[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-734582-en-US":3},{"detail":4,"match":263,"insight":264,"providers":265,"providerLink":22,"trailer":22},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":22,"revenue":8,"runtime":61,"similar":62,"tagline":19,"homepage":19,"overview":246,"softcore":6,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":22,"origin_country":250,"original_title":7,"watch\u002Fproviders":252,"spoken_languages":254,"original_language":257,"production_companies":259,"production_countries":260,"belongs_to_collection":22},734582,false,"Photographs of a School Teacher",0,[],"Released",{"results":12},[],{"cast":14,"crew":24},[15],{"id":16,"name":17,"adult":6,"order":8,"gender":8,"cast_id":18,"character":19,"credit_id":20,"popularity":21,"profile_path":22,"original_name":17,"known_for_department":23},2747743,"Sultana Rajia",1,"","5f3d28239653f600369f5073",0.6835,null,"Acting",[25,33,39,48,52,55],{"id":26,"job":27,"name":28,"adult":6,"gender":8,"credit_id":29,"department":30,"popularity":31,"profile_path":22,"original_name":28,"known_for_department":32},2737496,"Translator","Mahajabin Khan","5f3d288435a61e0035f77311","Crew",0.3358,"Production",{"id":34,"job":35,"name":36,"adult":6,"gender":8,"credit_id":37,"department":32,"popularity":38,"profile_path":22,"original_name":36,"known_for_department":32},2747748,"Producer","Musfique Alam","5f3d2890ad59b500351916fc",0.2767,{"id":40,"job":41,"name":42,"adult":6,"gender":43,"credit_id":44,"department":45,"popularity":46,"profile_path":47,"original_name":42,"known_for_department":45},2737493,"Director","Mahde Hasan",2,"5f3d2837bb10570034f69090","Directing",0.7373,"\u002Fcr2CR4BJrCuxxbUIpoDh8W21q5z.jpg",{"id":40,"job":49,"name":42,"adult":6,"gender":43,"credit_id":50,"department":51,"popularity":46,"profile_path":47,"original_name":42,"known_for_department":45},"Editor","5f3d2846bb10570035f91a80","Editing",{"id":40,"job":53,"name":42,"adult":6,"gender":43,"credit_id":54,"department":30,"popularity":46,"profile_path":47,"original_name":42,"known_for_department":45},"Cinematography","5f3d2840e295b40033a2e752",{"id":56,"job":57,"name":58,"adult":6,"gender":8,"credit_id":59,"department":45,"popularity":60,"profile_path":22,"original_name":58,"known_for_department":45},2747745,"Assistant Director","Nusrat Jahan","5f3d28748dbc330035aa31a4",0.323,7,{"page":18,"results":63,"total_pages":244,"total_results":245},[64,74,82,94,105,112,120,128,137,144,152,163,171,179,187,197,206,214,223,233],{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":69,"vote_count":70,"poster_path":22,"release_date":71,"vote_average":72,"backdrop_path":22,"original_title":66,"original_language":73},263201,"Black and White Trypps Number Four","Using a 35mm strip of motion picture slug featuring the recently deceased American comedian Richard Pryor, this extended Rorschach assault on the eyes moves out of a flickering chaos created by incompatible film gauges into a punchline involving historically incompatible racial stereotypes.",[],1.0375,5,"2008-06-20",5.8,"en",{"id":75,"adult":6,"title":76,"video":6,"overview":77,"softcore":6,"genre_ids":78,"popularity":79,"vote_count":80,"poster_path":22,"release_date":71,"vote_average":81,"backdrop_path":22,"original_title":76,"original_language":73},263202,"Trypps #5 (Dubai)","A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.",[],0.4863,4,4.8,{"id":83,"adult":6,"title":84,"video":6,"overview":85,"softcore":6,"genre_ids":86,"popularity":88,"vote_count":8,"poster_path":89,"release_date":90,"vote_average":8,"backdrop_path":91,"original_title":92,"original_language":93},823933,"Nocturne","After ending a very close relationship, Manuel falls into melancholy and begins to rethink his way of loving. Within his thoughts are the social problems that surround him. He realizes that with these comes a rethinking of what love is. An idea that we have been carrying for a long time: the idea that to love is to