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The anime is part of a collaborative project helmed by Yoshitoshi Shinomiya. It features a hybrid of animation and live-action. The short was screened on Shibuya's Crossing screens and a YouTube-friendly version was posted as well.  (Source: ANN)",[14],0.4909,"\u002FfgQyR1OARIMTvYxfECGIqxo9IDO.jpg","2018-04-20",6.5,"\u002FTFqQfgLFw2jLIdn9XeDo68Ik5v.jpg","トキノ交差","ja",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":59,"vote_count":8,"poster_path":60,"release_date":61,"vote_average":8,"backdrop_path":38,"original_title":56,"original_language":62},816281,"Destruction of the Berlin Wall","Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.",[11],0.3859,"\u002FdIVqx6jry3mckE7vwkJppgJliri.jpg","2014-11-09","en",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":68,"vote_count":26,"poster_path":69,"release_date":70,"vote_average":71,"backdrop_path":72,"original_title":65,"original_language":62},455020,"Electro-Pythagorus: A Portrait of Martin Bartlett","Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993.  Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.",[11],0.8078,"\u002FhbkFUBza3fgbpHVv9GIQs31yfkD.jpg","2017-02-26",8,"\u002FxOoP9CZB7zURnfNPM0Iep2H3lnR.jpg",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":78,"vote_count":8,"poster_path":79,"release_date":80,"vote_average":8,"backdrop_path":38,"original_title":75,"original_language":62},1378922,"Running Fields","Three images of a person running in the void through the movement of speed and abstract images",[11],0.9504,"\u002Fhq9RhxqXTHjEJW2wIMKWvsMpKlJ.jpg","2024-10-30",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":8,"poster_path":38,"release_date":87,"vote_average":8,"backdrop_path":38,"original_title":88,"original_language":62},1585333,"Ghuza da Sher","The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.",[11],0.8317,"","غزاں را شیر",{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":8,"poster_path":38,"release_date":95,"vote_average":8,"backdrop_path":38,"original_title":96,"original_language":97},293819,"Tape","For five grueling years, Li Ning documents his struggle to achieve success as an avant-garde artist while contending with the pressures of modern life in China. He is caught between two families: his wife, son and mother, whom he can barely support; and his enthusiastic but disorganized guerilla dance troupe. Li's chaotic life becomes inseparable from the act of taping it, as if his experiences can only make sense on screen. Tape shatters documentary conventions, utilizing a variety of approaches, including guerilla documentary, experimental street video, even CGI. Tape captures a decade's worth of artistic aspirations and failures, while breaking new ground in individual expression in China.",[11],0.113,"2011-01-31","胶带","zh",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":26,"poster_path":104,"release_date":105,"vote_average":26,"backdrop_path":38,"original_title":100,"original_language":106},293326,"Intransit","A thrillingly lo-fi salute to the old-school, hand-crafted special effects that were once a mainstay of pre-CGI science-fiction films.",[11],0.5382,"\u002FeMtUWcPZXZmZokO6dhkDJNtsJmd.jpg","2014-09-07","th",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":117,"vote_count":118,"poster_path":119,"release_date":120,"vote_average":121,"backdrop_path":122,"original_title":123,"original_language":62},464910,"60 Seconds of Solitude in Year Zero","An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",[112,113,11,14,114,115,116],18,35,27,53,9648,0.654,7,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.2,"\u002FoqVGh3bliUZfDYsQRfgZDZkcKxC.jpg","60 Sekundit Üksindust Aastal Null",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":130,"poster_path":131,"release_date":132,"vote_average":133,"backdrop_path":134,"original_title":126,"original_language":135},465057,"In continuo","\"In continuo\" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.",[11],0.2819,4,"\u002FaKMSMmM13nccZycgoyhrC0VwuZH.jpg","1971-01-26",6.75,"\u002F9oeZgBiADd5YbIaTIOzfsjqqcra.jpg","it",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":142,"poster_path":143,"release_date":144,"vote_average":145,"backdrop_path":146,"original_title":138,"original_language":62},471836,"Path of Cessation","In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.",[11],0.2699,3,"\u002FdiFXYBG1yCSxFk6KfXhrXBy3fIY.jpg","1974-01-01",6,"\u002Ff1j4il1jsjGMSroJOXaZ2c7xrf.jpg",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":8,"poster_path":153,"release_date":154,"vote_average":8,"backdrop_path":155,"original_title":149,"original_language":62},651330,"Kill