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Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. 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The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",1.0222,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12",110,2186,{"results":229},{},{"results":231},[],{"cast":233,"crew":234},[],[235],{"adult":5,"gender":67,"id":236,"known_for_department":237,"name":238,"original_name":238,"popularity":239,"profile_path":240,"credit_id":241,"department":237,"job":242},1429329,"Directing","Yves-Marie Mahé",0.4132,"\u002F3UTpCEeLmN2exOGjTyOLnkAvETp.jpg","6087d675b6abc4003fa2bc3d","Director",45,"LO_EATH sits in the sweet spot of what works for tonight.",[]]