[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-702476-en-US":3},{"detail":4,"match":345,"insight":346,"providers":347,"providerLink":35,"trailer":35},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":112,"revenue":8,"runtime":113,"similar":114,"tagline":240,"homepage":310,"overview":311,"softcore":6,"popularity":312,"vote_count":53,"poster_path":313,"release_date":314,"vote_average":124,"backdrop_path":315,"origin_country":316,"original_title":319,"watch\u002Fproviders":320,"spoken_languages":322,"original_language":169,"production_companies":329,"production_countries":342,"belongs_to_collection":35},702476,false,"Algeria, Life Goes On",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,29,36,43,49,56,64,71,78,84,90,96,103,106],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},1088583,"Writer","Djamila Sahraoui",1,"628452edec4552103338b355","Writing",0.5923,"\u002Fpm6Ye3aHIOpiVQb1eHQBckgOcL9.jpg","Directing",{"id":30,"job":31,"name":32,"adult":6,"gender":8,"credit_id":33,"department":31,"popularity":34,"profile_path":35,"original_name":32,"known_for_department":31},3554029,"Sound","Farid Kortbi","62845404f1759c006883495c",0.5326,null,{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":42,"profile_path":35,"original_name":39,"known_for_department":41},1895184,"Editorial Production Assistant","Claire Le Villain","628454c5fb3f61312e1f91e6","Editing",0.4606,{"id":44,"job":45,"name":46,"adult":6,"gender":8,"credit_id":47,"department":28,"popularity":48,"profile_path":35,"original_name":46,"known_for_department":28},3554031,"Assistant Director","Mourad Zidi","628454369ca75900662731fd",0.4152,{"id":50,"job":51,"name":52,"adult":6,"gender":53,"credit_id":54,"department":41,"popularity":55,"profile_path":35,"original_name":52,"known_for_department":41},1708643,"Color Grading","Éric Salleron",2,"6284551f873f006bb23c8566",0.3929,{"id":57,"job":58,"name":59,"adult":6,"gender":53,"credit_id":60,"department":61,"popularity":62,"profile_path":63,"original_name":59,"known_for_department":28},56244,"Production Accountant","Richard Copans","62845589cee481541c019ea2","Production",0.6215,"\u002Fc6zkFdzQW6mQdYDMTdUVO1BVC2k.jpg",{"id":65,"job":66,"name":67,"adult":6,"gender":53,"credit_id":68,"department":69,"popularity":70,"profile_path":35,"original_name":67,"known_for_department":31},1722593,"Mixing Engineer","Stéphane Larrat","628454e2f5c82400a56e4fa9","Crew",0.379,{"id":72,"job":73,"name":74,"adult":6,"gender":8,"credit_id":75,"department":76,"popularity":77,"profile_path":35,"original_name":74,"known_for_department":76},3554023,"Director of Photography","Bachir Sellami","62845313f1759c0068834471","Camera",0.2835,{"id":79,"job":80,"name":81,"adult":6,"gender":8,"credit_id":82,"department":61,"popularity":83,"profile_path":35,"original_name":81,"known_for_department":61},1475673,"Production Director","Françoise Buraux","62845552f1759c0068834fc7",0.2477,{"id":85,"job":86,"name":87,"adult":6,"gender":8,"credit_id":88,"department":31,"popularity":89,"profile_path":35,"original_name":87,"known_for_department":31},3319468,"Sound Director","Yves Laisné","628465f1dcf875334dd547b9",0.3021,{"id":91,"job":92,"name":93,"adult":6,"gender":8,"credit_id":94,"department":61,"popularity":95,"profile_path":35,"original_name":93,"known_for_department":61},3554034,"Production Manager","Karim Zidi","6284547dad59b50050549c18",0.5275,{"id":97,"job":98,"name":99,"adult":6,"gender":8,"credit_id":100,"department":101,"popularity":102,"profile_path":35,"original_name":99,"known_for_department":61},2497668,"Electrician","Hamid Imerzouken","628454a4e004a6005064c0ed","Lighting",0.3627,{"id":20,"job":104,"name":22,"adult":6,"gender":23,"credit_id":105,"department":28,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Director","5eb7e8e20cb3350021ccf485",{"id":107,"job":108,"name":109,"adult":6,"gender":8,"credit_id":110,"department":41,"popularity":111,"profile_path":35,"original_name":109,"known_for_department":41},2325571,"Editor","Anita