[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-741341-en-US":3},{"detail":4,"match":250,"insight":251,"providers":252,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":32,"revenue":8,"runtime":33,"similar":34,"tagline":116,"homepage":116,"overview":232,"softcore":6,"popularity":233,"vote_count":8,"poster_path":234,"release_date":235,"vote_average":8,"backdrop_path":236,"origin_country":237,"original_title":239,"watch\u002Fproviders":240,"spoken_languages":242,"original_language":50,"production_companies":246,"production_countries":247,"belongs_to_collection":26},741341,false,"Ants Dynamics",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},2772156,"Director","Wang Chuyu","5f59aaa87ad08c0037519c9b","Directing",0.1389,null,{"id":28,"job":21,"name":29,"adult":6,"gender":8,"credit_id":30,"department":24,"popularity":31,"profile_path":26,"original_name":29,"known_for_department":24},1178449,"Xu Ruotao","5f59aa9da294f00036246ba6",0.2089,"tt15676506",120,{"page":35,"results":36,"total_pages":230,"total_results":231},1,[37,51,62,71,82,94,104,113,122,131,140,149,158,165,174,183,194,203,211,221],{"id":38,"adult":6,"title":39,"video":6,"overview":40,"softcore":6,"genre_ids":41,"popularity":43,"vote_count":44,"poster_path":45,"release_date":46,"vote_average":47,"backdrop_path":48,"original_title":49,"original_language":50},473267,"Twenty Two","Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II.  At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.",[42,11],36,1.2761,20,"\u002Food5g0qHtWDyoGFhkuVwOQdz6ib.jpg","2017-08-14",7.7,"\u002FzKsuTbEpYujggfLqdY4gMaJ2h8s.jpg","二十二","zh",{"id":52,"adult":6,"title":53,"video":6,"overview":54,"softcore":6,"genre_ids":55,"popularity":56,"vote_count":57,"poster_path":58,"release_date":59,"vote_average":60,"backdrop_path":26,"original_title":61,"original_language":50},449072,"A Yangtze Landscape","A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai\u002FTibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.",[11],0.7398,6,"\u002FzdHg54eQL61wfIyavGrybSMUFg5.jpg","2017-03-31",5.3,"长江",{"id":63,"adult":6,"title":64,"video":6,"overview":65,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":8,"poster_path":68,"release_date":69,"vote_average":8,"backdrop_path":26,"original_title":70,"original_language":50},822058,"Yuguo and His Mother","Yuguo, from Mongolia, lost his father when he was very young. His mother Liuxia was not able to raise him as a heavy drinker. With social support, she sent Yuguo to Wuxi for free education. Liuxia is depressed all day long, and she finds sustenance of missing Yuguo in reindeer and wine. One winter holiday after many years, Yuguo returns to his hometown, the Evenki settlement deep in the Greater Khingan mountains. At that time, he is no longer the boy who just left home, but a thirteen-year-old teenager. Facing alcoholic mother, poetic uncle, pure people from the tribe, familiar yet strange forest, Yuguo, who grew up in the city, doesn’t know what to do. In the snow-laden mountains of Aoluguya, northeast of Inner Mongolia, the film chronicles their brief time together. Yuguo and His Mother is the second documentary of Gu Tao’s Evenki trilogy.",[11],0.1666,"\u002F2TBLYVABRWTt1FwDXXrJc8xgOFU.jpg","2011-10-08","雨果的假期",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":77,"poster_path":78,"release_date":79,"vote_average":80,"backdrop_path":26,"original_title":81,"original_language":50},295280,"Doctor Ma's Country Clinic","\"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--\"",[11],0.2918,4,"\u002FfZWDxUgH2czqYk4n3XZ7p7XU6id.jpg","2008-01-01",6.2,"马大夫的诊所",{"id":83,"adult":6,"title":84,"video":6,"overview":85,"softcore":6,"genre_ids":86,"popularity":87,"vote_count":88,"poster_path":89,"release_date":90,"vote_average":91,"backdrop_path":92,"original_title":93,"original_language":50},287179,"The Iron Ministry","Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.",[11],0.5279,7,"\u002F9wlqe0sqskGfFjn2Jnqpdpc6vr4.jpg","2014-08-15",6.6,"\u002FyTrbnkKlJ4m7nboeqEEQdIAfWDU.jpg","铁道",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":8,"poster_path":100,"release_date":101,"vote_average":8,"backdrop_path":26,"original_title":102,"original_language":103},1028038,"HOMECOMING","In a city that worships money, there is a group of people who still insist on living the philosophy of \"people are not living on food alone.\" Instead of choosing to live in seclusion, they choose to actively enter the world, improve their hearts, and influence others through artistic creation.  