[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-731854-en-US":3},{"detail":4,"match":274,"insight":275,"providers":276,"providerLink":38,"trailer":277},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":29,"imdb_id":38,"revenue":8,"runtime":66,"similar":67,"tagline":96,"homepage":96,"overview":255,"softcore":6,"popularity":256,"vote_count":8,"poster_path":257,"release_date":258,"vote_average":8,"backdrop_path":38,"origin_country":259,"original_title":7,"watch\u002Fproviders":261,"spoken_languages":263,"original_language":79,"production_companies":267,"production_countries":271,"belongs_to_collection":38},731854,false,"PETer Plastik",0,[10,13],{"id":11,"name":12},16,"Animation",{"id":14,"name":15},99,"Documentary","Released",{"results":18},[19],{"id":20,"key":21,"name":22,"site":23,"size":24,"type":25,"official":6,"iso_639_1":26,"iso_3166_1":27,"published_at":28},"5f32065ccdf2e6003a2a990e","BvB4-zuoD3k","PETer Plastik - Premio Vancouver Film School","YouTube",1080,"Clip","en","US","2016-02-03T23:18:36.000Z",{"cast":30,"crew":40},[31],{"id":32,"name":33,"adult":6,"order":8,"gender":8,"cast_id":34,"character":35,"credit_id":36,"popularity":37,"profile_path":38,"original_name":33,"known_for_department":39},2738158,"Ramón Barturoni",6,"Narrator","5f320569cdf2e6003926ef87",0.2798,null,"Acting",[41,47,54,58,64],{"id":42,"job":12,"name":43,"adult":6,"gender":8,"credit_id":44,"department":45,"popularity":46,"profile_path":38,"original_name":43,"known_for_department":45},2738157,"Ana López","5f3205469a358d003698838b","Visual Effects",0.2541,{"id":48,"job":49,"name":50,"adult":6,"gender":8,"credit_id":51,"department":52,"popularity":53,"profile_path":38,"original_name":50,"known_for_department":52},1302913,"Director","Arnold Abadie","5f3204d2caaca20038de5545","Directing",0.2735,{"id":48,"job":55,"name":50,"adult":6,"gender":8,"credit_id":56,"department":57,"popularity":53,"profile_path":38,"original_name":50,"known_for_department":52},"Writer","5f3204ddcdf2e6003a2a8db9","Writing",{"id":59,"job":60,"name":43,"adult":6,"gender":8,"credit_id":61,"department":62,"popularity":63,"profile_path":38,"original_name":43,"known_for_department":62},2738156,"Art Designer","5f3205021967570038b02b2c","Art",0.2618,{"id":48,"job":12,"name":50,"adult":6,"gender":8,"credit_id":65,"department":45,"popularity":53,"profile_path":38,"original_name":50,"known_for_department":52},"5f32052071f09500369573e4",3,{"page":68,"results":69,"total_pages":253,"total_results":254},1,[70,80,89,97,106,115,127,135,143,152,162,170,177,187,195,203,210,222,235,243],{"id":71,"adult":6,"title":72,"video":6,"overview":73,"softcore":6,"genre_ids":74,"popularity":75,"vote_count":8,"poster_path":76,"release_date":77,"vote_average":8,"backdrop_path":38,"original_title":78,"original_language":79},1033741,"The Path of the Dead","The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. 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Larry Wessel's TAUROBOLIUM is not only cinema verite at it's best, Larry Wessel's TAUROBOLIUM is the best documentary on bullfighting ever made!",[14],0.5167,"\u002F9QBLPhg91YnSx5YZuqUKQ6hparK.jpg","1994-04-02",{"id":204,"adult":6,"title":205,"video":6,"overview":96,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":208,"release_date":209,"vote_average":8,"backdrop_path":38,"original_title":205,"original_language":79},641352,"La Escena Punk en México. Una Alternativa Libertaria",[14],0.4295,"\u002FssvM2GkIkzr9iRpG0RDOP2oIPZN.jpg","1994-06-01",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":216,"vote_count":217,"poster_path":218,"release_date":219,"vote_average":220,"backdrop_path":38,"original_title":221,"original_language":79},269543,"The History in the Gaze","The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. 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