Pérez","5eb7e9017d2bc1001efc5eb6",0.3898,"tt0219490",46,{"page":23,"results":115,"total_pages":308,"total_results":309},[116,127,138,150,160,170,180,191,201,208,216,226,237,246,254,263,273,283,291,300],{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":23,"poster_path":122,"release_date":123,"vote_average":124,"backdrop_path":125,"original_title":118,"original_language":126},1021584,"Twïza, L'Aventure Algérienne","In Tamazight culture, \"Twïza\" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.",[11],0.6002,"\u002FAk6ExFAiYAghf5EsGZGrZLqjnUu.jpg","2019-06-21",10,"\u002FhqqmZdCE590l0VZznPpNDAbEDZe.jpg","fr",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":134,"vote_count":8,"poster_path":135,"release_date":136,"vote_average":8,"backdrop_path":137,"original_title":129,"original_language":126},1591385,"Homs - Syrie, la vie d’après","After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. \"Homs-Syria, Life After\" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.",[11,132,133],36,10752,0.6114,"\u002F6g90JBV8X9yd0x1vuBO9nnKcR63.jpg","2025-12-06","\u002FjLnjU2N9a41N1NRKdjYs2D32ETQ.jpg",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":144,"poster_path":145,"release_date":146,"vote_average":147,"backdrop_path":148,"original_title":149,"original_language":126},665907,"The Lives of Albert Camus","Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.",[11,132],1.3999,3,"\u002F3vywMgtVzrVBfudOsaO4rEujF09.jpg","2020-01-22",8,"\u002FknaYx8aJ33IQ8YdorZ4PSI9VXzy.jpg","Les Vies d'Albert Camus",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":53,"poster_path":156,"release_date":157,"vote_average":147,"backdrop_path":158,"original_title":159,"original_language":126},1435447,"Two Lives for Algeria and All the Wretched of the Earth","In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.",[11,132],0.6341,"\u002FqYVRUcdzDtT79PWZ8q8VaIEEwEg.jpg","2025-01-15","\u002Fn6brcXo6n6ORZoi4YMkboxLoyCU.jpg","Deux Vies Pour l'Algérie Et Tous Les Damnés De La Terre",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":23,"poster_path":166,"release_date":167,"vote_average":124,"backdrop_path":168,"original_title":162,"original_language":169},1239721,"Pierre Clément, Cinéma et Révolution","Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.",[11],0.5876,"\u002F7uE3NU6X8hzGxGnstqOK7DkbNVh.jpg","2023-10-14","\u002FrKT0XX5nvXnE0cnggkUT40aThq3.jpg","ar",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":176,"vote_count":23,"poster_path":177,"release_date":178,"vote_average":124,"backdrop_path":179,"original_title":172,"original_language":126},482769,"Gerboise Bleue","\"Gerboise bleue\", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of \"Gerboise Bleue\", forbidden access for 47 years by the Algerian authorities",[11,175],18,1.6764,"\u002FoocBHmexdC0vQezLCITdVLMwG56.jpg","2009-02-11","\u002Fck8E5Qtcs7nV46pspVclYcGuwEm.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":186,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":35,"original_title":182,"original_language":190},483301,"Blood Diamonds","Blood Diamonds is a made-for-TV documentary series, originally broadcast on the History Channel, that looks into the trade of diamonds which fund rebellions and wars in many African nations. The program focuses primarily on two nations: Sierra Leone and Angola. Diamonds which are traded for this purpose are known as blood diamonds.",[11],0.9429,5,"\u002F2UYx054erj1c3JMQhE4ldqtJas8.jpg","2006-12-23",6.8,"en",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":23,"poster_path":197,"release_date":198,"vote_average":124,"backdrop_path":199,"original_title":200,"original_language":169},1239768,"Guns of Freedom","This docu-fiction recounts the difficulties overcome by an ALN ​​detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.",[11,133],0.6809,"\u002FJpfVmJmywqCSM6tMYxxrB2Ko26.jpg","1961-01-01","\u002Fn6AeCDzfT0DXHVWTxBk89xY6ble.jpg","بناديق الحورية (Banâdiq El-Houria )",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":23,"poster_path":207,"release_date":198,"vote_average":124,"backdrop_path":35,"original_title":203,"original_language":169},478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",[133,11],0.5094,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":8,"poster_path":214,"release_date":215,"vote_average":8,"backdrop_path":35,"original_title":210,"original_language":190},477806,"The