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As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!",[11],0.7146,"\u002F9bh97TIetPvU1eJLXHMhVrq2yKj.jpg","2012-08-28","\u002Fm461icSl2H5M6juYjp2uCy3bfX2.jpg","ru",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":8,"poster_path":141,"release_date":142,"vote_average":8,"backdrop_path":47,"original_title":143,"original_language":134},656967,"Shostakovich: Lady Macbeth of Mtsensk","At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.",[11],0.5677,"\u002FcNMxbaAxus4BLIUKCuvoCYKi2vz.jpg","2009-10-27","Леди Макбет Мценского уезда",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":8,"poster_path":150,"release_date":151,"vote_average":8,"backdrop_path":47,"original_title":152,"original_language":153},285770,"Love Forbids You","Brazilian \"singing film\" (filme cantante) directed by Alberto Botelho, featuring a screen synchronization of the famous Italian tenor aria \"Amor ti vieta\" (composed by Umberto Giordano for his 1898 verismo opera Fedora) and performed by Enzo Bannino.",[11],0.7531,"\u002F5qJvoqsIuDMytewqt9aLMTQR01k.jpg","1910-01-02","Amor ti vieta","pt",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":24,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":156,"original_language":164},657629,"Wagner: Götterdämmerung - Teatro alla Scala","Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity.  Iréne Theorin, acclaimed worldwide for her portrayal of Wagner’s heroines, stars as Brünnhilde opposite Lance Ryan, who continues his radiant portrayal of the tragic hero Siegfried. The strong cast also includes Mikhail Petrenko as the dark antagonist Hagen and Johannes Martin Kränzle, who once again shines as his father Alberich. Waltraud Meier has a memorable appearance as Brünnhilde’s sister Waltraute.  With this 2013 recording of Götterdämmerung, the musically and visually compelling Scala Ring Cycle by Daniel Barenboim and Guy Cassiers was completed and proved to be one of the highlights of the Richard Wagner bicentenary.",[11],2.4518,"\u002Fiq11cxAVGrHfMBGmKCbc9BU26G6.jpg","2013-06-22",3.5,"\u002FyS0dExOSrr5G39nybsgEuHVkQay.jpg","de",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":173,"original_title":167,"original_language":174},657631,"Wagner: Siegfried","In Siegfried, the “Second Day” or third evening of the Ring Cycle, we meet the pivotal hero of the epic tale. The energetic drive from Die Walküre is pursued here while Siegfried finally recaptures the mighty ring from Fafner the Dragon and awakens Brünnhilde from her penal sleep on the great rock.  Lance Ryan, having interpreted this role on the greatest stages of the world including the Bayreuth Festival, portrays the naïve hero. His antagonists are Peter Bronder, great and agile as Mime, Terje Stensvold, an experienced Wanderer and Johannes Martin Kränzle, who continues his mean and deceitful depiction of Alberich. The leading ladies are Nina Stemme, once again unrivalled as Brünnhilde and Anna Larsson, moving as the God-mother Erda.",[11],0.7381,"\u002F20kYnxjkWc8I7QPiA7NQaTyonFz.jpg","2014-01-06","\u002FsrRZGrOCGDdFqfH19TzgAT7zEOZ.jpg","en",{"id":176,"adult":6,"title":177,"video":118,"overview":178,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":8,"poster_path":47,"release_date":181,"vote_average":8,"backdrop_path":47,"original_title":177,"original_language":182},852480,"Et avec la Lumière et la Mort sans cesse","",[11],0.8193,"1994-01-01","fr",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":24,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":47,"original_title":192,"original_language":193},286085,"Mozart: Don Giovanni (Zurich Opera House)","Live 2001 production from the Zurich Opera House of the classic Mozart\u002FDa Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.",[11],0.8756,"\u002F6UIyNEyY1fUjMLSSgn4itXC95TA.jpg","2001-12-01",9.5,"Don Giovanni","it",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":200,"vote_count":34,"poster_path":201,"release_date":202,"vote_average":203,"backdrop_path":204,"original_title":196,"original_language":164},1237363,"Parsifal","German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.",[199,11],18,2.1437,"\u002FgYw5aTsiSCCoMh0ftrsnDcAPGyI.jpg","2016-07-25",6,"\u002FnfOKhmFhXn7OlsIt3EscXqkUwa0.jpg",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":213,"vote_count":8,"poster_path":214,"release_date":215,"vote_average":8,"backdrop_path":216,"original_title":207,"original_language":193},285089,"Macbeth","Piero Cappuccilli and Shirley Verrett lead Verdi’s sombre masterpiece, drawn from one of Shakespeare’s most celebrated tragedies. Filmed for television at Teatro alla Scala in 1979, Claudio Abbado conductes a night to remember.",[11,210,199,211,212],27,14,10770,1.3845,"\u002F1b4TE2VSha1vpC5NZgK9okqbOt6.jpg","1979-06-30","\u002F25bXyELXw5NkcZftaQfwjqeW3U1.