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Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.",[11],0.2438,"\u002FkmPhwWLMIVrQcKJdYvb6K8gn4oY.jpg","1999-01-01","en",{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":65,"vote_count":8,"poster_path":66,"release_date":67,"vote_average":8,"backdrop_path":68,"original_title":69,"original_language":70},1050063,"Motherland Memories","Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. 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From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of \"climate change\", but they should also fall under the umbrella of \"saving tax payers hundreds of millions of dollars!”",[11],0.3125,"\u002FwdDnIZKaqwugIPhNGAK2Psev4FF.jpg","2022-07-01",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":115,"vote_count":8,"poster_path":116,"release_date":117,"vote_average":8,"backdrop_path":118,"original_title":111,"original_language":59},1192373,"Bancoco","A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. 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Each year, these birds migrate south from North America. Around September they pass the Ozogoche lakes, where large numbers then “commit suicide,”  plunging from great heights into the ice-cold water. A girl lives near the lake. Her uncle lives in the US, and she might be heading there herself. In the meantime, she awaits the arrival of the cuvivís, few of which have  appeared in recent years. 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Of the sun and soil and bees, of the water and black ants and cowpeas. To be so entangled with an ecosystem, generation after generation, that nature and culture become one? Clans living in Tharaka, Kenya, have been subjected to colonialism and all that follows. Their indigeneity unthreaded by a powerful few pulling the world apart for profit. But Atharaka – ‘those of Tharaka’ – are remembering the power in their identity. 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Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. 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