[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-831178-en-US":3},{"detail":4,"match":273,"insight":274,"providers":275,"providerLink":23,"trailer":23},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":23,"revenue":8,"runtime":31,"similar":32,"tagline":262,"homepage":262,"overview":263,"softcore":6,"popularity":264,"vote_count":8,"poster_path":23,"release_date":164,"vote_average":8,"backdrop_path":23,"origin_country":265,"original_title":7,"watch\u002Fproviders":267,"spoken_languages":269,"original_language":270,"production_companies":271,"production_countries":272,"belongs_to_collection":23},831178,false,"Murray and Max Talk About Money",0,[],"Released",{"results":12},[],{"cast":14,"crew":15},[],[16,25],{"id":17,"job":18,"name":19,"adult":6,"gender":8,"credit_id":20,"department":21,"popularity":22,"profile_path":23,"original_name":19,"known_for_department":24},1085509,"Director","Roberta Friedman","651ae433223a8b00ab3ca548","Directing",0.571,null,"Production",{"id":26,"job":18,"name":27,"adult":6,"gender":28,"credit_id":29,"department":21,"popularity":30,"profile_path":23,"original_name":27,"known_for_department":21},1085512,"Grahame Weinbren",2,"64880bd16f8d9500c88b0bfc",0.3718,14,{"page":33,"results":34,"total_pages":180,"total_results":261},1,[35,45,60,75,86,97,109,120,134,146,157,165,174,187,198,209,219,228,241,253],{"id":36,"adult":6,"title":37,"video":6,"overview":38,"softcore":6,"genre_ids":39,"popularity":41,"vote_count":8,"poster_path":42,"release_date":43,"vote_average":8,"backdrop_path":23,"original_title":37,"original_language":44},455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. 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Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifestyle as an antidote to the tragedies of their Mobile Army Surgical Hospital, and in the process infuriate Army bureaucrats. Robert Duvall, Gary Burghoff and Sally Kellerman co-star as a sanctimonious Major, an other-worldly Corporal, and a self-righteous yet lusty nurse.",[66,50,102],10752,6.4896,1208,"\u002Fon8Q9LhtHYNhmITjUMpgOUkIG8o.jpg","1970-02-18",6.9,"\u002F3YWL6rZmvZxCQw2qEwxPGrqhYku.jpg",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":115,"poster_path":116,"release_date":117,"vote_average":118,"backdrop_path":119,"original_title":111,"original_language":44},705,"All About Eve","From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.",[50],8.4343,1776,"\u002FblBzZaatPWVuWpXEnPscMA4Xp6m.jpg","1950-11-09",8.072,"\u002FzAL3LOswagN9onjN8DPcNFTqKuD.jpg",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":126,"vote_count":127,"poster_path":128,"release_date":129,"vote_average":130,"backdrop_path":131,"original_title":132,"original_language":133},822,"The Music Room","An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.",[50,125],10402,9.8462,169,"\u002F1coINFn9GDeFr09QtkzjgTUbev5.jpg","1958-10-10",7.5,"\u002Fmh4WEd1A3iYtu6uPgsiGboCkRFb.jpg","জলসাঘর","bn",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":140,"vote_count":141,"poster_path":142,"release_date":143,"vote_average":144,"backdrop_path":145,"original_title":136,"original_language":44},642,"Butch Cassidy and the Sundance Kid","As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.",[51,139,50],80,10.2179,2570,"\u002FgFmmykF1Ym3OGzENo50nZQaD1dx.jpg","1969-09-23",7.609,"\u002FC6jcUqld8M6hZQmzBxgwHuQ4qT.jpg",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":152,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":156,"original_title":148,"original_language":44},451700,"Psalm I: The Lateness of the Hour","A little nachtmusick, a deep blue overture to the series. Breathing in the cool night airs, breathing out a children's song; then whispering a prayer for a night of easeful sleep.  Preserved by the Academy Film Archive in 2012.",[],0.6648,3,"\u002F89iQiLOLdFYgyYaScZq3hccjY2h.jpg","1999-10-09",7.3,"\u002FnWjk61fEpMt4zr2G1jQ47gzptN7.jpg",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":23,"original_title":159,"original_language":44},637955,"Mend","Is it happening in the screening room or on the screen; in a snowstorm or inside; what isn't surrounding and what is? From filming Ann sewing, on a grey winter day.  Preserved by the Academy Film Archive in 2016.",[],1.3446,"\u002Fpy4UG9bHWmtLZha7rzSgwRfqa0p.jpg","1979-01-01",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":28,"poster_path":171,"release_date":172,"vote_average":173,"backdrop_path":23,"original_title":167,"original_language":44},270584,"He Comes Up Smiling","Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the \"king of the market,\" and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist.  