possess.",[87],18,0.766,"\u002FekwLpBDQpPsyGNmZVQNTnPdgECc.jpg","2021-04-23","\u002F3fFNRvWAEyDsBnesHRIFsaNOvJV.jpg","Nocturno","es",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":100,"vote_count":101,"poster_path":102,"release_date":103,"vote_average":104,"backdrop_path":22,"original_title":96,"original_language":73},360625,"White Film","Spectrum and prism divide the screen; whites and light, etc. \"Out of this purity comes all colors. I've always been attracted to refracted light and prismatic phenomena\" says Bernard. For Richard Devereaux. Super 8, silent, non-narrative.",[99],99,1.0147,9,"\u002F6BoFaDjlp1oXaHHtkhVLt0cvhFa.jpg","1978-01-01",6.3,{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":18,"poster_path":22,"release_date":111,"vote_average":101,"backdrop_path":22,"original_title":107,"original_language":73},361000,"The Falconer","Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.",[99],0.6671,"1998-01-01",{"id":113,"adult":6,"title":114,"video":6,"overview":115,"softcore":6,"genre_ids":116,"popularity":117,"vote_count":18,"poster_path":22,"release_date":118,"vote_average":61,"backdrop_path":22,"original_title":119,"original_language":73},361391,"No York City","Impressions of New York City. Experimental short.",[99],1.0166,"1983-01-01","N.Y.C.",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":8,"poster_path":22,"release_date":126,"vote_average":8,"backdrop_path":22,"original_title":122,"original_language":127},356618,"Inventário da Rapina","Supported by the works of poet\u002Fmusician Claude Miller, the film portraits a snippet of brazilian reality.",[87,99],1.1757,"1986-01-01","pt",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":18,"poster_path":22,"release_date":134,"vote_average":135,"backdrop_path":22,"original_title":130,"original_language":136},360004,"Sieben Himmel","In a small hut on an island in the wintry lake landscape around Berlin lies a young man, Johann, wrapped up in a sleeping bag and blankets.",[87],0.8453,"2005-09-05",8,"de",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":22,"release_date":143,"vote_average":8,"backdrop_path":22,"original_title":139,"original_language":73},360401,"Consumers","Sammy is a 14 year old girl who makes YouTube videos. Robby just moved to New York City after college. Jerry is a single 34 year old network administrator living in the suburbs. Through their fragmented experiences, Consumers explores the dialectical problematics of the contemporary experience.",[99],0.6667,"2015-07-22",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":8,"poster_path":150,"release_date":151,"vote_average":8,"backdrop_path":22,"original_title":146,"original_language":73},355261,"Lullaby","The filmmaker sends the viewers off to sleep with this 9minute descent into the netherworld.",[],0.9079,"\u002FpsrFistMHdjW1oPd0wqXcK899jh.jpg","2007-01-01",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":18,"poster_path":158,"release_date":159,"vote_average":160,"backdrop_path":22,"original_title":161,"original_language":162},355672,"Hands","Handen (Hands) is an experimental documentary film by Dutch photographer and filmmaker Ed van der Elsken. the film is a moving and poetic observation of how hands play an integral part in human life, from birth to death.",[99],0.8861,"\u002FoHB7CoUghpPaXdmTCbRrso8eIqD.jpg","1960-08-23",6,"Handen","nl",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":43,"poster_path":169,"release_date":170,"vote_average":61,"backdrop_path":22,"original_title":165,"original_language":73},356058,"The Second Coming","A man picks himself up off a barren landscape and begins to walk. An electronic soundtrack pulsates ominously. Unable to get a lift while hitchhiking, the man turns to the sky to bellow the eternal existential question, “What do you want me to do?” He answers himself by conducting 'Magic Ceremony 777' in front of a small and blackened winged-demon all the while invoking the second coming...",[87],0.7219,"\u002FnsGRHSY5ywOIioIQrnLxmPKFjf4.jpg","2015-09-12",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":8,"poster_path":177,"release_date":178,"vote_average":8,"backdrop_path":22,"original_title":173,"original_language":73},363622,"Jesus Trilogy and Coda","The Jesus Trilogy and Coda is composed of the four following parts:  (1) IN JESUS NAME presents an almost continuous fluttering movement midst the complexity of multiple small shapes in mostly autumnal colors, like unto a wind moving through fall leaves.  (2) THE BABY JESUS begins with pearl-pinks and gold-flecked shapes midst 'garden greens'.  (3) JESUS WEPT utilizes a variety of shapes and colors so fretted and interlocked with darkness as to create the sense of a glamorous terror within which palpable shapes of 'tears' appear and weave a counterbalance of sorrowful calm.  (4) CODA: CHRIST ON CROSS contains the most easily nameable of all the shapes in this trilogy: it is, thus, an aesthetic 'summing-up' with full emphasis upon the crucifixion which is visible again and again as a mass of twisting lines and tortured forms, flecked with vermillion blood-likeness.\r Optical printing by Brakhage and Mary Beth Reed.",[],0.6934,"\u002F4OWhf5vID5sEn69QmoNQahEcvwA.jpg","2000-11-22",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":18,"poster_path":185,"release_date":186,"vote_average":135,"backdrop_path":22,"original_title":181,"original_language":73},363624,"Self Song & Death Song","SELF SONG documents a body besieged by cancer. The amber glow of flesh suggests both victory and submission to death. Blackness surrounds the image and takes it over altogether. Furthermore, the complex grooves and patterns of the flesh struggle to maintain their focus, suggesting the obscuring and dissolving effects of cancer. In DEATH SONG the film begins with blue hues which suggest the permanent aspect of death to contrast a sequence of overexposed yellow. Within these images are microscopic organisms constantly being 'washed out' by whiteness, which seeks to dissolve the image. In this respect, we might view the purity of whiteness as being 'soiled'. By the end of the film, the image has shifted to the blue screen suggesting a comfortable aspect of death. Yet, this vision is too idyllic in Brakhage's mind, and thus he allows the blueness to bleed from the side of the frame, opening the 'blinds' to the cancerous light.  Preserved by the Academy Film Archive in 2016.",[],1.6847,"\u002FqJlzJGn00iFe1nL6nnkkT5QVMuz.jpg","1997-10-22",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":193,"poster_path":194,"release_date":195,"vote_average":196,"backdrop_path":22,"original_title":189,"original_language":73},363629,"Chartres Series","A year and a half ago the filmmaker Nick Dorsky, hearing I was going to France, insisted I must see the Chartres Cathedral. I, who had studied picture books of its great stained-glass windows, sculpture and architecture for years, having also read Henry Adams' great book three times, willingly complied and had an experience of several hours (in the discreet company of French filmmaker Jean-Michele Bouhours) which surely transformed my aesthetics more than any other single experience. Then Marilyn's sister died; and I, who could not attend the funeral, sat down alone and began painting on film one day, this death in mind ... Chartres in mind. Eight months later the painting was completed on four little films which comprise a suite in homage to Chartres and dedicated to Wendy Jull.",[],0.7636,13,"\u002FgwLsvRvJJ5521poDE59I1Uw4v94.jpg","1994-06-15",5.1,{"id":198,"adult":6,"title":199,"video":6,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":18,"poster_path":203,"release_date":204,"vote_average":205,"backdrop_path":22,"original_title":199,"original_language":73},363631,"Ascension","Ascension begins by superimposing paintings that look like clouds over extremely close views of mottled paint, peculiarly intimate in their three-dimensionality. Juxtaposing images of transcendence with representations of what he liked to call the \"mess\" of life, Brakhage distances himself from both.",[],0.617,"\u002Fo0b3zn1LHbtpE9YPl27zCywUMgu.jpg","2002-09-11",10,{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":18,"poster_path":212,"release_date":213,"vote_average":135,"backdrop_path":22,"original_title":208,"original_language":73},363633,"Resurrectus