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":34,"poster_path":223,"release_date":224,"vote_average":25,"backdrop_path":47,"original_title":219,"original_language":164},656737,"Arabella","2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ",[11],0.693,"\u002FoU1W1FaKnAiFQifeEZG3wavhyk2.jpg","2014-06-17",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":8,"poster_path":231,"release_date":232,"vote_average":8,"backdrop_path":47,"original_title":227,"original_language":174},656738,"Verdi: Otello","Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).",[11],0.6493,"\u002F3MjN8TZRZPdOEOCmmvnzTGOYXix.jpg","2014-06-02",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":239,"release_date":240,"vote_average":8,"backdrop_path":241,"original_title":235,"original_language":242},1239101,"Svätopluk","Eugen Suchoň's opera Svätopluk returns to the stage of the Slovak National Theatre Opera in 2023. Since 1960, when it had its world premiere, this is the fifth production of this musical drama at the Slovak National Theatre. It returns as an eloquent witness of Slovak operatic history, as a bearer of a message, as an impulse for reflection and reassessment of historical attitudes in a broader context.",[11],1.1015,"\u002Fg3TYYHPrzl8o7mzBWEiGTwol3bd.jpg","2024-01-28","\u002Fy5Hvm7oROczBtnGZjDnCqvjXOB4.jpg","sk",{"id":244,"adult":6,"title":245,"video":6,"overview":246,"softcore":6,"genre_ids":247,"popularity":249,"vote_count":24,"poster_path":250,"release_date":251,"vote_average":43,"backdrop_path":47,"original_title":245,"original_language":182},286257,"Patrice Chéreau, Pascal Greggory, une autre solitude","A look at the entire process of creating and developing Patrice Chéreau’s third staging of \"In the Solitude of Cotton Fields\" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s \"Don Giovanni\" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.",[11,248],99,1.6087,"\u002F21U1xVlb9oMYDUS2t4hGovVInmg.jpg","1996-01-30",{"id":253,"adult":6,"title":254,"video":6,"overview":255,"softcore":6,"genre_ids":256,"popularity":257,"vote_count":8,"poster_path":258,"release_date":259,"vote_average":8,"backdrop_path":47,"original_title":254,"original_language":174},1411392,"Eugene Onegin","Pyotr Ilyich Tchaikovsky's 1879 opera, adapted from Alexander Pushkin's novel. Performed by the Finnish National Opera. Filmed on 20 December 2024 and streamed by Operavision.",[11],1.2605,"\u002F20Bf0tt2kVaCPBKRTRFgLuXtTY6.jpg","2024-12-20",{"id":261,"adult":6,"title":262,"video":6,"overview":263,"softcore":6,"genre_ids":264,"popularity":265,"vote_count":34,"poster_path":266,"release_date":267,"vote_average":268,"backdrop_path":269,"original_title":262,"original_language":164},634808,"Lohengrin","After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray.\r This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival.\r The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.",[11],0.7794,"\u002Fy27UQmmjvGLr3slNnchk4dpAFFN.jpg","2018-07-25",5,"\u002F2iTOjDnTYdlKBi86wFOrFkTHjx6.jpg",{"id":271,"adult":6,"title":219,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":34,"poster_path":275,"release_date":276,"vote_average":25,"backdrop_path":47,"original_title":219,"original_language":174},449926,"Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.",[11,248],0.664,"\u002FwKVC1FJYO1wUdUed9DUcoCZzZPc.jpg","1994-11-03",{"id":278,"adult":6,"title":279,"video":6,"overview":280,"softcore":6,"genre_ids":281,"popularity":282,"vote_count":8,"poster_path":283,"release_date":284,"vote_average":8,"backdrop_path":285,"original_title":279,"original_language":193},449978,"Rigoletto","In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.",[199,11],0.6095,"\u002FjuzNeW2bTTOP5JKDWfiev1OUT5g.jpg","2004-12-01","\u002FpVbxMfq8oh8V5b92vElngPNBX3Q.jpg",{"id":287,"adult":6,"title":288,"video":6,"overview":289,"softcore":6,"genre_ids":290,"popularity":291,"vote_count":8,"poster_path":292,"release_date":293,"vote_average":8,"backdrop_path":294,"original_title":288,"original_language":174},638049,"Berg: Wozzeck","Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'",[11],0.6757,"\u002FrBuVWf0mVO9SgkbbCfcZVfPlvjx.jpg","2018-01-11","\u002Fc044y4RebIxs1kAHXRq6GeaT2bA.jpg",{"id":296,"adult":6,"title":297,"video":6,"overview":298,"softcore":6,"genre_ids":299,"popularity":300,"vote_count":8,"poster_path":301,"release_date":302,"vote_average":8,"backdrop_path":303,"original_title":297,"original_language":164},638061,"Alban Berg - Wozzeck","The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.",[11],0.5981,"\u002FtKpZ3KxoT0rLQvbZBK7jKlxIWP3.jpg","2016-01-01","\u002F27sYS7ret5xOoiBm5AMG0V0W2q3.jpg",1001,20001,"“Foolish indeed is he who marries in old age.” Thus ends Don Pasquale: with a wise dictum not lacking in irony that sums up the disappointments of its hero, a rich bachelor keen to marry who is deceived by his nephew Ernesto and his young bride-to-be Norina. First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.",0.9235,"\u002FuOFinDnJil8B7JDkBjfv117ISQH.jpg","2018-06-06",[311],"IT","Opera national de Paris - Don Pasquale",{"results":314},{},[316],{"name":317,"iso_639_1":193,"english_name":318},"Italiano","Italian",[],[],45,"A music story that tends to land well.",[]]