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In other words, an extreme defect that goes beyond a mere illness\"  Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive",[44],18,0.8248,5,"\u002FyS9ALLyk0ZZLIYuWLtnjzFmOkXv.jpg","1963-11-03",8.8,"鎖陰","ja",{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":58,"poster_path":24,"release_date":59,"vote_average":60,"backdrop_path":24,"original_title":54,"original_language":61},263840,"The Death of Abraham Lincoln (In Three Parts)","An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.",[44],0.7779,3,"1998-01-01",6.7,"en",{"id":63,"adult":6,"title":64,"video":6,"overview":65,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":68,"poster_path":24,"release_date":69,"vote_average":70,"backdrop_path":24,"original_title":64,"original_language":61},263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. 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This small, quiet 16mm film serves as a testament both to cinema’s failure to reproduce the lived moment and to its success in replacing that moment with one that is equally wondrous.",[],0.4498,"2002-11-16",7,{"id":87,"adult":6,"title":88,"video":6,"overview":89,"softcore":6,"genre_ids":90,"popularity":91,"vote_count":46,"poster_path":24,"release_date":92,"vote_average":93,"backdrop_path":24,"original_title":88,"original_language":61},263845,"Terra Incognita","Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. 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Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas",[44],1.3369,"2004-01-01",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":20,"poster_path":24,"release_date":108,"vote_average":115,"backdrop_path":24,"original_title":111,"original_language":61},263849,"Last Days","The Valley of Fire. Oficina Chacabuco. The Calumet Industrial Corridor. From the outskirts of Vegas to the desert ghost towns of Chile - a pinhole travelogue for the world’s end, for what was left behind.",[],0.4629,7.5,{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":122,"vote_count":123,"poster_path":24,"release_date":124,"vote_average":68,"backdrop_path":24,"original_title":118,"original_language":61},263850,"The Twenty-One Lives of Billy The Kid","Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.",[121,44],37,0.8633,4,"2005-01-01",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":27,"poster_path":24,"release_date":124,"vote_average":123,"backdrop_path":24,"original_title":127,"original_language":61},263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",[34],0.4411,{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":137,"vote_count":27,"poster_path":138,"release_date":139,"vote_average":140,"backdrop_path":24,"original_title":133,"original_language":38},625345,"D'art moderne","",[136],16,0.683,"\u002FxXI8yNqa5Gu9zdq9MDg3lgiBACH.jpg","1977-01-01",9,{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":27,"poster_path":147,"release_date":148,"vote_average":149,"backdrop_path":24,"original_title":143,"original_language":61},444638,"Cotton Candy","Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.)  (J. Hoberman, The Village Voice)",[],0.8713,"\u002FmQBjenha7rI7xkLRxPXM7GqPnnx.jpg","2002-04-30",8,{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":156,"vote_count":8,"poster_path":157,"release_date":158,"vote_average":8,"backdrop_path":159,"original_title":152,"original_language":61},812494,"The Mouth","The blinking sun on the surface of the river becomes the ranting mouth of god and utters nova scotia into existence.",[155],27,0.781,"\u002F2jU1Yzn016GH36M0oxJVXfN6QMv.jpg","2021-03-31","\u002FpyVQUlfWLaPNrCHDaFv0E9IbYFV.jpg",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":123,"poster_path":166,"release_date":167,"vote_average":68,"backdrop_path":168,"original_title":162,"original_language":61},264427,"The Adventures of *","Life drums the playfulness out of a boy as he grows up.",[136],0.8752,"\u002F7fxDvuwH1LZX2a2eocGQdjE3MBy.jpg","1957-08-25","\u002Fe3tvN8czDzDF7LT54d7kEvBGzlb.jpg",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":8,"poster_path":175,"release_date":134,"vote_average":8,"backdrop_path":176,"original_title":171,"original_language":61},1006746,"Inadequateness of a shadow","A foolish shadow attempts to behave like a real entity but the irony takes place",[],0.3454,"\u002FxrVZAfkolL7RmqCLb9vVR1DRm6C.jpg","\u002FdljIFY67PHfPM75Flpbi4Nh8yIE.jpg",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":27,"poster_path":183,"release_date":184,"vote_average":68,"backdrop_path":24,"original_title":185,"original_language":186},264638,"Impressions from the Upper Atmosphere","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",[34,136],1.8293,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01","Impresiones en la alta atmósfera","es",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":193,"vote_count":194,"poster_path":195,"release_date":196,"vote_average":197,"backdrop_path":198,"original_title":189,"original_language":61},5051,"The Baby of Mâcon","In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.",[44,192],36,2.8133,116,"\u002FlYB5uF36JE61GMLInD3Gp7yCCyL.jpg","1993-09-17",6.832,"\u002FiHfVnZrb6w39x1KIcgTGNY7g0l1.jpg",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":123,"poster_path":205,"release_date":206,"vote_average":149,"backdrop_path":207,"original_title":201,"original_language":208},263806,"Bliss","The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.",[34],0.4316,"\u002FctbGBuZw7n811WMNXuauHr6wzxM.jpg","1967-06-02","\u002FyXLoSsOggRiHXmNnkL5rpV9Om20.jpg","xx",152,3033,"This film is a succession of visual and aural \"notes\" generated by the patterns in animals' hides, which are arranged and re-edited into a complex musical architecture, developing intricate rhythms not unlike the complex syncopations found in traditional African music. Elements of sand, dirt, light and shadow cross-reference the film's emulsion with evolutionary history and provide a second level of musical structuring through which the first layer is filtered. The animals' fur patterns, which evolved naturally as camouflage to hide them from predators, ironically now make the animals more visible to human predators who are attracted by their exotic uniqueness. This cinematic analogy underscores modern humanity's relationship to the natural world.",0.8068,"\u002FwcLEwO8ECF3bHwLKN3rgGRq3xZW.jpg","1990-05-16",[216],"US",{"results":218},{},[],[],[222],{"name":223,"iso_3166_1":216},"United States of America",45,"Protective Coloration sits in the sweet spot of what works for tonight.",[]]