[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-706895-en-US":3},{"detail":4,"match":259,"insight":260,"providers":261,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":54,"revenue":8,"runtime":55,"similar":56,"tagline":240,"homepage":241,"overview":242,"softcore":6,"popularity":243,"vote_count":57,"poster_path":244,"release_date":245,"vote_average":55,"backdrop_path":27,"origin_country":246,"original_title":7,"watch\u002Fproviders":248,"spoken_languages":250,"original_language":69,"production_companies":251,"production_countries":256,"belongs_to_collection":27},706895,false,"The Soundman",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,29,32,40,45,51],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},8484,"Director","Aaron Stell",2,"5ec6dbf6ae2811001e3b607b","Directing",0.4244,null,"Editing",{"id":20,"job":30,"name":22,"adult":6,"gender":23,"credit_id":31,"department":28,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Editor","5ec6dc735a5ed0001f43bffc",{"id":33,"job":34,"name":35,"adult":6,"gender":23,"credit_id":36,"department":37,"popularity":38,"profile_path":27,"original_name":35,"known_for_department":39},1467264,"Writer","Grant Leenhouts","5ec6dc088e2e003dd611dcd9","Writing",0.6828,"Production",{"id":41,"job":34,"name":42,"adult":6,"gender":8,"credit_id":43,"department":37,"popularity":44,"profile_path":27,"original_name":42,"known_for_department":37},1721571,"Jack Roberts","5ec6dc2e6c849200202bee8d",0.3037,{"id":46,"job":47,"name":48,"adult":6,"gender":23,"credit_id":49,"department":39,"popularity":50,"profile_path":27,"original_name":48,"known_for_department":39},1071305,"Production Manager","Jack Fier","5ec6dc8f9979d20021389d6a",0.3304,{"id":33,"job":52,"name":35,"adult":6,"gender":23,"credit_id":53,"department":39,"popularity":38,"profile_path":27,"original_name":35,"known_for_department":39},"Producer","5ec6dc623d3557001eee7e3d","tt0240015",10,{"page":57,"results":58,"total_pages":238,"total_results":239},1,[59,70,79,91,99,110,118,127,135,142,151,159,170,177,183,194,204,213,222,229],{"id":60,"adult":6,"title":61,"video":6,"overview":62,"softcore":6,"genre_ids":63,"popularity":64,"vote_count":65,"poster_path":66,"release_date":67,"vote_average":68,"backdrop_path":27,"original_title":61,"original_language":69},277664,"The Art Director","A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project.  Preserved by the Academy Film Archive in 2012.",[11],0.711,3,"\u002F57b5sX4bRqKvkaVBXYL627R2Mpp.jpg","1949-11-12",6.7,"en",{"id":71,"adult":6,"title":72,"video":6,"overview":73,"softcore":6,"genre_ids":74,"popularity":75,"vote_count":57,"poster_path":76,"release_date":77,"vote_average":78,"backdrop_path":27,"original_title":72,"original_language":69},298150,"Kristallnacht","A bewitching, mysterious work of enveloping beauty, the film’s ominous title and a dedication to Anne Frank deeply inform our reading of its haunting subtext.  Preserved by the Academy Film Archive, in partnership with the National Film Preservation Foundation, in 2009.",[11],1.2745,"\u002F2OogW0man3B5tmNaW860unWJRrw.jpg","1979-11-16",9,{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":85,"vote_count":86,"poster_path":87,"release_date":88,"vote_average":89,"backdrop_path":90,"original_title":81,"original_language":69},298151,"I Don't Know","A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising.  Preserved by the Academy Film Archive in 2014.",[11,84],18,0.9869,5,"\u002FcsfAszr7Lo9nZ3Bp52HqDbTU1zx.jpg","1971-11-09",4.4,"\u002F7tE8kLPzBugMncpXkoANO66AMjW.jpg",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":8,"poster_path":97,"release_date":98,"vote_average":8,"backdrop_path":27,"original_title":93,"original_language":69},1290492,"Steel Town","Documentary examining the steel industry in Youngstown, Ohio during World War II. Focuses on steel production, including the smelting process, slagging and the blast furnace. Workers reflect upon their lives and the importance of their jobs. Emphasizes the importance of teamwork in the mills and on the plant's labor relations committee to help win the war.  