Preserved by the Academy Film Archive in 2010.",[66],1.1866,"\u002FklRJFZjFWymfGcOutKWyIUjAgOv.jpg","1918-09-09",5.5,{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":181,"vote_count":182,"poster_path":183,"release_date":184,"vote_average":185,"backdrop_path":186,"original_title":176,"original_language":44},271007,"Appointment in Tokyo","Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945.  Preserved by the Academy Film Archive in 2013.",[179,102,180],99,36,1.2928,5,"\u002Fq1qzQP4zR0PbXtTu4gdaGOANrcQ.jpg","1945-12-07",6.4,"\u002Fq7NYlePdLwkqaBQ8xfL05gu7ECc.jpg",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":193,"poster_path":194,"release_date":195,"vote_average":196,"backdrop_path":197,"original_title":189,"original_language":44},133,"Primary","Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.",[179],1.1105,42,"\u002FgVloWsthHRlw719vzRWRpBqDM20.jpg","1960-11-08",6.5,"\u002Fe6IPjjDzZDkgdkvxQtCjaVCMYJF.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":31,"poster_path":204,"release_date":205,"vote_average":206,"backdrop_path":23,"original_title":207,"original_language":208},263875,"Study No. 6","The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr.  Preserved by the Academy Film Archive in 2001.",[40],0.6158,"\u002FtQPcAfWShDfOQUthcUELTkjzirM.jpg","1930-10-01",6.6,"Studie Nr. 6","xx",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":31,"poster_path":215,"release_date":216,"vote_average":217,"backdrop_path":218,"original_title":211,"original_language":44},266697,"God Respects Us When We Work, But Loves Us When We Dance","Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In.  Preserved by the Academy Film Archive in 2002.",[179],0.8585,"\u002Fws1vAuhGUpZ294RCTfoDsJWDVOL.jpg","1968-10-01",5.7,"\u002Fw3dOhwSPOZcZXTzsWURiPyLHfyX.jpg",{"id":220,"adult":6,"title":221,"video":6,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":182,"poster_path":225,"release_date":226,"vote_average":227,"backdrop_path":23,"original_title":221,"original_language":44},454378,"What’s Out Tonight Is Lost","Adopting its title from a poem by Edna St. Vincent Millay, What’s Out Tonight Is Lost is an elegiac film sifting through the unrecoverable. The film is a reflecting pool where vision breaks up.  Preserved by the Academy Film Archive in 2010.",[],0.762,"\u002FeceCz9tFa0R1pmh0zNt2oD36H7O.jpg","1983-01-01",7.2,{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":235,"vote_count":236,"poster_path":237,"release_date":238,"vote_average":239,"backdrop_path":240,"original_title":230,"original_language":44},10633,"In the Heat of the Night","African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.",[139,50,233,234],9648,53,5.9622,1308,"\u002FqFpfALhprXmOAbA5upTNupZw8rq.jpg","1967-08-02",7.68,"\u002FxY5sgU09cOsvEAgJZaYo2aOZEFi.jpg",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":247,"poster_path":248,"release_date":249,"vote_average":130,"backdrop_path":250,"original_title":251,"original_language":252},10604,"Zorba the Greek","An uptight English writer traveling to Crete on a matter of business finds his life changed forever when he meets the gregarious Alexis Zorba.",[50],4.4433,402,"\u002FjAYOY38TRDprIgu7vgES0FFJJSl.jpg","1964-12-14","\u002FfdKE05kO9lch613DR2rfIqbv7dN.jpg","Αλέξης Ζορμπάς","el",{"id":254,"adult":6,"title":255,"video":6,"overview":256,"softcore":6,"genre_ids":257,"popularity":258,"vote_count":8,"poster_path":259,"release_date":260,"vote_average":8,"backdrop_path":23,"original_title":255,"original_language":44},836028,"Four Frames","\"Color\u002Fform, light\u002Fshadow, flatness\u002Fdepth, figuration\u002Fabstraction, landscape\u002Fpaint, all collaging and colliding in an exploratory, arrhythmic, kinetic dance constructed a frame at a time by Fred Worden on his optical printer. This early film now reveals itself as a revelatory early warning sign of Worden's filmmaking to come, comprising ten minutes extrapolated from only four frames of source imagery.\" (Mark Toscano)  Preserved by the Academy Film Archive in 2009.",[],0.6988,"\u002FfM9Nk6m02fLbifru9V5HcZbb5ZU.jpg","1976-01-01",711,"","A virtuosic study of sync-sound cinema, Cagean organizational strategies, and montage.  Preserved by the Academy Film Archive in 2009.",0.7381,[266],"PT",{"results":268},{},[],"pt",[],[],45,"Murray and Max Talk About Money sits in the sweet spot of what works for tonight.",[]]