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Six decades ago, while pursuing their dreams, Joan Myers Brown, Delores Browne and Raven Wilkinson confronted racism, exclusion and unequal opportunity. Today, young dancers of color continue to face formidable challenges breaking into the overwhelmingly white world of ballet. 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The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.",[11],0.1433,4,"\u002FcVlk1Ck65fcOK0TbDNPWJicF4UD.jpg","2013-04-01",7,"\u002FakVINqtQ6cgSmVeIVtEEvlhAzzE.jpg","es",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":8,"poster_path":172,"release_date":173,"vote_average":8,"backdrop_path":33,"original_title":168,"original_language":82},264165,"A Chair Fit for an Angel","For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. 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Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.",[11],0.145,"2025-08-22",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":163,"poster_path":33,"release_date":187,"vote_average":188,"backdrop_path":33,"original_title":183,"original_language":82},254775,"The Codes of Gender","Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.",[11],0.4587,"2010-10-13",6.5,{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":195,"poster_path":196,"release_date":197,"vote_average":198,"backdrop_path":199,"original_title":191,"original_language":82},12094,"Jackass Number Two","Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. 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A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.",[236,11,237],878,18,0.176,30,"\u002FysObMZnc0LDqUV4rHCVr7jfpqwN.jpg","2014-09-20",6.55,"\u002FxgEEsrMXdAQOUSist2OdMWStBcK.jpg","Branco Sai, Preto Fica","pt",{"id":247,"adult":6,"title":248,"video":6,"overview":249,"softcore":6,"genre_ids":250,"popularity":251,"vote_count":8,"poster_path":252,"release_date":253,"vote_average":8,"backdrop_path":33,"original_title":254,"original_language":255},432820,"The Masseurs","Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker \"performed\" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.",[11],0.2997,"\u002F3E6xrTPfHYsYQdIT0WStQMSKZMI.jpg","1963-12-31","按摩","ja",{"id":257,"adult":6,"title":258,"video":6,"overview":259,"softcore":6,"genre_ids":260,"popularity":261,"vote_count":262,"poster_path":263,"release_date":264,"vote_average":265,"backdrop_path":266,"original_title":258,"original_language":82},2287,"Rize","A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.",[11],0.5075,48,"\u002Fbx7UAcyumQZuNj3dZFK7Wh4dbRl.jpg","2005-01-15",6.74,"\u002FyTQ1nGUbXtFefSqrcjvGZd8unGP.jpg",{"id":268,"adult":6,"title":269,"video":6,"overview":270,"softcore":6,"genre_ids":271,"popularity":272,"vote_count":273,"poster_path":274,"release_date":275,"vote_average":276,"backdrop_path":277,"original_title":269,"original_language":82},433033,"Unrest","When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s \"all in her head.\" Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.",[11],0.7272,51,"\u002FrjkAUg2gbU64PVIkjK5Z5bqbGl7.jpg","2017-10-20",6.853,"\u002F7OrGWuJ15RXiAVbUNFQ5w2IWVz8.jpg",11465,229287,"Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?",0.1136,"\u002F46lJ5TG7WJmg0kElVfp7RjonwNM.jpg","2013-09-12",[285],"ES","Piel Dolor",{"results":288},{},[290],{"name":291,"iso_639_1":165,"english_name":292},"Español","Spanish",[],[295],{"name":296,"iso_3166_1":297},"Ecuador","EC",45,"A documentary story that tends to land well.",[]]