[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-820274-en-US":3},{"detail":4,"match":265,"insight":266,"providers":267,"providerLink":28,"trailer":28},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":8,"similar":29,"tagline":70,"homepage":70,"overview":244,"softcore":6,"popularity":245,"vote_count":30,"poster_path":246,"release_date":247,"vote_average":125,"backdrop_path":28,"origin_country":248,"original_title":7,"watch\u002Fproviders":250,"spoken_languages":252,"original_language":44,"production_companies":253,"production_countries":262,"belongs_to_collection":28},820274,false,"Des femmes",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},82307,"Director","Merzak Allouache",2,"607cb3429f37b00057a90e8f","Directing",0.3432,"\u002FmUCtwUBJsg0nn3DXVpQeJ5UHfeF.jpg",null,{"page":30,"results":31,"total_pages":242,"total_results":243},1,[32,45,55,67,76,86,99,106,118,126,138,149,158,170,180,191,201,209,220,230],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":38,"vote_count":30,"poster_path":39,"release_date":40,"vote_average":41,"backdrop_path":42,"original_title":43,"original_language":44},1363248,"The Sorcerer's Apprentice","60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshima, exploded. Named the “Blue Gerboise”, it was the first atomic bomb tested by France, and of hitherto unrivaled power. This 70 kiloton plutonium bomb was launched in the early morning, in the Reggane region, in southern Algeria, during the French colonial era. If this test allowed France to become the 4th nuclear power in the world, it had catastrophic repercussions. France had, at the time, certified that the radiation was well below the standard safety threshold. However, in 2013, declassified files revealed that the level of radioactivity had been much higher than announced, and had been recorded from West Africa to the south of Spain.",[11,37],18,0.1349,"\u002FcXU6wn26E7oWnWCOPyPk5cudsda.jpg","1996-01-01",10,"\u002F2wiOTwfP6SxdrNoomZ3PRtcCknD.jpg","Les Apprentis Sorciers","fr",{"id":46,"adult":6,"title":47,"video":6,"overview":48,"softcore":6,"genre_ids":49,"popularity":50,"vote_count":51,"poster_path":52,"release_date":53,"vote_average":54,"backdrop_path":28,"original_title":47,"original_language":44},433937,"Scum Manifesto","Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.",[11],0.2069,9,"\u002F5vBqDRVGE2108ZuV0JxE1hsFBr7.jpg","1976-01-01",5.222,{"id":56,"adult":6,"title":57,"video":6,"overview":58,"softcore":6,"genre_ids":59,"popularity":61,"vote_count":23,"poster_path":62,"release_date":63,"vote_average":64,"backdrop_path":65,"original_title":57,"original_language":66},256195,"Alice Walker: Beauty in Truth","The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.",[11,60],36,0.2763,"\u002FeZGxXRGRtSl8vyRXKsEcsxjWKal.jpg","2013-05-13",3.5,"\u002F68yP0I8KmWlTQeq3ObO9bnJ5GbH.jpg","en",{"id":68,"adult":6,"title":69,"video":6,"overview":70,"softcore":6,"genre_ids":71,"popularity":72,"vote_count":30,"poster_path":73,"release_date":74,"vote_average":41,"backdrop_path":75,"original_title":69,"original_language":44},988547,"Algériennes, Trente ans après","",[11],0.9072,"\u002FAs3Dyt4inKkwpkdQ4d98dANSkL.jpg","1996-10-08","\u002FvEJepv9X0LWfQrPo2xokl0OpLlJ.jpg",{"id":77,"adult":6,"title":78,"video":6,"overview":79,"softcore":6,"genre_ids":80,"popularity":81,"vote_count":30,"poster_path":82,"release_date":83,"vote_average":41,"backdrop_path":84,"original_title":85,"original_language":44},988597,"Stay In Algeria","Algeria, summer 1962, eight hundred thousand French people left their native land in a tragic exodus. But 200,000 of them decided to attempt the adventure of independent Algeria. Over the following decades, political developments would push many of these pieds-noirs into exile towards France. But some never left. Germaine, Adrien, Cécile, Guy, Jean-Paul, Marie-France, Denis and Félix, Algerians of European origin, are among them. Some have Algerian nationality, others do not. Some speak