Their innovation has not only driven the art world in Hong Kong but more importantly, through their enthusiasm for creation, they have made us understand that as long as we have a \"heart\", no matter how difficult the environment is, we can persist in a \"love\".",[11],0.9795,"\u002F7R12ob4OsaZIUJSSs80z65IEn2A.jpg","2014-01-01","归途","cn",{"id":105,"adult":6,"title":106,"video":6,"overview":107,"softcore":6,"genre_ids":108,"popularity":109,"vote_count":8,"poster_path":110,"release_date":111,"vote_average":8,"backdrop_path":26,"original_title":112,"original_language":50},1029065,"Building Archaeology","The documentary Building Archeology (jiànzhú kǎo) (2011) considers the more recent past. It’s made up of three vignettes about different buildings in Beijing: a museum, an abandoned hospital, and a detention center. The latter two vignettes are especially interesting. In the second, a woman wanders around the ruins of a hospital built in a week to deal with the 2003 SARS outbreak. The third concerns a former prisoner, tracing out a map of the detention center where he was held in 2011.",[11],0.5683,"\u002F10aDEw4Uxr0M1swydniZXxBWnQ.jpg","2011-01-01","建筑考",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":8,"poster_path":119,"release_date":120,"vote_average":8,"backdrop_path":26,"original_title":121,"original_language":50},1030529,"WILD GRASS","",[11],0.4716,"\u002FgCiZ7rPurHlz0gVtIJafkznvNpo.jpg","2017-01-01","野草",{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":8,"poster_path":128,"release_date":129,"vote_average":8,"backdrop_path":26,"original_title":130,"original_language":50},1030530,"WHO IS MY LORD","The story of a girl attempted suicide for love and finally returned to religion.",[11],0.5851,"\u002F4Zn0CRxe2nLdvWvlPctSZvR6sWR.jpg","2017-04-05","谁是我的主",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":137,"release_date":138,"vote_average":8,"backdrop_path":26,"original_title":139,"original_language":50},1030532,"MAGUEY","This story is about the group's marvellous life without money.The film tell this story from six points of view: the screenwriter, the recording, the photography, the art, the performer and the director.",[11],0.6944,"\u002F1coFs10lql016tJXqGYneNkmsrU.jpg","2016-01-01","龙舌兰",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":8,"poster_path":146,"release_date":147,"vote_average":8,"backdrop_path":26,"original_title":148,"original_language":50},1030536,"SCAR","Scars, which are unfortunate or unexpected results, are also signs of healing. This new connective tissue replaces the process of injured tissues, and at the same time it becomes a metaphor for the pain and frustration of life: the sadness of the body, the union of pain... In short, scars have become a proof, a proof of existence, a proof of alive, a proof of pain, and a proof of a certain age. Beginning in 1949, in this vast land, these various scars, these healing marks, patterns, sad shapes, bring personal memories, collective pains, the marks of history, and come together Gaze, the meaning of the record. This film is the first part of the \"Scar\" project, the story of 110 Chinese scars.",[11],0.7295,"\u002F8bIwNpcXFVRCPBdiBScYFBdhK0Z.jpg","2015-10-09","伤疤",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":8,"poster_path":155,"release_date":156,"vote_average":8,"backdrop_path":26,"original_title":157,"original_language":50},1030539,"Baby","The baby is a temporary floating population. He works diligently, from a small restaurant owner to a tea shop manager to a bar manager. This film records the survival state of children centered and gay comrades: trivial, messy, boring, and entertaining themselves. The camera calmly captures every bit of their daily life for more than two years, and as time goes by, the changes the baby presents are more ordinary. The film calmly explains the relationship between \"comrades\" and \"society\", and the various small details interpenetrated in the film also metaphorically reflect the changes of today's society",[11],0.4999,"\u002F1FYpZBmW8pkjD7BOj9NujurT0Fh.jpg","2003-01-01","宝宝",{"id":159,"adult":6,"title":160,"video":6,"overview":116,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":26,"original_title":160,"original_language":50},1029374,"生活在遠方",[11],0.1518,"\u002F2s2aLRmkLBbbxUDV02nGMy6MxxJ.jpg","2010-01-01",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":26,"original_title":173,"original_language":50},1029718,"Trash Village","This is the fourth film in my Zoujiacun series within the Folk Memory Project. In 2013, I came back to my village and faced the trash all over the village. The children and I tried to improve the environment of our village. This was a tough fight against the trash and ideas of villagers. I felt like that the trash was in my heart. The 95-year-old grandma Sha and her 49-year-old son Xizhu, their lonely solitary life is also in this film. This film is about the progress that I fight with