Battle of Chickamauga","The Battle of Chickamauga proved to be one of the fiercest engagements of the American Civil War. Over a period of two days in September 1863, more than 100,000 men struggled for control of the south's most strategic transportation hub, the city of Chattanooga. Along the hills and valleys surrounding the Chickamauga Creek, over 34,000 casualties would be suffered, and the Confederate Army of Tennessee would achieve their last, great victory. Shot on location using High Definition cameras, this 70-minute documentary film dramatically recreates the battle by including more than 50 fully animated maps, period photographs, historical documents, and over 200 reenactors.",[133,11,132],0.9126,"\u002Fu2A6SgobIswrxPj5gxM3bVmJwYq.jpg","2007-07-03",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":222,"vote_count":23,"poster_path":223,"release_date":224,"vote_average":124,"backdrop_path":225,"original_title":218,"original_language":126},1433834,"Hoggar 1973","In 1973, 6 guides from the National Ski and Mountaineering School (ENSA), including Charles Daubas and Walter Cecchinel, left by truck from Chamonix to Tamanrasset in the desert in Algeria with the aim of climbing some peaks of the Atakor massif including Adaouda and Tizouyag where they do the first of \"La Voie de l'ENSA\".",[11,221],12,0.7547,"\u002F9PgVnGf4Iqtmt5RK7TnAY1PmGeS.jpg","1973-01-01","\u002FmGh2w4qqxhX83Iyuw3OobejehuZ.jpg",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":186,"poster_path":232,"release_date":233,"vote_average":234,"backdrop_path":235,"original_title":236,"original_language":126},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[175,11],0.7268,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":23,"poster_path":243,"release_date":244,"vote_average":124,"backdrop_path":245,"original_title":239,"original_language":126},1606473,"Les Maisons De La Mer","",[11],0.836,"\u002FrTC6XF5xricM6qMmw2qlj2FArTd.jpg","2017-11-01","\u002FsHKMQ9ryKfBeAUqFE0gypj23JP6.jpg",{"id":247,"adult":6,"title":248,"video":6,"overview":249,"softcore":6,"genre_ids":250,"popularity":251,"vote_count":8,"poster_path":252,"release_date":253,"vote_average":8,"backdrop_path":35,"original_title":248,"original_language":190},650448,"CIVIL WAR SURVEILLANCE POEMS (Part 1)","\"CIVIL WAR SURVEILLANCE POEMS (Part 1)\" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.",[11],0.6791,"\u002FnRvxDpLDh40RqaEpmhMikj8PhxF.jpg","2019-04-19",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":23,"poster_path":260,"release_date":261,"vote_average":124,"backdrop_path":262,"original_title":256,"original_language":126},1226403,"Le Grand Désert","In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book \"The Great Desert\". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.",[11],1.2202,"\u002FvFORe2cqXX20OvJuCAtsHrcG4RP.jpg","1950-12-01","\u002FbY5gMLQxrMFl1StkBcXhsYL6CnY.jpg",{"id":264,"adult":6,"title":265,"video":6,"overview":266,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":23,"poster_path":269,"release_date":270,"vote_average":124,"backdrop_path":271,"original_title":272,"original_language":126},1414080,"Salt and Rock","After reading the book \"Guide to Hoggar Climbing,\" guide Pierre Agresti and his wife Isabelle Agresti set off into the Hoggar massif in the Algerian Sahara and tackled the west face of Garet El Djenoun. After a first attempt in 1967, they successfully reached the summit in 1970 and, with an old camera, made a film that remained unused for 25 years. In 1996, they decided to bring the past back to life through the ascent and encounters with the Tuaregs in the rock salt mines of Amadror. The film was shown in competition at the Trento Film Festival in 1997.",[11,221],0.899,"\u002FgL2Ytnp1IpkjicI6FcXiNVXyWbh.jpg","1996-01-01","\u002FfmIxSL9AJLedeuPc3y2DkgIn2YE.jpg","Le Sel Et La