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This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.",[11],0.4614,"\u002Fir0nYbQIUETwYFrZFkYtamHNPgr.jpg","2024-09-21","\u002Feyg8cBcKvzrGryXDDtoub1R8kLC.jpg","xx",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":115,"vote_count":8,"poster_path":116,"release_date":117,"vote_average":8,"backdrop_path":69,"original_title":112,"original_language":41},1032721,"The Flood","The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment?  For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’.  In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. 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They are the Sahrawi women. 40 years ago, they were forced into exile; the men of this region, marched to war and the women created “temporary cities”: The Refugee Camps. They invented a new day to day life which made possible a sustainable existence and a hope, of one day returning home. Coría every night dreams of the sea; the majestic image of its water, the sound of its waves, are the echoes that join the people with their homeland. 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Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.",[11],0.202,"\u002FxIiHnbjBSt0tfwrb0OkoTvI43Pm.jpg","2023-09-30",{"id":214,"adult":6,"title":215,"video":6,"overview":121,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":8,"poster_path":218,"release_date":219,"vote_average":8,"backdrop_path":220,"original_title":215,"original_language":51},1634740,"Monde agricole : la fracture de l’eau",[11],0.1936,"\u002FsogOT2Zaq0vjT6wC8GtICvhcukY.jpg","2025-02-24","\u002FyIELJkoWpTXAOgWh5zD3EbzJaUA.jpg",11636,232718,"The Saharawi women face the thirst of the hamada, the curse of the desert, every day. They’ve built their refuge in a land where no one could survive before. For more than forty years they’ve been holding out and taking care of their people there. They ensure every drop of water is distributed according to the needs of each family … and they wait. 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