[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-713017-en-US":3},{"detail":4,"match":252,"insight":253,"providers":254,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":7,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":23,"release_date":24,"revenue":8,"runtime":25,"softcore":5,"spoken_languages":26,"status":33,"tagline":13,"title":18,"video":5,"vote_average":8,"vote_count":8,"credits":34,"similar":46,"watch\u002Fproviders":248,"videos":250},false,"\u002FhmxvBaABEqnS2X9C5pxjBX0GKPu.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","",713017,[16],"IT","en","Icaro I","\"Alexander is merging himself with Icaro. Between the Earth and the Sun, a persistent connection that pushes him back and forward in time, and slowly fades inside the sun, as his only reason of living. This and other short films will be part of this merging between Icaro and me, between the past and the future, between our star and Earth\".",1.0339,"\u002F8Oo2SDrDrcQ72bo1ppeuZjLaCzf.jpg",[],[],"2018-11-15",9,[27,31],{"english_name":28,"iso_639_1":29,"name":30},"Greek","el","ελληνικά",{"english_name":32,"iso_639_1":17,"name":32},"English","Released",{"cast":35,"crew":36},[],[37],{"adult":5,"gender":38,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":43,"credit_id":44,"department":40,"job":45},2,2667884,"Directing","Alexander Dimitrios Papadopoulos",0.3767,"\u002FjE8DWQLrkavlqsvQVZG8bExu1xK.jpg","5edb5e1d726fb100208659fb","Director",{"page":47,"results":48,"total_pages":246,"total_results":247},1,[49,56,65,73,82,94,104,116,127,139,149,159,169,178,186,197,208,217,227,239],{"adult":5,"backdrop_path":7,"genre_ids":50,"id":51,"title":52,"original_language":17,"original_title":52,"overview":53,"popularity":54,"poster_path":7,"release_date":55,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1047407,"James Bearden: Man of Metals","An essay style film in the vein of Orson Welles' \"F For Fake\" and Jon Jost's \"Speaking Directly\". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.",0.7872,"2013-10-04",{"adult":5,"backdrop_path":57,"genre_ids":58,"id":59,"title":60,"original_language":61,"original_title":60,"overview":13,"popularity":62,"poster_path":63,"release_date":64,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FLTaY5r7PZaM7g5PjdRtdE2KCsb.jpg",[11],1047918,"Rebenty","fr",0.6433,"\u002Fu2Ekohhm1iChA1KBjTjiGlLicWw.jpg","2018-06-13",{"adult":5,"backdrop_path":7,"genre_ids":66,"id":67,"title":68,"original_language":17,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1432970,"Outtakes from Jo","Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.",0.4582,"\u002F6pFT7qg9RUYAdgphRbmIEk78wZn.jpg","2025-02-11",{"adult":5,"backdrop_path":74,"genre_ids":75,"id":76,"title":77,"original_language":78,"original_title":77,"overview":13,"popularity":79,"poster_path":80,"release_date":81,"softcore":5,"video":5,"vote_average":25,"vote_count":38},"\u002Fs9KhXCsnE1Y8sJJsyQC3ejA5TJ7.jpg",[11],1240239,"Las Preguntas que Perdimos","es",0.6596,"\u002FtIkn26VFrxUHo0zpH0jlQu1KWRM.jpg","2023-12-30",{"adult":5,"backdrop_path":83,"genre_ids":84,"id":87,"title":88,"original_language":17,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":93,"vote_count":47},"\u002Fcfh7HhN6S1lTr98ehMXA91hY2oG.jpg",[11,85,86],18,53,1059363,"Solitary Eyes","An isolated filmmaker struggles to connect with others in the absence of cameras. 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Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity.  The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.",1.9743,"\u002Fi5t3DM6ReBKGdjWECTEGMFGUcaO.jpg","2024-03-13",8,{"adult":5,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":78,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":5,"video":5,"vote_average":126,"vote_count":93},"\u002FbqtiaEtZQkrNZy6THNZtef4h4Cn.jpg",[11],853423,"Journey to Somewhere","Viaje a alguna parte","A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)",1.2262,"\u002FtcYJFzRSTfpAFa6t5baTXdCX9qn.jpg","2021-11-23",6.5,{"adult":5,"backdrop_path":128,"genre_ids":129,"id":132,"title":133,"original_language":78,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F44429l4CtydAYD9tAAjrWJXnPI.jpg",[130,85,131,11],10751,14,849150,"Three Venus","Tres Venus","Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.",0.5342,"\u002Fh0jukzRdulwGsV5sVeBFC8k3ZLO.jpg","2021-10-01",{"adult":5,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":78,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fdsz3O9xFKt9rmRot39bjW1sZJhl.jpg",[11],1261654,"Water and more water","Agua y más agua","Francesca Svampa’s dreamlike portrait of Barcelona, shot in double exposure on reversible 8mm film, is interwoven with Svampa’s intimate, reminiscent telling of her personal micro-memories, as a woman, filmmaker, and immigrant.",0.8806,"\u002FuQLM7F5z63EOU1MKkeneGxg0jOG.jpg","2022-10-11",{"adult":5,"backdrop_path":150,"genre_ids":151,"id":153,"title":154,"original_language":17,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fs4AQxMoAzMPPxXKpnsTqKEHnGji.jpg",[11,152],36,1643189,"Death of a Lion","A  former leader in the Black Lion Party for International Solidarity shares his story of found family, loss, and transcendence. Shot over the course of two months, this short documentary provides a glimpse into the dynamics of modern American revolutionary movements. Jeremias' film captures a very brief, but important period