Roche",{"id":274,"adult":6,"title":275,"video":6,"overview":276,"softcore":6,"genre_ids":277,"popularity":278,"vote_count":23,"poster_path":279,"release_date":280,"vote_average":124,"backdrop_path":281,"original_title":282,"original_language":126},1220211,"Zinet, Algiers, Happiness","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",[11],0.7243,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15","\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg","زينات، الجزائر، السعادة",{"id":284,"adult":6,"title":285,"video":6,"overview":286,"softcore":6,"genre_ids":287,"popularity":288,"vote_count":23,"poster_path":289,"release_date":290,"vote_average":186,"backdrop_path":35,"original_title":285,"original_language":190},272896,"The Wars of the Roses: A Bloody Crown","Using historically-accurate, battle-filled re-enactments and interviews with expert historians and noted authors, this two-part documentary series brings to vivid life the captivating true stories behind Britain's bloody civil wars.",[11,132],0.5241,"\u002FraeKEMa088g9Im9XqSxXtSGQI0Q.jpg","2002-01-01",{"id":292,"adult":6,"title":293,"video":6,"overview":294,"softcore":6,"genre_ids":295,"popularity":296,"vote_count":23,"poster_path":297,"release_date":298,"vote_average":124,"backdrop_path":299,"original_title":293,"original_language":126},1415248,"Sahara Vertical","Following in the footsteps of Frison Roche, 7 climbers explore the main Hoggar massifs in Algeria. Their main objective is the ascent of the Garet El Djenoun summit via the north ridge, a long climb symbolic of a certain difficulty and a significant commitment, due to its location in the desert. They also attempt the Diedre Agresti, a daring route from the 70s, opened in around ten days on artificial, and unequipped; it is a path that has never been repeated; the objective is to do it free and almost only on wedges, with difficulties up to 7b\u002Fc in a sometimes very delicate rock... Excerpts from the film shot in 1970 by Henri Agresti on this same route, allow us to compare the technical and material means of the time to those of today. They also discover the beauty of the Algerian desert, its silence, its rock paintings, the customs of the Tuaregs, etc... a fascinating journey.",[11,221],1.3331,"\u002Fp85H6IDldPOLzgJT0x7hEN1dr5w.jpg","2006-01-01","\u002Fl5Wh1a41n4ftztyfdosJRqL3Qqi.jpg",{"id":301,"adult":6,"title":302,"video":6,"overview":303,"softcore":6,"genre_ids":304,"popularity":305,"vote_count":8,"poster_path":306,"release_date":307,"vote_average":8,"backdrop_path":35,"original_title":302,"original_language":190},1029695,"Phoenix","Sohaila, Zahra and Zeinab train every day. Their dream is to become professional fighters and to show the world that all people are equal. Director Lukas Tielke and his team spent a week in Malakasa refugee camp, outside Athens, getting to know these inspirational young Afghan women.",[11],0.4647,"\u002Fj96YlEGJvsWrFTMtwFpKdfUiqbD.jpg","2022-03-07",1001,20001,"http:\u002F\u002Fwww.lesfilmsdici.fr\u002Ffr\u002F100-algerie-la-vie-quand-meme.html","In a small town in northern Algeria during the 1990s, at the height of the dark decade that tore the country apart, three unemployed young men navigate the daily lives of life, caught between endless boredom and the anticipation of the improbable, between humor and despair. This documentary bears witness to an era from which Algeria has managed to recover, once again facing alone attempts at external destabilization, the devaluation of its local currency by the World Bank, and the interference and pressure of international financial lobbies.",1.0947,"\u002FxUphRCijj7DqehzbWhyEmOgOVAf.jpg","1998-01-01","\u002FqrBaRppHH7CbLfycatoWsL1vYkL.jpg",[317,318],"DZ","FR","Algérie, La Vie Quand Même",{"results":321},{},[323,326],{"name":324,"iso_639_1":169,"english_name":325},"العربية","Arabic",{"name":327,"iso_639_1":126,"english_name":328},"Français","French",[330,334,338],{"id":331,"name":332,"logo_path":333,"origin_country":318},11332,"La Sept-Arte","\u002FjL4OTBHDF4M6ZoG5ab4MPaXn3EW.png",{"id":335,"name":336,"logo_path":337,"origin_country":318},76921,"Les Films d'Ici","\u002FdkPpGhEL2uQ5bmNDAqSZRFp894g.png",{"id":339,"name":340,"logo_path":341,"origin_country":318},310,"CNC","\u002F4Gp5A4YdjPBfsHT47ngHMaXWmb9.png",[343],{"name":344,"iso_3166_1":318},"France",51,"A documentary story that tends to land well.",[]]