Your TV: Jim Moir’s Weird World of Video Art","Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.",[11],0.147,"\u002Fv0rca7GMZnorrFolEGmZbtF1pR8.jpg","2019-11-24","\u002FYGJqS9ML1S7MGcG0G7DFJcPaQj.jpg",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":161,"vote_count":8,"poster_path":162,"release_date":163,"vote_average":8,"backdrop_path":38,"original_title":158,"original_language":164},289051,"Ariadne","The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.",[11],0.4897,"\u002F3reJDo8mssRHECv8l2DZ9gOCNPX.jpg","2005-08-27","nl",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":130,"poster_path":171,"release_date":172,"vote_average":173,"backdrop_path":38,"original_title":167,"original_language":62},467027,"Like a Dream that Vanishes","\"Like a Dream That Vanishes\" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.",[11],0.2484,"\u002Fn92Ou73z2hYfHIg7XAipE9FoL6h.jpg","1999-10-01",5.25,{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":26,"poster_path":180,"release_date":181,"vote_average":145,"backdrop_path":38,"original_title":176,"original_language":182},1406215,"Fresno","A film of and through the trees. Leaves catch, consume and resist the light through the seasons.",[11],0.8456,"\u002FlEbtV69I10EepkWbUOm1FQ0EhHG.jpg","2014-03-24","es",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":130,"poster_path":189,"release_date":190,"vote_average":173,"backdrop_path":38,"original_title":191,"original_language":192},467841,"Fantastic Vision","Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.",[11],0.4831,"\u002F6KF023p8uuGcf4qRadXWiZBSGLV.jpg","1957-01-01","Vision fantastique","fr",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":199,"vote_count":34,"poster_path":200,"release_date":201,"vote_average":50,"backdrop_path":202,"original_title":195,"original_language":62},626624,"Bauhaus 100","In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today.  Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.",[198,11],36,0.2061,"\u002FlLwqN8TNW1R8LqT3X3TQvo0KjZ.jpg","2019-08-21","\u002F6ipGIAQ3tmLmRdFV6ISHietvxZK.jpg",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":142,"poster_path":209,"release_date":210,"vote_average":211,"backdrop_path":38,"original_title":205,"original_language":62},260403,"New York Portrait, Chapter III","\"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human.\" (Tom Gunning)",[11],0.139,"\u002Fo6LHFlah0QF6ZZRVO9dyTrhTBgl.jpg","1990-03-21",7.7,{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":8,"poster_path":38,"release_date":218,"vote_average":8,"backdrop_path":38,"original_title":219,"original_language":220},261158,"The Red Bank. James Joyce: His Greek Notebooks","This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space\u002Fstudy. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”",[11],1.4192,"2013-03-25","The Red Bank. James Joyce: Ta τετράδιά του, των Ελληνικών","el",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":227,"vote_count":26,"poster_path":228,"release_date":229,"vote_average":230,"backdrop_path":38,"original_title":223,"original_language":62},260938,"One 11 and 103","Avant-garde composer John Cage is famous for his experimental pieces and \"chance music\" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: \"One 11\" contains the artistic statement, and \"103\" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.",[226,11],10402,0.1764,"\u002FaMjYRZ0LLaWfKo1eMsVDxPLjOk7.jpg","1992-01-01",10,{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":118,"poster_path":237,"release_date":238,"vote_average":239,"backdrop_path":38,"original_title":233,"original_language":62},259458,"New York Portrait, Chapter II","Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.",[11],0.1279,"\u002FemTOeOgYMkSJ2UZovoqo2T1nYtW.jpg","1981-01-01",7.1,15241,304812,"To fly a – way from\u002Fout of death, don’t hire a taxidermist but take a ride in this taxidrome!  Series of 41 Moving Images  - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life.  The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.",0.3332,"\u002Fx9L0dvwRirXy1fMKH4KPaGMAcCG.jpg","2021-01-26","\u002F1Z9C1VnjoR2LAjgqRj4B8PuLlUG.jpg",[248],"US",{"results":250},{},[],[253],{"id":254,"name":255,"logo_path":38,"origin_country":256},116408,"Artoldo Pictures","IT",[258],{"name":259,"iso_3166_1":256},"Italy","A documentary story that tends to land well.",[]]