_title":114,"original_language":23},451825,"Rumstick Road","A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.",[11],0.9937,"\u002Fx1o2sDZmTFUiIKWfvz9Sm3ayz6u.jpg","2014-05-01",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":8,"poster_path":126,"release_date":127,"vote_average":8,"backdrop_path":40,"original_title":122,"original_language":23},452886,"I Have No Memory of My Direction","Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.",[11],0.7038,"\u002Fprqj4IqyW5VRvCWu3HO2QoKe0ia.jpg","2005-01-01",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":134,"release_date":135,"vote_average":8,"backdrop_path":40,"original_title":130,"original_language":136},632477,"DIALOGUE","Emerging from a period of withdrawal, a social recluse or ‘hikikomori’ relates her inner experiences against the backdrop of an illuminated and restless urban environment that never sleeps.",[11],0.8961,"\u002F4F3LaaDqM9wzfTSpqMUVwTDJK5j.jpg","2018-01-01","ja",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":143,"release_date":144,"vote_average":8,"backdrop_path":40,"original_title":139,"original_language":23},449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",[11],1.177,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":40,"release_date":151,"vote_average":8,"backdrop_path":40,"original_title":147,"original_language":23},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],1.0074,"1969-12-19",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":8,"poster_path":158,"release_date":159,"vote_average":8,"backdrop_path":160,"original_title":161,"original_language":111},455435,"Russia as a dream","In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. \"Russia as a dream\" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.",[11],1.2102,"\u002FvXQgBDYePWXp7N7EJJpJOoL71yU.jpg","2017-06-22","\u002FiuUXxcqDmPtThzav81FpxpXzjuh.jpg","Россия как сон",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":54,"poster_path":168,"release_date":169,"vote_average":170,"backdrop_path":171,"original_title":164,"original_language":23},455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",[11],1.0983,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",5.9,"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":45,"poster_path":178,"release_date":179,"vote_average":180,"backdrop_path":40,"original_title":174,"original_language":181},454594,"La Mer","The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.",[11],1.1944,"\u002FeGWT85SLvC0XciZFkDeyp7Za6Vi.jpg","1991-06-11",7.5,"xx",{"id":183,"adult":6,"title":184,"video":6,"overview":37,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":8,"poster_path":187,"release_date":188,"vote_average":8,"backdrop_path":40,"original_title":184,"original_language":189},828281,"Solidão no Fundo da Agulha",[11],0.9667,"\u002Fqq41IRxkyQkUa4IgKqcytVtotLP.jpg","2021-05-16","pt",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":40,"original_title":198,"original_language":199},456194,"Old Courtyard","Experimental 8mm film.",[11],0.9067,"\u002F6ElygKrpRMiILcZkX93JgfQFoe6.jpg","1967-01-01","Staro dvorišče","sl",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":37,"vote_average":8,"backdrop_path":40,"original_title":202,"original_language":23},636913,"New Woman","A meditative journey, using and manipulating archival silent film footage, that investigates the look of the \"New Woman\" in Chinese silent screen.",[11],0.4348,"\u002Fsmmmv2v2xpyhRYMP9X5u7GnTTjv.jpg",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":214,"vote_count":45,"poster_path":215,"release_date":216,"vote_average":54,"backdrop_path":217,"original_title":209,"original_language":23},824186,"welcome_home.exe","As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",[212,213,11],10402,16,0.5974,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29","\u002FzAWc2LOevgt6QO2wlB4eTWD8l45.jpg",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":224,"poster_path":40,"release_date":225,"vote_average":226,"backdrop_path":40,"original_title":220,"original_language":23},263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",[11],1.5639,6,"2000-01-01",5.7,{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":233,"poster_path":40,"release_date":234,"vote_average":235,"backdrop_path":40,"original_title":229,"original_language":23},263845,"Terra Incognita","Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",[11],0.5475,5,"2002-01-01",5.8,{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":45,"poster_path":40,"release_date":127,"vote_average":106,"backdrop_path":40,"original_title":238,"original_language":23},263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",[11],0.541,{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":250,"original_title":244,"original_language":23},824057,"A Night of Soap Water","A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.",[11],0.9804,"\u002FgF2rgudq0GREJ5KhplGvcWVhoUb.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",{"id":252,"adult":6,"title":253,"video":6,"overview":254,"softcore":6,"genre_ids":255,"popularity":256,"vote_count":45,"poster_path":257,"release_date":258,"vote_average":54,"backdrop_path":40,"original_title":259,"original_language":189},449521,"The Fish","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",[11],0.9106,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14","O Peixe",{"id":261,"adult":6,"title":262,"video":6,"overview":263,"softcore":6,"genre_ids":264,"popularity":265,"vote_count":8,"poster_path":266,"release_date":267,"vote_average":8,"backdrop_path":268,"original_title":262,"original_language":23},825354,"A Landscape to Be Invented","Other than the ocean, the rest of the planet was bathed in purple, which was due to the colour of the vegetation. The change in the sun’s radiation had probably caused the plants to evolve as they adapted to the new light.",[11],0.5011,"\u002Fl5gwgeQqFgT8aHJjOdgt3coa6h.jpg","2020-10-15","\u002Fo92ncb6A1O2zRLYasRorpxvVfaU.jpg",{"id":270,"adult":6,"title":271,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":8,"poster_path":275,"release_date":276,"vote_average":8,"backdrop_path":40,"original_title":271,"original_language":23},825220,"(Always) Next To Me","(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected.  I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.",[11],0.4526,"\u002F1PD3kgNzira3EWl6TqP3hc0IcM3.jpg","2021-05-01",1001,20001,"https:\u002F\u002Faaronzeghers.com\u002Findex.php\u002Ffilms\u002Fmemoirs\u002F","We live with stories. And it's hard for us to give up on these stories, which provide us our identity, a way of understanding ourselves. Reflections from three successive generations are dusted off and presented as remaining fragments. An attempt to archive thoughts on familial history, narrative traditions, human perception and \"the story\" from known and unknown sources.  \"There is history behind it and the history becomes the story and the story becomes the pattern and the pattern becomes rigidity.\"",1.6353,"\u002FkPxL3EcOf2Lv2dseziWP2jVaYVA.jpg","2019-07-10",[24,285],"CA",{"results":287},{},[],[],[291],{"name":292,"iso_3166_1":285},"Canada",45,"A documentary story that tends to land well.",[]]