[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-825215-en-US":3},{"detail":4,"match":239,"insight":240,"providers":241,"providerLink":38,"trailer":38},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":38,"revenue":8,"runtime":39,"similar":40,"tagline":182,"homepage":182,"overview":221,"softcore":6,"popularity":222,"vote_count":26,"poster_path":223,"release_date":224,"vote_average":133,"backdrop_path":225,"origin_country":226,"original_title":7,"watch\u002Fproviders":228,"spoken_languages":230,"original_language":50,"production_companies":231,"production_countries":236,"belongs_to_collection":38},825215,false,"Super Vario Birds",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},16,"Animation","Released",{"results":18},[],{"cast":20,"crew":21},[],[22,31],{"id":23,"job":24,"name":25,"adult":6,"gender":26,"credit_id":27,"department":28,"popularity":29,"profile_path":30,"original_name":25,"known_for_department":28},2275064,"Director","Sara Ferro",1,"608ed59e2588230040b63928","Directing",0.1761,"\u002FoaBGP71OPeiPBkhpTnJtEThZj49.jpg",{"id":32,"job":24,"name":33,"adult":6,"gender":34,"credit_id":35,"department":28,"popularity":36,"profile_path":37,"original_name":33,"known_for_department":28},2275065,"Chris Weil",2,"608ed58dc433ea005a6bb5ec",0.1838,"\u002F2yzp3hSDQnFEDeZmYCjyCureOAl.jpg",null,5,{"page":26,"results":41,"total_pages":219,"total_results":220},[42,51,62,71,79,87,95,103,111,119,127,138,147,157,165,173,179,188,196,209],{"id":43,"adult":6,"title":44,"video":6,"overview":45,"softcore":6,"genre_ids":46,"popularity":47,"vote_count":8,"poster_path":48,"release_date":49,"vote_average":8,"backdrop_path":38,"original_title":44,"original_language":50},1392679,"Douglas Gordon sings the best of Lou Reed & The Velvet Underground (For Bas Jan Ader)","In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.",[11],0.3416,"\u002Fm1EfnnziFM2B1Wrymxj9Muw4JoK.jpg","1993-11-19","en",{"id":52,"adult":6,"title":53,"video":6,"overview":54,"softcore":6,"genre_ids":55,"popularity":56,"vote_count":26,"poster_path":57,"release_date":58,"vote_average":59,"backdrop_path":60,"original_title":53,"original_language":61},810466,"Grid","A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).",[11],0.7204,"\u002Fpnty2w8uVVDF6jN0nW5uQimwibh.jpg","2021-10-22",6,"\u002FjJwtyOXbeUvrSkMRtta1FtxVnd4.jpg","pt",{"id":63,"adult":6,"title":64,"video":6,"overview":65,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":26,"poster_path":68,"release_date":69,"vote_average":70,"backdrop_path":38,"original_title":64,"original_language":50},1012221,"Flooded McDonald’s","Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.",[11],0.7432,"\u002FcRweERVyqeuxbXwFzI2tSstavf3.jpg","2009-01-16",4,{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":38,"original_title":73,"original_language":50},631312,"ACT III","Abstract video art set to the music of Philip Glass.",[14],0.8058,"\u002FlwN3o35WL0Aq6O9RjQIWEm1sM65.jpg","1983-06-20",{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":84,"vote_count":8,"poster_path":85,"release_date":86,"vote_average":8,"backdrop_path":38,"original_title":81,"original_language":50},631315,"Voyage","An NTSC space opera.",[14],0.6303,"\u002F63ERmbz0q3yMYmJTLJjXKnOO4c5.jpg","1981-01-12",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":8,"poster_path":93,"release_date":94,"vote_average":8,"backdrop_path":38,"original_title":89,"original_language":50},1012726,"Proximities","Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.",[11],0.1251,"\u002FzabzpaJCeSJUoJYPZM1LeBoAd6H.jpg","2022-01-11",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":8,"poster_path":101,"release_date":102,"vote_average":8,"backdrop_path":38,"original_title":97,"original_language":50},1198939,"Decoherence","Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.",[14],0.5599,"\u002F6s9zlA9hMtOoSDBSVFTKmE7RFoV.jpg","2019-01-01",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":8,"poster_path":109,"release_date":110,"vote_average":8,"backdrop_path":38,"original_title":105,"original_language":50},363912,"Centers","Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.",[11],0.446,"\u002Fs2QWn6XTxmWVDQ2SyzAcPdTYkG6.jpg","1971-06-01",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":8,"poster_path":117,"release_date":118,"vote_average":8,"backdrop_path":38,"original_title":113,"original_language":50},534745,"Brian Winston Reads the TV News","This live show features the energetic analysis of television network news by Brian Winston. Winston looks at the news as a unique institution, governed by its own conventions and constraints.",[11],0.4006,"\u002FxJ0nruolwmGQU2zNxs5e9u7QEtd.jpg","1983-01-01",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":8,"poster_path":125,"release_date":126,"vote_average":8,"backdrop_path":38,"original_title":121,"original_language":50},534746,"Donna Haraway Reads \"The National Geographic\" on Primates","How does the \"cultured\" gorilla, i.e. Koko, come to represent universal man? Author and cultural critic Donna Haraway untangles the web of meanings, tracing what gets to count as nature, for whom and when, and how much it costs to produce nature at a particular moment in history for a particular group of people.",[11],0.4982,"\u002Fouw8oOzB1WOMUeXSyrx6kXV1onO.jpg","1987-01-01",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":129,"original_language":50},916738,"Nam June Paik: Moon Is the Oldest