[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-748213-en-US":3},{"detail":4,"match":232,"insight":233,"providers":234,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":23,"release_date":26,"revenue":27,"runtime":28,"softcore":5,"spoken_languages":29,"status":30,"tagline":12,"title":18,"video":5,"vote_average":27,"vote_count":27,"credits":31,"similar":45,"watch\u002Fproviders":228,"videos":230},false,null,745,[9],{"id":10,"name":11},99,"Documentary","",748213,"tt3498968",[16],"US","en","The Liberal War","The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.",0.7692,"\u002FhOxsDtKUCIF3czlCDOBfUu1SAWD.jpg",[],[24],{"iso_3166_1":16,"name":25},"United States of America","1974-11-26",0,33,[],"Released",{"cast":32,"crew":33},[],[34,41],{"adult":5,"gender":27,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":6,"credit_id":39,"department":36,"job":40},2456476,"Directing","Nick Macdonald",0.3034,"5f738917d55e4d003479755d","Director",{"adult":5,"gender":27,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":6,"credit_id":42,"department":43,"job":44},"5f73892035039800369b7f61","Writing","Writer",{"page":46,"results":47,"total_pages":226,"total_results":227},1,[48,56,68,76,85,96,104,112,122,130,138,150,158,170,178,187,195,202,210,218],{"adult":5,"backdrop_path":6,"genre_ids":49,"id":50,"title":51,"original_language":17,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],452724,"Edward Abbey: A Voice in the Wilderness","When Edward Abbey died in 1989 at the age of sixty-two, the American West lost one of its most eloquent and passionate advocates. Through his novels, essays, letters and speeches, Edward Abbey consistently voiced the belief that the West was in danger of being developed to death, and that the only solution lay in the preservation of wilderness. Abbey authored twenty-one books in his lifetime, including Desert Solitaire, The Monkey Wrench Gang, The Brave Cowboy, and The Fool's Progress. His comic novel The Monkey Wrench Gang helped inspire a whole generation of environmental activism. A writer in the mold of Twain and Thoreau, Abbey was a larger-than-life figure as big as the West itself.",0.9115,"\u002FaLM99E9pklfcd22NhiTfQkh83Yk.jpg","1993-10-26",{"adult":5,"backdrop_path":6,"genre_ids":57,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":5,"video":5,"vote_average":66,"vote_count":67},[10],267959,"Old Thieves: The Legend of Artegio","es","Los Ladrones Viejos: Las Leyendas del Artegio","Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.",0.9591,"\u002FAuxmgcevML7goL0i6fyD4IHo0p3.jpg","2007-03-15",6.7,8,{"adult":5,"backdrop_path":6,"genre_ids":69,"id":70,"title":71,"original_language":17,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":5,"video":5,"vote_average":67,"vote_count":46},[10],453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",0.6317,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",{"adult":5,"backdrop_path":6,"genre_ids":77,"id":78,"title":79,"original_language":17,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":5,"video":5,"vote_average":84,"vote_count":46},[10],453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.7138,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",6,{"adult":5,"backdrop_path":6,"genre_ids":86,"id":87,"title":88,"original_language":89,"original_title":90,"overview":91,"popularity":92,"poster_path":6,"release_date":93,"softcore":5,"video":5,"vote_average":94,"vote_count":95},[10],268617,"1\u002F57: Experiment with Synthetic Sound (Test)","de","1\u002F57: Versuch mit synthetischem Ton","Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)",0.4995,"1957-03-01",4.7,15,{"adult":5,"backdrop_path":6,"genre_ids":97,"id":98,"title":99,"original_language":17,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],452886,"I Have No Memory of My Direction","Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.",0.7303,"\u002Fprqj4IqyW5VRvCWu3HO2QoKe0ia.jpg","2005-01-01",{"adult":5,"backdrop_path":6,"genre_ids":105,"id":106,"title":107,"original_language":17,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],1413728,"Art of Destruction","We follow the story of The Thinker bombing at the Cleveland Museum of Art, trying to solve the mystery behind it because no one was ever caught. By following this case, we unravel the whole landscape of Cleveland and the USA in the 60s\u002F70s - student protests, social justice movements, anti-war movements, and radical militant groups. We give a context to the bombing, which is symbolic on so many levels - it's an art piece that randomly became a target for political violence that, by being left unrepaired, became a reminder of the complicated history of the 60s\u002F70s. The Thinker is a silent witness to this fascinating decade, looking down from his pedestal, still thinking about our place in the world as humans.",1.0136,"\u002FuGSvYuHWCsvvWz9cRNGxMe1k24a.jpg","2026-09-26",{"adult":5,"backdrop_path":6,"genre_ids":113,"id":114,"title":115,"original_language":116,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],827203,"Notes