[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-759000-en-US":3},{"detail":4,"match":234,"insight":235,"providers":236,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":33,"revenue":8,"runtime":34,"similar":35,"tagline":23,"homepage":216,"overview":217,"softcore":6,"popularity":218,"vote_count":8,"poster_path":219,"release_date":220,"vote_average":8,"backdrop_path":26,"origin_country":221,"original_title":223,"watch\u002Fproviders":224,"spoken_languages":226,"original_language":229,"production_companies":230,"production_countries":231,"belongs_to_collection":26},759000,false,"Vukica Djilas  – Home Movies",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},1803445,"Vukica Đilas",1,2,"","5f9c12fb1511aa003aa2555f",0.2885,null,"Acting",[29],{"id":19,"job":30,"name":20,"adult":6,"gender":21,"credit_id":31,"department":32,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},"Director","5f9c12e1cb9f4b0039eb20c8","Directing","tt34620470",51,{"page":21,"results":36,"total_pages":214,"total_results":215},[37,46,54,61,71,80,91,99,110,120,128,136,145,153,162,170,181,190,198,206],{"id":38,"adult":6,"title":39,"video":6,"overview":40,"softcore":6,"genre_ids":41,"popularity":43,"vote_count":8,"poster_path":26,"release_date":44,"vote_average":8,"backdrop_path":26,"original_title":39,"original_language":45},829562,"Towards a Black Testimony: Prayer\u002FProtest\u002FPeace","Towards a Black Testimony: Prayer, Protest, Peace is a new work by Languid Hands that examines Black Testimony as obscured, ignored and undermined. Drawing on archival imagery, Black geographies, and the dying declarations of Black Martyrs, it explores the complexities of truth, empathy, justice, the law, life and death for the Black Mass.",[11,42],36,0.1939,"2019-10-02","en",{"id":47,"adult":6,"title":48,"video":6,"overview":49,"softcore":6,"genre_ids":50,"popularity":51,"vote_count":8,"poster_path":26,"release_date":52,"vote_average":8,"backdrop_path":26,"original_title":48,"original_language":53},460238,"Carta a Boris","Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.",[11],0.4291,"2015-12-17","es",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":59,"vote_count":8,"poster_path":26,"release_date":60,"vote_average":8,"backdrop_path":26,"original_title":56,"original_language":53},460241,"Anotaciones Sobre Claudia y Sergio I","Chilean experimental film.",[11],0.1914,"2015-07-14",{"id":62,"adult":6,"title":63,"video":6,"overview":64,"softcore":6,"genre_ids":65,"popularity":66,"vote_count":8,"poster_path":67,"release_date":68,"vote_average":8,"backdrop_path":26,"original_title":69,"original_language":70},829679,"-YAMASE-","Film by Kenji Onishi. With friends. Mr. Yamase as main character, Sasakubo and Shinojima. And the girls having a good time. The camera is all you need. Looking still at the Mt. Buko which is disappearing.",[11],0.6977,"\u002F9q6ayXP0DxTGxd4BdbQzToGgUdF.jpg","2019-04-17","山瀬","ja",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":79,"original_title":73,"original_language":45},1577494,"The cats, the sea, and everything in between.","In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.",[11],0.4956,"\u002F4T73Me7MWyGvd7GnDaCvKebX8ft.jpg","2025-10-26","\u002FbLY0wBdAmhUIqj1HVm1RjOLapcC.jpg",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":86,"poster_path":87,"release_date":88,"vote_average":89,"backdrop_path":26,"original_title":90,"original_language":53},461160,"Leonora Carrington or The Ironic Spell","Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.",[11],2.7752,3,"\u002FfRr9wQkV7oIbgpNN0hwHm8KvF3B.jpg","1965-02-09",9.667,"Leonora Carrington o el sortilegio irónico",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":8,"poster_path":97,"release_date":98,"vote_average":8,"backdrop_path":26,"original_title":93,"original_language":53},638517,"Carta al Interior de una botella","The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.",[11],0.5219,"\u002Fzffcg5FTng2ZqUE7KScxlvLKVVZ.jpg","2019-10-09",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":104,"vote_count":21,"poster_path":105,"release_date":106,"vote_average":107,"backdrop_path":26,"original_title":108,"original_language":109},457108,"Every Wall is a Door","Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.",[11],0.3937,"\u002FAvaTUw67Hu8Ts8BgyqCC0nU32uN.jpg","2017-03-25",5,"Chaque mur est une porte","fr",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":115,"vote_count":21,"poster_path":116,"release_date":117,"vote_average":118,"backdrop_path":119,"original_title":112,"original_language":45},462618,"Xenoi","The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.",[11],0.2925,"\u002FdlpD6o6hdVhW7gdJEOj5LLhrJCM.jpg","2016-10-11",8,"\u002Fn2C1US8fqpn0dp60w5S2kdeXOvL.jpg",{"id":121,"adult":6,"title":122,"video":6,"overview":23,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":21,"poster_path":125,"release_date":126,"vote_average":127,"backdrop_path":26,"original_title":122,"original_language":45},462619,"On the Various Nature of Things",[11],0.3212,"\u002Fw5AnU95GWCYPjEok2RCB7RG4dcI.jpg","1996-03-01",6,{"id":129,"adult":6,"title":130,"video":6,"overview":23,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":8,"poster_path":133,"release_date":134,"vote_average":8,"backdrop_path":26,"original_title":130,"original_language":135},828281,"Solidão