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The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.",[11,124],12,0.336,"2024-02-29","\u002FkzWZ0Pu2zuNkwVGGNm6GO2Z7hNM.jpg","hi",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":8,"poster_path":135,"release_date":136,"vote_average":8,"backdrop_path":23,"original_title":137,"original_language":138},1537489,"The mirror bird","Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. 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I'd like to change the emphasis of what's important when looking at a woman.\"  Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival  recordings. 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As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history.  JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.",[11],0.2262,"\u002FwTU0sKp9J7BsTlwDit4iS48kJcI.jpg","1995-10-06",3.333,{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":8,"poster_path":174,"release_date":175,"vote_average":8,"backdrop_path":23,"original_title":176,"original_language":177},1184330,"The Diary of Florica S.","Director Eugenia Gutu offers a feminist critique of gender (in)equality under socialism in this documentary portrait of an industrializing town and its model citizen, Florica S.",[11],0.1587,"\u002Flu6kY2WbWfM5yH61759KQyGcn3V.jpg","1975-01-01","Jurnalul Floricăi S","ro",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":184,"vote_count":8,"poster_path":185,"release_date":186,"vote_average":8,"backdrop_path":23,"original_title":180,"original_language":148},273331,"T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s","The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. 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After serving eight years in prison, Inês Etienne Romeu, the only survivor of the \"House of Death\" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.",[11],0.2714,"\u002FgRyEvy2k4slxCslJ64el9h5aiLv.jpg","1979-01-01","Libertação de Inês Etienne Romeu","pt",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":19,"poster_path":214,"release_date":215,"vote_average":216,"backdrop_path":217,"original_title":218,"original_language":219},644394,"Johanna Dohnal - Visionary of Feminism","Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.",[11],0.1468,"\u002FAn6HHxeLU4YGl8P09S8GWvpvtAk.jpg","2020-02-14",10,"\u002FxtINpkfx7xNAQs3mg1WpokTiWof.jpg","Die Dohnal","de",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":40,"poster_path":226,"release_date":227,"vote_average":228,"backdrop_path":229,"original_title":222,"original_language":138},1386048,"Ellas en la ciudad","\"Ellas en la ciudad\" (Them in the City) focuses on the first settlers of the neighborhoods on the outskirts of Seville. 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Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. 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Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.",[11,260],16,0.1441,"\u002FyVhtmKWhcs4CxD0RMNgZ1UhQ4Dr.jpg","2023-11-11","\u002Fy1bsKbEVFRHL8EqkplipL212lEY.jpg",{"id":266,"adult":6,"title":267,"video":6,"overview":268,"softcore":6,"genre_ids":269,"popularity":270,"vote_count":19,"poster_path":271,"release_date":272,"vote_average":57,"backdrop_path":273,"original_title":267,"original_language":148},476574,"Straight\u002FCurve: Redefining Body Image","A documentary about body image and the industry leaders challenging society's unrealistic and dangerous standards of beauty.",[11],0.3419,"\u002FlXDLeubswcEYX6ROAF8ADQFYAf7.jpg","2017-06-22","\u002F8gtQL2sQaAxvQ4m3BFugAWKiVUP.jpg",{"id":275,"adult":6,"title":276,"video":6,"overview":277,"softcore":6,"genre_ids":278,"popularity":279,"vote_count":51,"poster_path":280,"release_date":281,"vote_average":282,"backdrop_path":283,"original_title":276,"original_language":158},468653,"Ouaga Girls","A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.",[11],0.1785,"\u002Fghb0Wwi1otwb9snl5fRhvyzkQ06.jpg","2017-08-25",6.2,"\u002FrUkV3P86iNn4vfxpJwvQJje7q6S.jpg",{"id":285,"adult":6,"title":286,"video":6,"overview":287,"softcore":6,"genre_ids":288,"popularity":289,"vote_count":8,"poster_path":290,"release_date":291,"vote_average":8,"backdrop_path":23,"original_title":292,"original_language":293},1197266,"Girls Life Is Trembling","Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.",[11],0.1449,"\u002FAok9aqkFC1UK9mb1gJfB3xXT76D.jpg","2009-09-10","Ragazze la vita trema","it",{"id":295,"adult":6,"title":296,"video":6,"overview":297,"softcore":6,"genre_ids":298,"popularity":299,"vote_count":300,"poster_path":301,"release_date":302,"vote_average":57,"backdrop_path":303,"original_title":296,"original_language":148},473707,"L7: Pretend We're Dead","A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.",[11],0.3217,15,"\u002FbAWbUsfGwx0YQMZcXbI6fWTQcuJ.jpg","2017-10-13","\u002FwZ2DJWH6PwGNyNGNKONPEUe5e8u.jpg",{"id":305,"adult":6,"title":306,"video":6,"overview":307,"softcore":6,"genre_ids":308,"popularity":311,"vote_count":34,"poster_path":312,"release_date":313,"vote_average":314,"backdrop_path":315,"original_title":316,"original_language":219},658799,"1979: Big Bang of the Present","Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.",[11,309,310],36,10770,0.1805,"\u002FA0BJj6FkbsEUjUF59qWkdotwVWL.jpg","2019-12-10",5.7,"\u002F2TcUngzhkIvVjZZdB12oX4PMLLI.jpg","1979: Urknall der Gegenwart",11374,227479,"In a tide oblivious to diversity, pearl oysters live under attack for not fitting into the standards and sizes. This is the story of how their pearls are born.",0.2018,"\u002FyKLlpbighHJZv09iiMzsMFah2NE.jpg","2015-08-08","\u002FA39dTRGjFpsitYZa5uzQopEJb4m.jpg",[325],"PT",{"results":327},{},[],[330],{"id":331,"name":332,"logo_path":23,"origin_country":20},67251,"Unisinos",[],53,"A documentary story that tends to land well.",[]]