before the Wind","cn","風景","A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.",0.4648,"\u002Fx91OOGJIrUmC9dIkkXGSeb75xyK.jpg","2020-01-01",{"adult":5,"backdrop_path":6,"genre_ids":123,"id":124,"title":125,"original_language":17,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],1413284,"January 15, 1970: Untold Memories of the Nigeria-Biafra War","January 15, 1970: Untold Memories of the Nigeria-Biafra War is a documentary that tells the story of the Nigeria-Biafra war and its end on January 15, 1970. The documentary was produced by the Center For Memories (CFM) in 2020. It features personal accounts from victims of the war, who shared their experiences to help with healing and reconciliation.  The Nigeria-Biafra war, also known as the Nigerian Civil War, was fought between Nigeria and the Republic of Biafra from 1967 to 1970. The war was one of the first to be televised globally, and images of starving Biafran children were shown in the mass media of Western countries. The war highlighted challenges in pan-Africanism and the Organization of African Unity.",0.5548,"\u002FbCILdiKCh62IuBmbLN2WYUBCJE.jpg","2020-01-15",{"adult":5,"backdrop_path":6,"genre_ids":131,"id":132,"title":133,"original_language":17,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],450952,"Robert Breer At Home","Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.",0.9205,"\u002FiCC21A4KArbNOHDzyJFYvsJ2z0b.jpg","1992-01-01",{"adult":5,"backdrop_path":6,"genre_ids":139,"id":142,"title":143,"original_language":17,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":5,"video":5,"vote_average":148,"vote_count":149},[140,10,141],36,10402,266379,"How the Beatles Rocked the Kremlin","In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world.  Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)",1.4152,"\u002FduBUDfixQY4FwMzqCLSWIKpevKt.jpg","2009-09-06",6.5,4,{"adult":5,"backdrop_path":6,"genre_ids":151,"id":152,"title":153,"original_language":17,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451649,"Untitled #29.95","Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.",0.52,"\u002FtHSdJEklTN3LksMRRn2UNEYdPEf.jpg","1999-01-01",{"adult":5,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":163,"original_title":162,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":5,"video":5,"vote_average":168,"vote_count":169},"\u002FfUlzONyAzageVzf2ruxkw3RWEiM.jpg",[10,140,141],1214539,"Soundtrack to a Coup d'Etat","fr","Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.",3.1019,"\u002FeZOB9UurVQjpdIp72L49pyd3anw.jpg","2024-09-11",7.7,75,{"adult":5,"backdrop_path":6,"genre_ids":171,"id":172,"title":173,"original_language":17,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451300,"Bubble","Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.",0.5669,"\u002FmwMpfwRduIEds43KoXC1MhlgiF4.jpg","2009-04-09",{"adult":5,"backdrop_path":6,"genre_ids":179,"id":180,"title":181,"original_language":17,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":5,"video":5,"vote_average":46,"vote_count":186},[10],451302,"Minot, North Dakota","The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.",0.713,"\u002FxV6VzTMVqXx4E5byaZoVvTNjBtH.jpg","2008-04-09",2,{"adult":5,"backdrop_path":6,"genre_ids":188,"id":189,"title":190,"original_language":17,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451307,"Alex & José","Alex and José, is a 16mm single channel projection that explores gender, movement and form.",1.4257,"\u002FjDu7mhU0DVReiyL2Rg3d8BkOy40.jpg","2007-04-09",{"adult":5,"backdrop_path":6,"genre_ids":196,"id":197,"title":198,"original_language":17,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":194,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451310,"Winter","A silent film portraying winter across three continents.",0.5521,"\u002FwP4NfJyIjpEeULTMjFBqBl9wIxz.jpg",{"adult":5,"backdrop_path":6,"genre_ids":203,"id":204,"title":205,"original_language":17,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451311,"The PSA Project","The PSA Project is a series of 15 videos that speak out against the U.S. occupation of Iraq and the act of war.",0.5325,"\u002Fkg9FI7qXmwqrkWYCEoh3LbK9WZW.jpg","2005-04-09",{"adult":5,"backdrop_path":6,"genre_ids":211,"id":212,"title":213,"original_language":17,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451313,"Still Life","Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.",0.6541,"\u002ForwcybhyWvbPGWuIUfRLKUVzjAd.jpg","2004-04-09",{"adult":5,"backdrop_path":6,"genre_ids":219,"id":220,"title":221,"original_language":17,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[10],451314,"Devotion","A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.",0.8884,"\u002FvvUPHQ44LrYG5EwS43sG7z074Qa.jpg","2003-04-09",1001,20001,{"results":229},{},{"results":231},[],45,"A documentary story that tends to land well.",[]]