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Their mission — to use Tenser's notoriety to shed light on the next phase of human evolution.",[349,14,350],878,53,3.5224,1297,"\u002FRAFYMC0NgK9In9aGY6k6wsIL8w.jpg","2022-05-25",6.012,"\u002Fsqdsuvy8X6Maila4IAc7deMtPAA.jpg",{"id":358,"adult":6,"title":359,"video":6,"overview":360,"softcore":6,"genre_ids":361,"popularity":362,"vote_count":8,"poster_path":30,"release_date":363,"vote_average":8,"backdrop_path":30,"original_title":359,"original_language":260},1197860,"Gazdina roba","Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, \"Gazdina roba,\" the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.",[11],0.2876,"1994-01-01",{"id":365,"adult":6,"title":366,"video":6,"overview":367,"softcore":6,"genre_ids":368,"popularity":369,"vote_count":27,"poster_path":370,"release_date":371,"vote_average":71,"backdrop_path":30,"original_title":372,"original_language":194},458441,"Manslaughter","A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an \"artistic\" shot, part of a play.",[350,11],0.2121,"\u002FqCjYiU6kIkNzS2sdvoBIDg4Giwb.jpg","1984-06-27","Homicidio Culposo",{"id":374,"adult":6,"title":375,"video":6,"overview":286,"softcore":6,"genre_ids":376,"popularity":377,"vote_count":8,"poster_path":30,"release_date":378,"vote_average":8,"backdrop_path":30,"original_title":375,"original_language":260},1011425,"O veselém hrobaři",[305,17],0.8705,"1971-01-01",19183,383659,"Vanitas vanitatum omnia vanitas","\"Vanity of vanities, everything is vanity\" says the bible. The word flows from the tongue naming the pleasure of earthly life and judging it as beautiful, but shallow and useless; vanity is a deadly sin. A female sin. The man painted the woman, put a mirror in his hands and called it vanity. The woman in representation admires herself, but the one who really admires her body is the artist. Whose vanity? In VANITAS, we re-divide the woman in our bodies, showing the depth of what is palpable. If the Father's temple hides after death, clean and perfect, we reject them. We welcome Mother Nature in us, life-death in a perpetual sacred cycle, also honoring her dark face. You may wish to reach heaven, but it is on earth that your knees fall.",0.6577,"\u002FzmcKQKIIPj2bIQAiIOCS9sPxPMI.jpg","2021-04-15","\u002F3t4eSCnB9MMBqZuj70pp3Fmltd2.jpg",[388],"BR",{"results":390},{},[392],{"name":393,"iso_639_1":394,"english_name":395},"Português","pt","Portuguese",[397],{"id":398,"name":399,"logo_path":30,"origin_country":286},136290,"Círculo de Iniciação Teatral da Academia de Coimbra (CITAC)",[401,403],{"name":402,"iso_3166_1":388},"Brazil",{"name":404,"iso_3166_1":405},"Portugal","PT",51,"A drama story that tends to land well.",[]]