Preserved by the Academy Film Archive in 2012.",[11],0.8717,"\u002F3n26NtY4k4e8y1qCvz2rG6XJnVB.jpg","1944-01-01",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":105,"vote_count":106,"poster_path":107,"release_date":108,"vote_average":68,"backdrop_path":109,"original_title":101,"original_language":69},72585,"Why Man Creates","A 1968 animation\u002Fdocumentary that criticises the industrial system.",[11,104],16,0.7384,26,"\u002F5w7A4i3vIZXKbkpvLIxOzwAlXtk.jpg","1968-09-24","\u002FfgjPwozE6zGTJCglGmVJoH5BqcM.jpg",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":115,"vote_count":8,"poster_path":116,"release_date":117,"vote_average":8,"backdrop_path":27,"original_title":112,"original_language":69},1299663,"You See... I've Had a Life","This film reveals through flashbacks how a 13-year-old boy and his family attempt to deal with the child's fatal affliction with leukemia.  Preserved by the Academy Film Archive in 2012.",[11],0.2594,"\u002FrN0xmeFa4qWRYXCUuhDerIPDDqd.jpg","1972-05-01",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":23,"poster_path":124,"release_date":125,"vote_average":126,"backdrop_path":27,"original_title":120,"original_language":69},278457,"Chicken Real","One of Les Blank's industrial films, which follows a Holly Farms \"broiler\" chicken from factory incubation to the county fair barbecue pit. A hilarious, disturbing and surreal look at a large-scale chicken farm producing 156 million chickens a year! Film includes lots of chicken songs and music recorded live in the Blue Ridge Mountains of North Carolina.  Preserved by the Academy Film Archive in 2013.",[11],0.8104,"\u002FvMS5ligzpZmrpkSdYGp7HpqZo39.jpg","1970-01-01",7,{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":57,"poster_path":133,"release_date":134,"vote_average":55,"backdrop_path":27,"original_title":129,"original_language":69},283174,"The Costume Designer","This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry.  Preserved by the Academy Film Archive in 2012.",[11],1.5395,"\u002FeDzjPJrrnggpTwHKZvTlEOUCf94.jpg","1950-07-13",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":8,"poster_path":27,"release_date":141,"vote_average":8,"backdrop_path":27,"original_title":137,"original_language":69},651086,"Atol","A documentary abstraction recorded at night in Los Angeles backed by the music of Stockhausen. It is a preliminary effort to organise camera and audio images through a cybernetic editing model and a digital computer.  Preserved by the Academy Film Archive in 2013.",[11],0.2703,"1966-01-01",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":57,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":27,"original_title":144,"original_language":69},473603,"Migration","\"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space\u002Ftime, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun.\" - Gene Youngblood.  Preserved by the Academy Film Archive in 2014.",[11],0.611,"\u002FiHQw8OFIaIB9KetJLtT0MxVdQzU.jpg","1969-01-01",6,{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":57,"poster_path":157,"release_date":158,"vote_average":55,"backdrop_path":27,"original_title":153,"original_language":69},285641,"On the Pole: Eddie Sachs","A direct-cinema portrait of Indianapolis 500 driver Eddie Sachs, filmed before, during, and after the 1960 race as he competes from pole position. Using pioneering mobile camera and sound techniques, the film captures the psychological intensity of racing and the personal cost of high-speed competition.",[11],0.5946,"\u002F89pZDRcsKcLcc3y8NxhAaEzhqea.jpg","1961-08-31",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":165,"poster_path":166,"release_date":167,"vote_average":168,"backdrop_path":169,"original_title":161,"original_language":69},33324,"Harlan County U.S.A.","A heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line.",[11],1.6081,125,"\u002F4TQwyqULcE87BHCOIt7NvCEzfQi.jpg","1976-10-15",7.6,"\u002FpVspyFNl8uE8jAoY3C973XkjTgB.jpg",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":27,"release_date":176,"vote_average":8,"backdrop_path":27,"original_title":172,"original_language":69},1067038,"Kid City","Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves.  