TV","The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.",[11],1.0228,10,"\u002FceqIRL4BfHguTnlLz00wNlc8uAN.jpg","2023-03-24",6.8,"\u002FaxY05OyUIORgS66D8T6g07ISvYu.jpg",{"id":139,"adult":6,"title":140,"video":141,"overview":142,"softcore":6,"genre_ids":143,"popularity":144,"vote_count":8,"poster_path":145,"release_date":146,"vote_average":8,"backdrop_path":38,"original_title":140,"original_language":50},1288796,"Orchids, or a hemispherical bottom",true,"Orchids,… centers on an animated video in which Marten sets forth a sanitised and alluring world of free-floating and fragmentary objects. Excised from normal context and imbued with an impossible cosmetic sheen, these crystalline forms are conjured in colours that range from the surreally heightened to the deliberately banal. A line of toy-like objects – a train, a giraffe on wheels, a boat – trundles along on an impossibly turquoise plane. Parasitically followed by a swirling black fly, the unfolding narrative is one of production, consumption and saturation. Elsewhere, the naked human backside of the title (cropped and anonymous) is shown with a luridly-glowing orchid tucked between its buttocks. At points, the imagery takes on the semblance of a painting or diagram, both formulaic ‘analogues’ of reality, like the video itself, implying the knotty weight of a Cézanne still life.",[14],0.3274,"\u002FlvFKACE2I6qbpjXASS8li4999FD.jpg","2013-10-15",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":8,"poster_path":153,"release_date":154,"vote_average":8,"backdrop_path":155,"original_title":149,"original_language":156},1288822,"Dieter Roth. Solo Scenes. 1997-98","These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.",[11],0.2845,"\u002FqxAbZsUcutKYjRcxx5PKQCV7F9X.jpg","1998-01-01","\u002FbjtylvGvBmCPjmcNntsABiYFsvl.jpg","de",{"id":158,"adult":6,"title":159,"video":141,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":38,"original_title":159,"original_language":50},1288761,"Dust and Piranhas","“The faster you break it the faster we make it,” says the wooden column at one point, going on to acknowledge the bounteous economic logic of this reality with the observation that “production is sealed in gold.”Early on we see the black-and-white striped house Adolf Loos designed for Josephine Baker. It’s a cardboard model, of course; the plans were never realized. The house is an idea, an image, a virtual presence, a possibility, a provocation. Later in the film it reappears, reconfigured in different materials with a different range of qualities and surface finishes. “Why do so many things look the same, and only one of them is good?” asks a female voice. This is not the column’s voice but that of someone who sounds much like Marten herself. It is, in fact, her sister, one Marten speaking another Marten’s words. After all, in order to manufacture glamour, a little plagiarism is essential. And this process—call it borrowing, copying, paying homage, whatever—is both violent and comic.",[14],0.333,"\u002FAvssz7YsMCcxFNwBJz8b6pIigOH.jpg","2011-02-10",{"id":166,"adult":6,"title":167,"video":141,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":38,"original_title":167,"original_language":50},1288779,"Evian Disesase","For Ed Atkins, Marten’s \"Evian Disease\" embodies ‘flatness’ in all its weightlessness, emotional deficit and hollowness of representation. The fact that it’s completely unapologetic about it is what makes it a dangerous piece to his mind.",[14],0.6313,"\u002F7Y2TLk3ghbkpKpbJ1QIFs2WlnEJ.jpg","2012-04-03",{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":92,"vote_count":8,"poster_path":38,"release_date":102,"vote_average":8,"backdrop_path":38,"original_title":175,"original_language":178},1288886,"It was in the winter and you were born at the beginning of spring","An ironic and touching moment between a mother and son shot in this short film by  Mahdi Baraghithi",[11],"ar",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":26,"poster_path":185,"release_date":186,"vote_average":34,"backdrop_path":38,"original_title":181,"original_language":187},1120436,"El resto es porno","",[11],0.3199,"\u002FebBnvYL3vwi1Fhkb2AbU6R70an2.jpg","2023-05-20","es",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":8,"poster_path":194,"release_date":195,"vote_average":8,"backdrop_path":38,"original_title":190,"original_language":50},928280,"Tempest","Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.",[14],0.4339,"\u002Fu79FtdnXbNDFO6E30gaAVO1bufA.jpg","1981-01-01",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":204,"vote_count":34,"poster_path":205,"release_date":206,"vote_average":207,"backdrop_path":208,"original_title":198,"original_language":61},743713,"Magnética","In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.",[14,201,202,203],14,878,10402,3.5544,"\u002F3fpPsqTefPFkQ9xRlfurDDQ8Sav.jpg","2020-09-20",8.5,"\u002F9AaF6oLyRa9vYtzDsb5DW5Vydis.jpg",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":8,"poster_path":215,"release_date":216,"vote_average":8,"backdrop_path":38,"original_title":217,"original_language":218},1126305,"Shadow","A political work in which Ko Nakajima opposes himself to the Vietnam War.",[14],0.5246,"\u002FjXNWo5SIcFh6zoietpWrJnSOavY.jpg","1975-01-01","影","ja",15233,304641,"Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.",0.342,"\u002FqoUyHfqP85bxIqOUd7ZOrYE77KF.jpg","2019-08-27","\u002FsXZyOSczqN46t7Dn5Q5tg1vUWVm.jpg",[227],"US",{"results":229},{},[],[232],{"id":233,"name":234,"logo_path":38,"origin_country":235},116408,"Artoldo Pictures","IT",[237],{"name":238,"iso_3166_1":235},"Italy",50,"A documentary story that tends to land well.",[]]