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This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",[45],0.8953,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14",10,"O Peixe","pt",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":8,"poster_path":24,"release_date":117,"vote_average":8,"backdrop_path":24,"original_title":118,"original_language":110},449522,"The Housekeeper","\"A deeply beautiful and disturbing split-screen depiction of the contrasting daily routines of sociologist Gilberto Freyre in 1959 (author of The Masters and the Slaves, originator of Lusotropicalism, proponent of racial integration) and Cristóvão, an ordinary housekeeper in 2016.\" - Angeline Gragásin",[],0.8543,"2016-01-01","O Caseiro",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":25,"poster_path":125,"release_date":126,"vote_average":127,"backdrop_path":24,"original_title":128,"original_language":129},449846,"An Expression","A experimental animated film featuring moving shapes and lines.",[46],0.5397,"\u002FvwlKYNJWvvj91LRkvV94c0wz4BF.jpg","1935-12-31",5.3,"AN EXPRESSION","ja",{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":8,"poster_path":136,"release_date":137,"vote_average":8,"backdrop_path":24,"original_title":132,"original_language":61},449815,"Spirit House","A tale of 2 passages within the Spirit house. 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The mind becomes hyper aware of itself, every thought, every movement is methodically registered and evaluated, creating a suffocating environment that will have brutal consequences.",[151],9648,0.6625,"\u002F5mMz8qdP0OqnzQ04NB46eq7WFoJ.jpg","2021-09-13","fr",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":162,"vote_count":8,"poster_path":24,"release_date":163,"vote_average":8,"backdrop_path":24,"original_title":158,"original_language":61},829562,"Towards a Black Testimony: Prayer\u002FProtest\u002FPeace","Towards a Black Testimony: Prayer, Protest, Peace is a new work by Languid Hands that examines Black Testimony as obscured, ignored and undermined. 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His classes, filmmaking and cooking, were very unique, and this film was made around the time I was studying with him at Städel… This is a single-shot film, moving along the passageway using a handmade dolly. I used an Arriflex 16ST camera, and I changed the filming speed from 48fps to 4-6 fps while shooting.” - Yo Ota",[],1.8634,"\u002FfjzPbtfvaGBj37i92F3MJM1oGdZ.jpg","1986-01-01",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":27,"poster_path":194,"release_date":195,"vote_average":196,"backdrop_path":24,"original_title":190,"original_language":129},458541,"Distorted \"Tele\" Vision","“The visual harmony of the landscape is disturbed by a screen that allows us to see into the distance (television). The film is composed of six scenes that feature a television in the landscape. The speed of the television (in NTSC) is 30 frames per second, and never changes in this film. 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A story that is kept alive in Vieques, Puerto Rico and serves as an embers of the resistance to the colonial status of the island.",0.4196,"\u002F6EkSYNsLPWFJRWKh5kuKl7Wf2m9.jpg","2020-04-15",[220],"MX",{"results":222},{},[224],{"name":225,"iso_639_1":99,"english_name":225},"No Language",[],[228,231,233],{"name":229,"iso_3166_1":230},"Argentina","AR",{"name":232,"iso_3166_1":220},"Mexico",{"name":234,"iso_3166_1":235},"Puerto Rico","PR",45,"Monte Carmelo sits in the sweet spot of what works for tonight.",[]]