of transition for the Black Panther Party  in the 2020s.",1.0736,"\u002Fj5P8lhRj3qANx4JopJhxs341seC.jpg","2026-05-13",{"adult":5,"backdrop_path":7,"genre_ids":160,"id":161,"title":162,"original_language":163,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[85,11],322196,"Water Hands","cn","水手","Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.",0.7364,"\u002FzDf2KprEJO40zgoI1TEYk9YB9II.jpg","2011-01-01",{"adult":5,"backdrop_path":170,"genre_ids":171,"id":172,"title":173,"original_language":17,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FiJXxNzizm5oid0Dfnntd8HFI65W.jpg",[11],1460135,"Sound Spring","Unfolding in a series of eight vignettes, Sound Spring explores the history ofYellow Springs, Ohio over hundreds of years, as narrated by its residents incomical scenes: one interviewee rollerblades and reads the village's water meters, another stands on his head in a breakdancing freeze. The villagers describe American history-their ancestors' settlements after slavery, a friendship with Coretta Scott King, and Ohio's Trail of Tears- among other more personal details of village life. The wording of their recollections is imperfect, unsure-in fact they are all re-stagings of their previous audio interviews. Through performing their own previously recorded media, villagers uncover layers of time and storytelling.",1.5775,"\u002Fu02ly0OG9vxSWuB9eQSdKTUucdT.jpg","2025-04-05",{"adult":5,"backdrop_path":7,"genre_ids":179,"id":180,"title":181,"original_language":182,"original_title":181,"overview":183,"popularity":184,"poster_path":185,"release_date":13,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1668731,"INTERVALS","tr","Shot instinctively during the evacuation of a family home due to urban renewal, Intervals transforms fragments of domestic rituals and archival images into an intimate essay on memory, loss, and belonging, exploring the gaps between moments, between remembering and disappearance.",0.7452,"\u002F44SXFdJF4jhhEDUWBaFl3w91nhz.jpg",{"adult":5,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":78,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":5,"video":5,"vote_average":196,"vote_count":38},"\u002F5MU5JeIXQ76mbCyzfdc7QzcZg48.jpg",[11],911381,"500 Years Later","500 años después","A short city symphony evocation of present day Mexico City five hundred years after the invasion of the Spanish and the fall of the Aztec city of Tenochtitlan.",0.459,"\u002FpsZnQrjegMPt8bfcZtVd2y56vUy.jpg","2021-12-07",5,{"adult":5,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":182,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":207,"vote_count":47},"\u002Fa7s0yimoHAfFlfOwFixf9TN2Goz.jpg",[11],1686171,"A Street Named Liberty","Bir İstiklal Hikayesi","A Street Named Liberty is a symbolic, experimental narrative that uses  miniatures to reveal the disappearance of justice and the normalization of  violence and oppression in an imaginary country.",0.482,"\u002F2IO0b7rWbUoXAurtzdgBpfgmL9i.jpg","2026-05-05",10,{"adult":5,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":213,"original_title":212,"overview":13,"popularity":214,"poster_path":215,"release_date":216,"softcore":5,"video":5,"vote_average":207,"vote_count":47},"\u002FxCdIBXZ2zTfjIMbPLZnMpWb9T20.jpg",[11],1299975,"Reila","nl",0.5726,"\u002Fhlu9cONE4Gs5o8fv0DD5HDNObjv.jpg","2023-05-11",{"adult":5,"backdrop_path":7,"genre_ids":218,"id":219,"title":220,"original_language":61,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":5,"video":5,"vote_average":226,"vote_count":107},[11],91296,"Histoire(s) du Cinéma 1b: A Single (Hi)story","Histoire(s) du cinéma 1b : une histoire seule","A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.",1.4024,"\u002FAlw1Ex1G4S6jFeGiLkGSRLesROW.jpg","1989-11-16",6.6,{"adult":5,"backdrop_path":228,"genre_ids":229,"id":231,"title":232,"original_language":233,"original_title":234,"overview":235,"popularity":236,"poster_path":237,"release_date":238,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FqQm5xThbBhMlcRLcDU5MtTdrWi9.jpg",[230,11],878,1681100,"DR0M3-D4R10: a primitive fairy tale at the end of the world","it","DR0M3-D4R10: una favola primitiva alla fine del mondo","In the not-so-distant future, Earth, choked by plastic, sends a secret expedition to an uninhabited planet to test an extreme method: having animals digest waste. The scientists land on DR0M3-D4R10, a dry and mysterious land, and begin the experiment. But the animals fall ill, the project fails, and the expedition is abandoned to its fate. In a desperate attempt to survive, they begin hunting the planet's only sentient creature, upsetting a sacred balance. The planet's revenge is not long in coming. Only one option remains: to leave a memory, a mark. A distant voice, native to the planet, tells their story.",0.5117,"\u002FgIEXk9VWu8xwKngUCaNb1NCsur2.jpg","2025-11-18",{"adult":5,"backdrop_path":7,"genre_ids":240,"id":241,"title":242,"original_language":17,"original_title":242,"overview":243,"popularity":244,"poster_path":7,"release_date":245,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],919438,"War With Words","A game of Telephone shows how the media can manipulate and shape our perception of current affairs and personal politics - simply through their choice of words.",0.5093,"2017-04-07",1001,20001,{"results":249},{},{"results":251},[],45,"A documentary story that tends to land well.",[]]