Restored in 2018 by the Academy Film Archive.",[11],0.8541,"1972-01-01",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":8,"poster_path":27,"release_date":125,"vote_average":8,"backdrop_path":27,"original_title":179,"original_language":69},1067039,"People Who Make Things","A portrait of three Los Angeles area residents who create things with their hands. Angelo Austin decorates wedding cakes; Dean Jeffries designs, manufactures, and paints custom cars; and Pamela Weir-Quiton creates wooden dolls.  Restored by the Academy Film Archive in 2016.",[11],0.5202,{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":190,"vote_count":150,"poster_path":191,"release_date":192,"vote_average":193,"backdrop_path":27,"original_title":185,"original_language":69},485532,"Food and Magic","A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War.  Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.",[188,11,189],10752,14,0.4643,"\u002FgmZ70JypYxSPRb5JcaeAmbPLLQV.jpg","1943-11-18",5.8,{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":23,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":203,"original_title":196,"original_language":69},297719,"The Chair","Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.",[11],0.4174,"\u002FfuZ5E6M2VTx904UkJTNC7usuwto.jpg","1963-08-24",7.5,"\u002FlYEPJGUKIg9Ga2STfIKaAUzMcy0.jpg",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":57,"poster_path":210,"release_date":211,"vote_average":150,"backdrop_path":212,"original_title":206,"original_language":69},283593,"Pasadena Freeway Stills","Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation.  Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano)  Preserved by the Academy Film Archive in 2008.",[11,104],0.1933,"\u002Fyrbg6gyKIwJEraL8hrVNsQ83SBt.jpg","1974-01-01","\u002FvS6rtjbvYsMYJWyFeTef2orbW13.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":23,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":27,"original_title":215,"original_language":69},522358,"Let's Go to the Movies","What goes in to the phrase, \"Let's go to the movies\"? An off-screen narrator takes us back to the earliest days of film: clips remind us of early stars and blockbusters. He explains how sound came to motion pictures: we see Jolson singing \"Mammy\" and John Barrymore playing Richard III. Next is a salute to the 30,000 people working in Hollywood at 272 different crafts. A montage shows us some of those jobs. It ends with a look at the physical production of celluloid (cotton and silver) and the many aspects of movie making. The narrator promises more short films about each step in production.  Preserved by the Academy Film Archive in 2012.",[11],1.0565,"\u002FghdugqRrvTqGqv9VkfVwaPellET.jpg","1949-05-13",8,{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":27,"release_date":228,"vote_average":8,"backdrop_path":27,"original_title":224,"original_language":69},706316,"Me & Bruce & Art","Bay Area filmmakers and Canyon Cinema co-founders Ben Van Meter and Bruce Conner were invited to L.A. to talk about Underground Film on the Art Linkletter Show.",[11],1.2331,"1967-01-01",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":8,"poster_path":27,"release_date":235,"vote_average":8,"backdrop_path":27,"original_title":236,"original_language":237},1306254,"Movie Making in Japan: A Screen Snap-shot","This fragmentary documentary was prepared at the request of the Academy of Motion Picture Arts and Sciences by Yoshio Osawa of the J.O. Studios in Kyoto, Japan, to illustrate current progress in Japanese sound picture technique.  Preserved by the Academy Film Archive.",[11],0.1624,"1935-01-01","Nihon no eiga zukuri","ja",1001,20001,"The inside story of studio magic!","","This short on movie sound men starts with a short history of sound in the movies. We then see how the different jobs in the sound department contribute to the finished film. They start with the technicians, who record the original sounds, and end with the re-recording mixer who takes several different tracks and blends them into a single soundtrack.  Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division in 2012.",0.95,"\u002F1DeTvxWFTmWDh9i7ke4zR3r77QP.jpg","1950-01-13",[247],"US",{"results":249},{},[],[252],{"id":253,"name":254,"logo_path":255,"origin_country":247},43330,"Academy of Motion Picture Arts and Sciences (AMPAS)","\u002FgyzrYRGzRLlO6Z1A1U0z60SAG2h.png",[257],{"name":258,"iso_3166_1":247},"United States of America",54,"A documentary story that tends to land well.",[]]