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My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation.\" Malcolm Le Grice",0.146,"\u002FuCduHi7Yj3g6bwr6mGdR1p0kheO.jpg","2016-05-28",[24,259],"GB",{"results":261},{},[],[],[265],{"name":266,"iso_3166_1":259},"United Kingdom",53,"A documentary story that tends to land well.",[]]