[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-824238-en-US":3},{"detail":4,"match":260,"insight":261,"providers":262,"providerLink":28,"trailer":28},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":23,"similar":29,"tagline":244,"homepage":245,"overview":246,"softcore":6,"popularity":247,"vote_count":30,"poster_path":248,"release_date":249,"vote_average":250,"backdrop_path":28,"origin_country":251,"original_title":7,"watch\u002Fproviders":253,"spoken_languages":255,"original_language":55,"production_companies":258,"production_countries":259,"belongs_to_collection":28},824238,false,"Le Guignon",0,[10],{"id":11,"name":12},16,"Animation","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1307539,"Director","Jon Rafman",2,"608b5b1c946318002b136c9d","Directing",0.1792,"\u002F5ouiqddcOWIAyReiu4aLwi2dSkf.jpg",null,{"page":30,"results":31,"total_pages":242,"total_results":243},1,[32,44,56,67,76,93,108,117,127,139,148,157,165,174,183,193,201,210,220,229],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":37,"vote_count":23,"poster_path":38,"release_date":39,"vote_average":40,"backdrop_path":41,"original_title":42,"original_language":43},999588,"Shibuya Vernacular","A four-dimensional short anime will start at the very beginning of Shibuya Crossing, that is, 10,000 years in the past.  The anime is part of a collaborative project helmed by Yoshitoshi Shinomiya. It features a hybrid of animation and live-action. The short was screened on Shibuya's Crossing screens and a YouTube-friendly version was posted as well.  (Source: ANN)",[11],0.5639,"\u002FfgQyR1OARIMTvYxfECGIqxo9IDO.jpg","2018-04-20",6.5,"\u002FTFqQfgLFw2jLIdn9XeDo68Ik5v.jpg","トキノ交差","ja",{"id":45,"adult":6,"title":46,"video":6,"overview":47,"softcore":6,"genre_ids":48,"popularity":50,"vote_count":51,"poster_path":52,"release_date":53,"vote_average":54,"backdrop_path":28,"original_title":46,"original_language":55},268367,"Heterodyne","“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton",[49,11],99,1.0562,4,"\u002FvIv4hIO4pPpvxYMpxdBL2mt0EwY.jpg","1967-01-01",5,"en",{"id":57,"adult":6,"title":58,"video":6,"overview":59,"softcore":6,"genre_ids":60,"popularity":61,"vote_count":62,"poster_path":28,"release_date":63,"vote_average":64,"backdrop_path":28,"original_title":65,"original_language":66},281737,"Demons","Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.",[11],0.7271,3,"1980-01-01",3.3,"Demony","pl",{"id":68,"adult":6,"title":69,"video":6,"overview":70,"softcore":6,"genre_ids":71,"popularity":73,"vote_count":8,"poster_path":74,"release_date":75,"vote_average":8,"backdrop_path":28,"original_title":69,"original_language":55},1206644,"Samuraï","A particular day of a samurai",[11,72],12,0.1222,"\u002FjIpcQ4BO9NL93vE9bKi4waQqzFQ.jpg","2019-02-01",{"id":77,"adult":6,"title":78,"video":6,"overview":79,"softcore":6,"genre_ids":80,"popularity":86,"vote_count":87,"poster_path":88,"release_date":89,"vote_average":90,"backdrop_path":91,"original_title":92,"original_language":55},464910,"60 Seconds of Solitude in Year Zero","An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",[81,82,49,11,83,84,85],18,35,27,53,9648,0.66,7,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.2,"\u002FoqVGh3bliUZfDYsQRfgZDZkcKxC.jpg","60 Sekundit Üksindust Aastal Null",{"id":94,"adult":6,"title":95,"video":6,"overview":96,"softcore":6,"genre_ids":97,"popularity":101,"vote_count":102,"poster_path":103,"release_date":104,"vote_average":105,"backdrop_path":106,"original_title":107,"original_language":43},18491,"Neon Genesis Evangelion: The End of Evangelion","SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.",[11,98,81,99,100],878,14,28,14.3639,1901,"\u002Fj6G24dqI4WgUtChhWjfnI4lnmiK.jpg","1997-07-19",8.259,"\u002FAfyuI3glMCBDFmNPj9PY6DwbgGp.jpg","新世紀エヴァンゲリオン劇場版 Air／まごころを、君に",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":62,"poster_path":114,"release_date":115,"vote_average":116,"backdrop_path":28,"original_title":110,"original_language":55},321102,"Lulu","Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.",[11],0.5491,"\u002F3vyreMhyiCGUCJwETzawsXZsSBf.jpg","1996-10-01",6.7,{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":123,"vote_count":62,"poster_path":124,"release_date":125,"vote_average":126,"backdrop_path":28,"original_title":119,"original_language":55},484781,"Puppets & Demons","An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.",[11,82,122,99],10402,0.8258,"\u002Fmu1KqwvSZf5hrgeU1woqdRIZoOw.jpg","1997-04-08",6.333,{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":133,"vote_count":30,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":28,"original_title":137,"original_language":138},497976,"Money, a Mythology of Darkness","In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.",[11,81,132],36,0.5308,"\u002FjwEPOqDcnUCMBYyYj8DEaQpcPcb.jpg","1998-11-17",10,"Το χρήμα: Μια μυθολογία του Σκότους","el",{"id":140,"adult":6,"title":141,"video":142,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":8,"poster_path":28,"release_date":146,"vote_average":8,"backdrop_path":28,"original_title":141,"original_language":147},861407,"Les