Arabic, others do not. They are the last witnesses to the little-known history of these Europeans who remained out of loyalty to an ideal, a taste for adventure and an unconditional love for a land where they were born, despite all the ups and downs that the free Algeria in full construction had to go through.",[11,60],0.2267,"\u002FnwRTxMRDWRfe43GkKKRlYMyYG4Q.jpg","2012-11-26","\u002Fu2NRtX0FJAjgQtus6F1DzaV5vPL.jpg","Rester en Algérie",{"id":87,"adult":6,"title":88,"video":6,"overview":89,"softcore":6,"genre_ids":90,"popularity":92,"vote_count":23,"poster_path":93,"release_date":94,"vote_average":95,"backdrop_path":96,"original_title":97,"original_language":98},261007,"The Panafrican Festival in Algiers","Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.",[11,91],10402,0.1494,"\u002F7XEfX46KiuqTbdlYcdxBWuUo8oC.jpg","1969-01-01",6,"\u002FlTtfjmpEnHYqAphGeYfGDd4NNgb.jpg","Festival Panafricain d'Alger","ar",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":104,"vote_count":8,"poster_path":28,"release_date":105,"vote_average":8,"backdrop_path":28,"original_title":101,"original_language":66},438334,"Virago: Changing The World One Page at a Time","Despite the 1960s free-love and alternative culture, many women found that their lives and expectations had barely altered. But by the 1970s, the Women's Liberation Movement was causing seismic shifts in the march of the world's events, and women's creativity and political consciousness was soon to transform everything - including the face of publishing and literature. In 1973 a group of women got together and formed Virago Press; an imprint, they said, for 52 per cent of the population. These women were determined to make change - and they would start by giving women a voice, by giving them back their history and reclaiming women's literature.",[11],0.1656,"2016-10-31",{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":112,"poster_path":113,"release_date":114,"vote_average":115,"backdrop_path":116,"original_title":117,"original_language":44},616291,"143 Sahara Street","Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a \"literary fantasy\", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.",[11],0.5951,11,"\u002FaxL6z7LNdMb2sayDEhpV1DfABHk.jpg","2021-06-16",7,"\u002Fx49DnV2XUiYSvHVykq5ygRh0TcT.jpg","143 rue du désert",{"id":119,"adult":6,"title":120,"video":6,"overview":70,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":30,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":28,"original_title":120,"original_language":44},804369,"Les Champs de la colère",[11,37],0.3213,"\u002FajFpJaS6p88DxgK82cGB3f83hyN.jpg","2017-12-30",8,{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":132,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":136,"original_title":137,"original_language":44},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[37,11],0.1935,5,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":30,"poster_path":144,"release_date":145,"vote_average":41,"backdrop_path":146,"original_title":147,"original_language":148},451540,"Mexeu com uma, mexeu com todas","“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism.  Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.",[11],0.1397,"\u002F290BiwaJe2HS4QjtZcT1U5wDZvc.jpg","2017-05-05","\u002FyJzTGTMuL8yW4e5czIHtgpLpnqe.jpg","Mexeu com Uma, Mexeu com Todas","pt",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":30,"poster_path":155,"release_date":156,"vote_average":41,"backdrop_path":157,"original_title":151,"original_language":44},1187775,"Alger Et Ses Environs","The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.",[11],0.2871,"\u002FhDJzfnwlRQxqI3nU94zmOu3mvk5.jpg","1945-01-01","\u002Fm8MkqnULBeyuZo2F18KRe1YSKG8.jpg",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":164,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":160,"original_language":169},812942,"Aleph","Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.",[11],0.2151,4,"\u002Fd3wL7lkSTz5UFJLKCXLQkxJqjdb.jpg","2021-04-30",7.25,"\u002FrodcCMleXFHPP6uVLxFRujGuIoF.jpg","es",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":176,"vote_count":30,"poster_path":177,"release_date":178,"vote_average":41,"backdrop_path":179,"original_title":172,"original_language":44},996831,"Oversand","Oversand is one of the first films about free climbing, the third film in a series of three with \"Overdon\" and \"Over-Ice\". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.",[11,175],12,0.1701,"\u002FwfXRQHuNDtf6pP2p1gkwll6lgAB.jpg","1981-01-01","\u002FyNLC6KPNeO85O95AnT9720W2zIP.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":186,"vote_count":30,"poster_path":187,"release_date":188,"vote_average":41,"backdrop_path":189,"original_title":190,"original_language":44},1188573,"Fire in the Heart","In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of \"Les colleuses\". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.",[11,185],16,0.1284,"\u002FsV2bOzUPmWV4RMcz8ftcTxQV78b.jpg","2023-05-05","\u002Fmal8YkqKZ5CvtMcjtwsNLSEoSQA.jpg","Le Feu Au Coeur",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":197,"poster_path":198,"release_date":199,"vote_average":200,"backdrop_path":28,"original_title":193,"original_language":66},454940,"Jane: An Abortion Service","This fascinating political look at a little-known chapter in women's history tells the story of \"Jane\", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history.  JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.",[11],0.2856,3,"\u002FwTU0sKp9J7BsTlwDit4iS48kJcI.jpg","1995-10-06",3.333,{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":30,"poster_path":207,"release_date":208,"vote_average":41,"backdrop_path":28,"original_title":203,"original_language":66},451146,"Who’s Counting? Marilyn Waring on Sex, Lies and Global Economics","This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.",[11],0.1391,"\u002F69wnm0AHTKEOzHdqz0ygqiFDykE.jpg","1995-10-22",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":215,"poster_path":216,"release_date":217,"vote_average":218,"backdrop_path":219,"original_title":211,"original_language":66},274381,"Town Bloody Hall","Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.",[11],0.338,13,"\u002F77w5IsUbapWrJJ3XB3Bo5OlB5Ie.jpg","1979-04-03",5.846,"\u002FhSHw4aeEqnFjSfGBzTcTDfbEwft.jpg",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":28,"original_title":228,"original_language":229},814697,"ROLLER DERBY IN THE LOW COUNTRIES","In this short documentary, we take a look at the history and future of roller derby in the Netherlands, while also touching on subjects such as image and the rise of men’s teams in this traditionally female sport. We tried to capture the Roller Derby culture with grungy 16mm film overlays and an eclectic mix of colors, switching from black and white, back to color. This, combined with the use of stock footage, the Whip It trailer and choice of music really help to sell the vibe and sensibilities of roller derby.",[11],0.2246,"\u002F3zgOQuEzjZIFeHH7UwM2Bb6OAga.jpg","2014-12-25","ROLLER DERBY IN THE LAGE LANDEN","nl",{"id":231,"adult":6,"title":232,"video":6,"overview":233,"softcore":6,"genre_ids":234,"popularity":236,"vote_count":23,"poster_path":237,"release_date":238,"vote_average":239,"backdrop_path":240,"original_title":241,"original_language":98},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,235],10752,0.2482,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes",11454,229061,"As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.",0.3797,"\u002FyXWG3ZomsdqizRplrh0YkrIxJRR.jpg","2020-05-12",[249],"FR",{"results":251},{},[],[254,258],{"id":255,"name":256,"logo_path":28,"origin_country":257},74050,"Baya Films","DZ",{"id":259,"name":260,"logo_path":261,"origin_country":249},118251,"Les. Asphofilms.","\u002Fi9RKiTbHgcUrzsYE9nyej3YhUII.png",[263],{"name":264,"iso_3166_1":257},"Algeria",45,"A documentary story that tends to land well.",[]]