myself.",[11],0.2711,"\u002F4QcUBgkMA0WaGQge0PiORdyQe0d.jpg","2013-01-01","垃圾的村子",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":8,"poster_path":180,"release_date":181,"vote_average":8,"backdrop_path":26,"original_title":182,"original_language":50},1029721,"Foolish Village","This is my fifth time coming back to my own village, where I was born and brought up. After I graduated from college, when I was staying in my village, I was always suspected and judged by the village people. Xizhu grandpa was called ‘fool’ by other villagers, and Zengxiang aunty was looked down by others. They come into my life, and I stayed with them. Their naïve and strange thought made think about my village in a new way. In this quite ‘normal’ village, who are normal people? In those normal people’s eyes, am I another fool of this village?",[11],0.1574,"\u002Fs3AX4TrUt89KOAdCXPMsQE2Drxz.jpg","2014-05-01","傻子的村子",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":189,"poster_path":190,"release_date":191,"vote_average":192,"backdrop_path":26,"original_title":193,"original_language":50},291135,"Umbrella","Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.",[11],0.516,3,"\u002F49HpCDCeFhoZONfbwZWG9U6Oaeh.jpg","2007-09-02",6.3,"伞",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":8,"poster_path":200,"release_date":201,"vote_average":8,"backdrop_path":26,"original_title":202,"original_language":50},821726,"Aoluguya, Aoluguya","Aoluguya, Aoluguya is the first film in Gu Tao’s Ewenki Trilogy. A tale that unfolds in the Aoluguya forest, featuring such unique characters as a mother who dulls her sadness over the absence of her son, Yuguo, with alcohol; her brother; and Maria, the tribal chieftain who watches over them.",[11],0.1381,"\u002F9RYxtMqNeNblhJSmFkKLplPJ6SU.jpg","2007-01-02","敖鲁古雅·敖鲁古雅",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":8,"poster_path":209,"release_date":172,"vote_average":8,"backdrop_path":26,"original_title":210,"original_language":50},1023505,"The Temple","Several boys who are about to graduate live in the 2006 dormitory. All-day long eating, chatting, playing cards, and playing with mobile phones, to kill their youth, just to get a high school diploma. Finally, I graduated from high school, but where is the future? Go to work or continue to join a college? Facing such students, it is difficult for teachers to show enthusiasm for teaching. Only Teacher Hou carefully wiped the bulletin board , as always. The original site of Duancun Middle School in Pingyao County was an ancient temple in the Ming Dynasty. In the summer of 2011, more than 150 students from the school merged with two other high schools and moved into the new school in the city. Grass grows on the playground, and the gatekeeper Laomi and his family continue to live in the teaching building.",[11],0.1566,"\u002FrvPDFd1PgtisfDXQUCQfssw8dsb.jpg","庙",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":8,"poster_path":217,"release_date":218,"vote_average":8,"backdrop_path":26,"original_title":219,"original_language":220},1025087,"News Feed on My...","I just watch the news of war in a distant country on my mobile. My fingers go back day by day to the day the war broke out and pose to see comments posted on the Facebook News Feed that I follow. Outside, I have friends who participated in anti-war rallies.",[11],0.5735,"\u002F4RMIJUDZ3Uinsm9cPmP73Cinr8w.jpg","2022-03-27","动态消息","ko",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":8,"poster_path":227,"release_date":228,"vote_average":8,"backdrop_path":26,"original_title":229,"original_language":50},1025103,"Talking Unknown, Ending Unknown: Li Hongqi And His Cinema World","In this talk, Li Hongqi reviewed his transition from fine art to cinema, and his aesthetic and philosophical exploration from his early 'So Much Rice' to recent 'The The'. Dir. Li Hongqi also shared his strong anxiety of his existence(born with melancholia), his thought on cinema art (actually, I don't think there's any movie worth making), his epistemology, his religious view, his consideration on contemporary cinema, and what he learned about living in seclusion.",[11],1.4992,"\u002FatOxFDvW1x7yl2ClBZ1s5EzvMVR.jpg","2022-01-22","不知所云，不知所终——李红旗及其影像世界",11655,233081,"Workers wrongfully dismissed wage battle against their employer, China Telecom. Incorporating artistic means of expression such as photography and theater, various artists wage extraordinary performances with the workers in the film, in solidarity with their struggles.",0.3295,"\u002FkCHS9LK82B82xeqmnTwYpEdN2qx.jpg","2020-09-17","\u002FoPjxydfGWocfnCl5qkG3Pddj9Aa.jpg",[238],"CN","蝼蚁动力学",{"results":241},{},[243],{"name":244,"iso_639_1":50,"english_name":245},"普通话","Mandarin",[],[248],{"name":249,"iso_3166_1":238},"China",45,"A documentary story that tends to land well.",[]]