Est","Resurrectus Est is a hand painted film which suggests, from the first, a spread of fragments of plants and flowers, individual petals and bits of twig with multiple colors, with much green \"leafiness\". This gives way to solid yellows and browns of, or suggesting, dried grass and earth (the decay, as it were, of the above mentioned fragments); but then again, and so spaced with clear light whites as to appear airy, wind-blown, somesuch, miniscule fragments of plant life, gradually enlarging to fill-the-frame. Amidst the many floral and earthen tones, there is a particular ethereal pale, almost phosphorescent, blue which so dominates the scenes of its appearance as to cause the darker earthen yellows to lighten into a mixture with the blue that suggest abstract Easter: these tones finally take over to such an extent that the flower-fragments can no longer be seen clearly as such.",[],0.5865,"\u002Flh4GmpG5oWPs03BwAEasGRrIkDb.jpg","2002-12-16",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":18,"poster_path":220,"release_date":221,"vote_average":61,"backdrop_path":222,"original_title":216,"original_language":73},363634,"Dark Night of The Soul","This hand-painted work presents the semblance of a dark brown wall, ripped open and pocked with yellowed visions of rooms and other interiors, gradually (and always occasionally) intersperced with multiply colored holes, revealing exteriors beyond the shifting facades of the \"wall\". The openings into and through the wall become larger, and then become smaller again (so small as to seem semblances of stars at times). Finally the enlargements take over the scene and eventually demolish all sense of \"wall\". This film is very inspired by the paintings of Gunther Forg, and with respect to St. John of the Cross, is a hand painted envisionment of holy depression.",[],0.8812,"\u002FtmyjHtlNoM4DWWDMpShXnT085lO.jpg","2001-04-05","\u002F2kGRGPZ8Au2p78jUlLVg3k42pY0.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":43,"poster_path":229,"release_date":230,"vote_average":231,"backdrop_path":232,"original_title":225,"original_language":73},363635,"Panels for the Walls of Heaven","The last of Brakhage's longer works. Part of the \"Vancouver Island\" films. \"Purple flashes are followed by a curtain of purple and blues, first seemingly static and then in motion. Close-ups of textures of paint evolve into flashes of jewel-like red, then more cascading blues and purples and white - 'falling,' seemingly, down from the top of the screen, at other times multi-directional bursts of rolling colors. Red, blue and yellow course through in an up-down motion, then blues and yellows enter from left and right in a complex medley of not solidly formed, but very vibrant pulsations of color, at times only slightly hinting at a solidity of \"wallness\" upon which the paint might exist. But it is a \"wall\" suffused with light.\" - Marilyn Brakhage",[],0.8695,"\u002FAfrl62aPP4cDvIXbQNvJuL4jAYa.jpg","2002-12-26",9.5,"\u002F2DtmKpEKpOpGiLDJElQiJ0mpkxF.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":239,"vote_count":43,"poster_path":240,"release_date":241,"vote_average":242,"backdrop_path":22,"original_title":235,"original_language":243},363324,"Crayon Angel","A psychedelic collage of wartime stock footage and family photos, suggesting an underlying message of peace.",[238],16,1.1931,"\u002FnDBckMifQbggjmsPbxoNjk8IYtG.jpg","1975-01-01",2.5,"ja",110,2186,"She is a school teacher. She has spent a long time of her life in an edge of this city. After long time, she was gazing on her photo album and found photographs of different time of her life. Each photograph reminds her different fragmented memories and moment of her life.",0.8663,"\u002FxnJ8lPhsamTKKoozAIiJ58LnFGS.jpg","2013-10-16",[251],"BD",{"results":253},{},[255],{"name":256,"iso_639_1":257,"english_name":258},"বাংলা","bn","Bengali",[],[261],{"name":262,"iso_3166_1":251},"Bangladesh",45,"Photographs of a School Teacher sits in the sweet spot of what works for tonight.",[]]