no Fundo da Agulha",[11],1.2278,"\u002Fqq41IRxkyQkUa4IgKqcytVtotLP.jpg","2021-05-16","pt",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":8,"poster_path":142,"release_date":143,"vote_average":8,"backdrop_path":26,"original_title":138,"original_language":144},459456,"VORTEX TEMPORUM","VORTEX TEMPORUM sinks into the temporality of an image, the one from an American university campus filmed by a webcam. These images from the University of Oregon were collected between August 2009 and June 2010.",[11],0.2701,"\u002FoI5iFte3nTmozvi4jtp2rNvC9JI.jpg","2016-02-10","xx",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":151,"release_date":152,"vote_average":8,"backdrop_path":26,"original_title":147,"original_language":45},459453,"Stratigraphies","Sytratigraphies is a hyper kinetic masterpiece of a travelogue offering glimpses of scenes shot in your native Columbia, New York, Toronto and beyond. A female fantastic (Alexandra Gelis) knitting on the fly (subways, bankomats, beaches) and making audio recordings provides a throughline of sorts, as queer marriages give way to videogame palm trees, warm gatherings of friends are interwoven with public noticings, workers mostly, street hawkers and construction zones of the self. These lyrical interludes (in this movie the in-between is at the heart of the matter) are punctuated by rescanned YouTube interviews with authors\u002Fphilosophers\u002Fscientists Jorge Luis Borges, Francisco Varela, Julio Cortazar, Beatriz Preciado and Gilles Deleuze. They muse briefly on creativity, exile, the biopolitics of the birth control pill, and the necessity of making mistakes in philosophy.",[11],0.7053,"\u002FiJKWVyB8nV93wRTHJdjaZ57ZW2c.jpg","2015-01-19",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":127,"poster_path":159,"release_date":160,"vote_average":161,"backdrop_path":26,"original_title":155,"original_language":45},278859,"Thot-Fal'N","This film describes a psychological state \"kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed.\"",[11],0.6158,"\u002Fn9LX4cPOx67Sn1n1y3WGzgpR1V6.jpg","1978-06-27",5.667,{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":26,"original_title":164,"original_language":45},459659,"Across & Down","Frame by frame, letter by letter, this film aligns riddles\u002Fanswers from 6 rolls of Super-8, with the structure, poetry and imagery posed by Ugandan crossword puzzles. Across & Down is a study of simultaneous simplicity and complexity and the resulting serendipity and chaos.",[11],0.6851,"\u002FhAhP5NaKK4DEYJ62tv0bSnsDGU7.jpg","2012-06-23",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":176,"poster_path":177,"release_date":178,"vote_average":127,"backdrop_path":179,"original_title":180,"original_language":135},273320,"Chinese Viola","The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called \"Belair's last film,\" Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.",[11],1.0554,7,"\u002FnuLdqSIUYePh1HnL0pXKTGRI5rm.jpg","1975-05-31","\u002F3Y6rLMpA6RjAjsyYqdw38YJWM12.jpg","Viola Chinesa",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":8,"poster_path":187,"release_date":188,"vote_average":8,"backdrop_path":26,"original_title":189,"original_language":45},1570212,"Tiny Little Things","A Turkish woman in Brighton shares her visual diary. Witness her ups and downs, her intimacy and vulnerability. After revealing hers, the film invites you to confront your ‘tiny little things’. It presents a slice-of-life experience with an abstract flow and deals with one’s existence in this world. There is no escape from family and the things in your mind, even if you are thousands of miles away. The meaning changes constantly, and the camera becomes the extension of her mind. And somebody put that voice in her brain.",[11],0.3618,"\u002FlrRa0nxhHEmSO4r4zWq84NT5Hrv.jpg","2019-02-01","Küçük Minik Şeyler",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":21,"poster_path":196,"release_date":197,"vote_average":118,"backdrop_path":26,"original_title":192,"original_language":45},453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",[11],0.4272,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":21,"poster_path":204,"release_date":205,"vote_average":127,"backdrop_path":26,"original_title":200,"original_language":45},453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",[11],0.4373,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":26,"original_title":208,"original_language":45},830819,"Light by Chance","Experimental short film playing with light and how it appears through reflections, lenses, and distortions",[11],0.2195,"\u002FrnSdhIg0lQPa5B9BYqyv8zAgCNG.jpg","2021-05-21",11746,234909,"https:\u002F\u002Fwww.d-est.com\u002Fhome-movies\u002F","It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.",0.7695,"\u002Fr3kyepZpZUeTh6jCMbYeCO5i1qV.jpg","2006-01-01",[222],"CS","Vukica Đilas  – Home Movies",{"results":225},{},[227],{"name":228,"iso_639_1":144,"english_name":228},"No Language","sr",[],[232],{"name":233,"iso_3166_1":222},"Serbia and Montenegro",45,"A documentary story that tends to land well.",[]]