Films de Man Ray",true,"In the 1920s, Man Ray directed four films which, although largely unknown by the general public, made him into a major figure in avant-garde cinema. His films were to be as radical as his images or objects. Included: Le Retour à la Raison, Les Mystères du Château du Dé, Emak-Bakia, L'étoile de Mer and collected shorts.",[11,99],0.4157,"2012-01-01","fr",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":23,"poster_path":154,"release_date":155,"vote_average":156,"backdrop_path":28,"original_title":150,"original_language":55},506770,"Films To Break Projectors","‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm and 8mm film to create unprojectable celluloid collages. Reanimating the material reveals the colour music within and traces of ambiguous narratives that emerge from the complex loops.",[11],0.3291,"\u002FwseK3CJ6pHAvsCi3KEtbuYOJzqF.jpg","2017-04-01",4.5,{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":28,"release_date":163,"vote_average":8,"backdrop_path":28,"original_title":164,"original_language":66},492074,"Norm","A twisted and macabre film by Mróz-Raynoch, which explores an exhibition where the guests are as grotesque as the exhibits (stylistically akin to Gerald Scarfe’s horrifically distorted caricatures).",[11],0.1493,"1988-01-01","Norma",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":30,"poster_path":171,"release_date":172,"vote_average":136,"backdrop_path":173,"original_title":167,"original_language":55},1632394,"Two-Factor","Dissonant selves dancing around opposition and harmony.",[11],0.1533,"\u002F1zSYx45lsrH2DBAjk1uqdtZZxYz.jpg","2026-02-01","\u002FevCPwJH6hw7typueUkA1xI91snm.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":30,"poster_path":180,"release_date":181,"vote_average":136,"backdrop_path":182,"original_title":176,"original_language":55},825223,"Taxidrome","To fly a – way from\u002Fout of death, don’t hire a taxidermist but take a ride in this taxidrome!  Series of 41 Moving Images  - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life.  The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.",[49,11],0.2463,"\u002Fx9L0dvwRirXy1fMKH4KPaGMAcCG.jpg","2021-01-26","\u002F1Z9C1VnjoR2LAjgqRj4B8PuLlUG.jpg",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":54,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":28,"original_title":192,"original_language":43},283872,"Devil's Circuit","A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.",[49,11],0.353,"\u002F833HWzN4nEueMJzcMW5vih3jPuR.jpg","1988-07-26",5.8,"悪魔の回路図",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":23,"poster_path":199,"release_date":200,"vote_average":40,"backdrop_path":28,"original_title":195,"original_language":55},283883,"Once Upon a Time","We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.",[11,99],0.1315,"\u002FfL7poW4lOKznrRsZkEDiiEWNVPc.jpg","1973-01-11",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":23,"poster_path":207,"release_date":208,"vote_average":209,"backdrop_path":28,"original_title":203,"original_language":55},283884,"Masquerade","For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.",[11],0.279,"\u002Fq8Y3N2Upd4e2KRbWpnNilSI1SK8.jpg","1981-01-01",8,{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":82,"poster_path":216,"release_date":217,"vote_average":218,"backdrop_path":219,"original_title":212,"original_language":55},85428,"Heaven and Earth Magic","The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.",[11],0.5976,"\u002FiRmNclmohml4V4pSPhVcw2ki0y1.jpg","1962-01-01",5.686,"\u002FrzZjkVbHjx3w8YTATOb4hKyYBMM.jpg",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":30,"poster_path":226,"release_date":227,"vote_average":136,"backdrop_path":228,"original_title":222,"original_language":43},517228,"Spaghetti Ramen","Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production \"Spaghetti Ramen\" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.",[98,11,81,84],0.1311,"\u002FsirHnXWdcSUZA5FlEs3K08UiYn0.jpg","2023-09-20","\u002FcFFYpoIYxWkzVV0NGqu8yIPhwvA.jpg",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":235,"poster_path":236,"release_date":237,"vote_average":238,"backdrop_path":239,"original_title":240,"original_language":241},93521,"Diagonal Symphony","A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.",[11],0.1931,63,"\u002Fx2sKH9OAWCkP8PTYDOGXH6QXFGK.jpg","1924-11-04",5.651,"\u002FwAViDaNdRukjLfVWSrxCJiVkLAt.jpg","Symphonie diagonale","de",3759,75173,"","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=oYR0iGdb3j0&ab_channel=JonRafman","Jon Rafman's short features computer-generated renders of the Twin Towers and a narration from Charles Baudelaire's \"Le Guignon.\"",0.5523,"\u002F94DNogNUjyb8bo9VH3YHGXbYr1U.jpg","2011-01-01",6,[252],"US",{"results":254},{},[256],{"name":257,"iso_639_1":55,"english_name":257},"English",[],[],45,"A animation story that tends to land well.",[]]