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Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.",0.6928,"\u002F2N5DFKd1vm2bWjlfcEuzDDv4GTI.jpg","2025-04-04",10,{"adult":5,"backdrop_path":6,"genre_ids":135,"id":136,"title":137,"original_language":69,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1432970,"Outtakes from Jo","Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.",0.5656,"\u002F6pFT7qg9RUYAdgphRbmIEk78wZn.jpg","2025-02-11",{"adult":5,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":86,"original_title":146,"overview":35,"popularity":147,"poster_path":148,"release_date":149,"softcore":5,"video":5,"vote_average":150,"vote_count":151},"\u002Fs9KhXCsnE1Y8sJJsyQC3ejA5TJ7.jpg",[10],1240239,"Las Preguntas que Perdimos",0.9521,"\u002FtIkn26VFrxUHo0zpH0jlQu1KWRM.jpg","2023-12-30",9,2,{"adult":5,"backdrop_path":6,"genre_ids":153,"id":154,"title":155,"original_language":69,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],513469,"Homo Sapiens Project (100)","HSP 100 is a portrait of experimental filmmaker Maximilian Le Cain. As Le Cain discusses his life, work and relationship with cinema, Rashidi envelops him in a hallucinatory audio-visual ambiance that ultimately results in a poetic dialogue with the ideas and feelings he expresses.",0.8914,"\u002F9v4wKaLTNHynNWNRdkXnOS62Tbs.jpg","2013-12-31",{"adult":5,"backdrop_path":6,"genre_ids":161,"id":162,"title":163,"original_language":164,"original_title":165,"overview":166,"popularity":167,"poster_path":6,"release_date":168,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1662500,"Woman with Dark Hair","fi","Tummahiuksinen nainen","A dark-haired woman is standing still in front of a camera. 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Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",1.5636,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"adult":5,"backdrop_path":6,"genre_ids":207,"id":208,"title":209,"original_language":210,"original_title":209,"overview":35,"popularity":211,"poster_path":6,"release_date":35,"softcore":5,"video":212,"vote_average":7,"vote_count":7},[10],1410181,"X-hale","ko",0.4233,true,{"adult":5,"backdrop_path":6,"genre_ids":214,"id":215,"title":216,"original_language":69,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,55],1597430,"108 spin","A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.",0.5817,"\u002F9oYNYqUoSFRqc1o2AWaNLJOM6kp.jpg","2025-12-13",{"adult":5,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":69,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":5,"video":5,"vote_average":230,"vote_count":231},"\u002F5Oe7P31FjA2HepEBAmG4pYYIb1J.jpg",[117,10],499079,"Phantom Islands","Phantom Islands is an experimental film that exists at the boundary of documentary and fiction. It follows a couple adrift and disoriented in the stunning landscape of Ireland’s islands. Yet this deliberately melodramatic romance is constantly questioned by a provocative cinematic approach that ultimately results in a hypnotic and visceral inquiry into the very possibility of documentary objectivity.",2.621,"\u002F1KRXTwyTNjX7lVsex9DQpGuU3NN.jpg","2018-02-27",3.667,6,{"adult":5,"backdrop_path":6,"genre_ids":233,"id":234,"title":235,"original_language":236,"original_title":235,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":64,"vote_count":48},[10],1467859,"Makina Sa Tao","tl","Machines can only function with a human who operates. It is an inseparable relationship where the two often overlap—machines malfunction, humans malfunction. Machines are machines; humans can be machines.",0.8812,"\u002FjGP7RW2s5Sr5HWRS0vGzlwcPzMd.jpg","2025-04-08",1001,20001,{"results":244},{},{"id":13,"results":246},[],45,"A documentary story that tends to land well.",[]]