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Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.",[11],1.2399,"\u002FqLaWOTorCBGbbcQNVN1hXs0HtxG.jpg","2016-03-05","\u002FoEuZu30WLE8km9eHvgqFa2NOODm.jpg","it",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":8,"poster_path":234,"release_date":235,"vote_average":8,"backdrop_path":236,"original_title":230,"original_language":27},1618894,"Le Roi Arthus","Idealism, treachery, honor, and perfidy collide in this richly lyrical opera by French composer Ernest Chausson. This opulently scored work, which premiered in 1903, lays bare the tragedy of King Arthur’s betrayal at the hands of his queen Genièvre and his trusted knight Lancelot.  Considered one of the finest examples of French romanticism, King Arthur (Le roi Arthus) was composer Chausson’s only opera—his own composing career was tragically cut short by his early death at age 44.  Performed by a stellar cast, helmed by baritone Norman Garrett, mezzo-soprano Sasha Cooke, and tenor Matthew White, this production of King Arthur takes us to a world in the midst of upheaval where long-standing codes of honor and loyalty no longer hold sway.",[11,14,107],1.3876,"\u002FjWCRkL0LdnoOE5qp27oXBJ6QZZs.jpg","2021-07-25","\u002FyKSbgkOM5uw1hmsIRe2MXCpETde.jpg",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":8,"poster_path":48,"release_date":243,"vote_average":8,"backdrop_path":48,"original_title":239,"original_language":27},458958,"First Opera Film Festival","An anthology of four abbreviated operas: \"William Tell\" by Rossini, \"The Marriage of Figaro\" by Mozart, \"Don Pasquale\" by Donizetti, and \"Carmen\" by Bizet.  Filmed in Italy with major opera stars, and accompanied by English narration.",[11],0.6771,"1948-05-15",{"id":245,"adult":6,"title":246,"video":6,"overview":247,"softcore":6,"genre_ids":248,"popularity":249,"vote_count":8,"poster_path":250,"release_date":251,"vote_average":8,"backdrop_path":48,"original_title":252,"original_language":27},272186,"Handel: Admeto","Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in timeless style by the skillful application of imaginative theatrical digressions. 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Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, \"a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top.\" (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats.\"The dazzle of genuine stars shone brightly over Salzburg!\" (Die Welt)",[11],1.5792,"\u002FzEeVBUP6ZiYUJFdvcoXNviMJAq5.jpg","2009-05-27","\u002FlcKT4Gm95mXQ6AFwkIwJzQCeatN.jpg",{"id":263,"adult":6,"title":264,"video":6,"overview":265,"softcore":6,"genre_ids":266,"popularity":267,"vote_count":53,"poster_path":268,"release_date":269,"vote_average":270,"backdrop_path":271,"original_title":264,"original_language":272},653996,"Violettina","A transfixing, rarely-seen 16mm miniature made as part of Rohrwacher's opera production of La traviata in 2016.",[14],0.2496,"\u002Fa5coa0XRcaRWkoUXkZi0tcmH3wu.jpg","2016-05-22",7.2,"\u002FoTWIjJYRgRItQA4GuIn57m2uhRY.jpg","xx",{"id":274,"adult":6,"title":275,"video":6,"overview":276,"softcore":6,"genre_ids":277,"popularity":278,"vote_count":8,"poster_path":279,"release_date":280,"vote_average":8,"backdrop_path":48,"original_title":275,"original_language":27},280823,"Tamerlano","Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of \"Timur the Tartar\", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat.\r This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.",[11],1.1231,"\u002F9V88IS1HOwOaLK6jl3lg1R1C0Or.jpg","2002-04-02",{"id":282,"adult":6,"title":283,"video":26,"overview":284,"softcore":6,"genre_ids":285,"popularity":286,"vote_count":35,"poster_path":48,"release_date":287,"vote_average":62,"backdrop_path":48,"original_title":283,"original_language":227},280835,"Don Giovanni","Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.",[11],0.5461,"1991-01-01",{"id":289,"adult":6,"title":290,"video":6,"overview":291,"softcore":6,"genre_ids":292,"popularity":293,"vote_count":35,"poster_path":294,"release_date":295,"vote_average":62,"backdrop_path":48,"original_title":290,"original_language":227},280250,"Cosi Fan Tutte","Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.",[11],0.333,"\u002FiWZVOLjPfnsK70Sr2CsbSvqPzyh.jpg","1989-07-04",{"id":297,"adult":6,"title":298,"video":26,"overview":299,"softcore":6,"genre_ids":300,"popularity":301,"vote_count":35,"poster_path":302,"release_date":303,"vote_average":78,"backdrop_path":48,"original_title":298,"original_language":227},280580,"Orfeo Ed Euridice","Performed live at the Royal Opera House, Covent Garden, Gluck's opera in three acts is conducted by Hartmut Haenchen. Performers include Jochen Kowalski, Gillian Webster and Jeremy Budd, alongside the Royal Opera Chorus and Orchestra. When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.",[11],0.4301,"\u002FsegUdMpoQKdkSOdcL4vb5mRRiVT.jpg","1991-07-06",{"id":305,"adult":6,"title":306,"video":6,"overview":307,"softcore":6,"genre_ids":308,"popularity":309,"vote_count":35,"poster_path":310,"release_date":311,"vote_average":53,"backdrop_path":48,"original_title":312,"original_language":227},280448,"Mozart: Così Fan Tutte (Zurich Opera House)","A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt.  Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle \"The School for Lovers\", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.",[11],1.3065,"\u002FxTri2OieefujGWeVwyHPlCEGH1g.jpg","2000-07-05","Mozart: Così Fan Tutte",{"id":314,"adult":6,"title":315,"video":6,"overview":316,"softcore":6,"genre_ids":317,"popularity":318,"vote_count":52,"poster_path":319,"release_date":320,"vote_average":321,"backdrop_path":322,"original_title":315,"original_language":227},280672,"Viva Vivaldi","Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich \"Non ti Lusinghi la Crudeltade\" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute\u002FViolin Concerto beguiles with its exquisite lyricism.",[11],0.2927,"\u002FmRnGXzcadKdsdLPWyxckO4SQNQx.jpg","2000-09-26",8.5,"\u002FmHPDqApFR4SuvZxIkkGsxhwYDtM.jpg",{"id":324,"adult":6,"title":325,"video":6,"overview":326,"softcore":6,"genre_ids":327,"popularity":328,"vote_count":52,"poster_path":329,"release_date":330,"vote_average":331,"backdrop_path":48,"original_title":325,"original_language":27},280682,"Cecilia & Bryn at Glyndebourne","The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.",[11],1.0402,"\u002FcLB7WyHiYmiNOdo6SVSkknTtai7.jpg","1999-04-24",9.5,{"id":333,"adult":6,"title":334,"video":6,"overview":335,"softcore":6,"genre_ids":336,"popularity":337,"vote_count":35,"poster_path":338,"release_date":339,"vote_average":53,"backdrop_path":340,"original_title":334,"original_language":27},280686,"Alceste","John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. 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