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Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",1.7347,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.2,{"adult":5,"backdrop_path":6,"genre_ids":152,"id":153,"title":154,"original_language":16,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],451207,"White Sands","White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.",0.6196,"\u002FiM88NPipMTOYMC0istj2rx5nxks.jpg","2014-04-08",{"adult":5,"backdrop_path":6,"genre_ids":160,"id":161,"title":162,"original_language":16,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":158,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],451211,"If Not,","If Not is a meditation on love, inspired by If Not, Winter by Sappho, translated by Anne Carson. 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A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)",0.5833,"1957-03-01",4.7,15,{"adult":5,"backdrop_path":6,"genre_ids":185,"id":186,"title":187,"original_language":16,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],636913,"New Woman","A meditative journey, using and manipulating archival silent film footage, that investigates the look of the \"New Woman\" in Chinese silent screen.",0.4361,"\u002Fsmmmv2v2xpyhRYMP9X5u7GnTTjv.jpg",{"adult":5,"backdrop_path":6,"genre_ids":192,"id":196,"title":197,"original_language":16,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[193,194,10,195],10770,10752,36,453253,"9\u002F11: The Longest War","In honour of the 15th Anniversary of 9\u002F11, National Geographic Channel is looking back at the very best reporting we have done since this world-changing tragedy first happened using extended excerpts from past specials that relate directly to events leading up to and following the attacks on New York City and Washington DC.",1.1445,"\u002FthtK36A9mq4cum5A2RpnDnJ1tnn.jpg","2016-09-10",{"adult":5,"backdrop_path":6,"genre_ids":203,"id":204,"title":205,"original_language":16,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":210,"vote_count":33},[10],453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",0.5902,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",8,{"adult":5,"backdrop_path":6,"genre_ids":212,"id":213,"title":214,"original_language":16,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":5,"video":5,"vote_average":103,"vote_count":33},[10],453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.6786,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",{"adult":5,"backdrop_path":6,"genre_ids":220,"id":221,"title":222,"original_language":98,"original_title":222,"overview":223,"popularity":224,"poster_path":6,"release_date":225,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],460238,"Carta a Boris","Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.",0.4452,"2015-12-17",{"adult":5,"backdrop_path":6,"genre_ids":227,"id":228,"title":229,"original_language":98,"original_title":229,"overview":230,"popularity":231,"poster_path":6,"release_date":232,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],460241,"Anotaciones Sobre Claudia y Sergio I","Chilean experimental film.",0.4278,"2015-07-14",1001,20001,{"results":236},{},{"results":238},[],45,"A documentary story that tends to land well.",[]]