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In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.",3.8889,"\u002F7XQpse4zHWNmOYQdPdZx5W4mQAp.jpg","1968-01-01",5.25,8,{"adult":5,"backdrop_path":7,"genre_ids":120,"id":121,"title":122,"original_language":123,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1000000,"The Ladies Room","sv","Damtoaletten","This documentary observes the conversations, primping and camaraderie that take place in the women's bathroom of a nightclub over the course of a night.",0.2201,"\u002FmNL9AbNDSJWe2FgMKD2PIfqjaOg.jpg","2006-10-24",{"adult":5,"backdrop_path":130,"genre_ids":131,"id":133,"title":134,"original_language":111,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F4bVlxr9gYKEYSz5IR1vQfgoZhGJ.jpg",[11,132],14,1000124,"Somos animales","Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.",2.8861,"\u002F4lGuM6EudUtC9FHUyhBw9sdU3DY.jpg","2023-01-05",{"adult":5,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":111,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":5,"video":5,"vote_average":149,"vote_count":150},"\u002FaaRbO3m3L3yVg2L73QLYvgP23hj.jpg",[11],91,"Land Without Bread","Las Hurdes","An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.",0.7679,"\u002FnTizDiDbiVPCGqC6uMVDp8GoEeP.jpg","1933-12-01",7.1,173,{"adult":5,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":17,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":5,"vote_average":105,"vote_count":105},"\u002F5chv6Fe9fnJS3RxEBLQ8jmXy1Fz.jpg",[11],259008,"Witches, Faggots, Dykes and Poofters","In 1978 the police attacked demonstrators at the Sydney (Australia) Mardi Gras celebrations. 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Joan Crawford makes an appearance and also narrates the first part of the film.",0.5695,"\u002FkNOVfFtAVKIEQ1K8E9WERB3L3Yt.jpg","1968-03-01",{"adult":5,"backdrop_path":7,"genre_ids":190,"id":191,"title":192,"original_language":73,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1374106,"MADELEINE EN TOURNANTE (in bed with Madeleine Flamboyante)","She's a cabaret singer. She's fat. 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The camera stays focused on the man's fleet fingers while the audio is glued to his gift of gab: \"Keep your eyes on that little red dot if you want to win cold cash money on the spot.\" Every bit the performer, the hustler makes us wonder whether the film itself might be a kind of shell game (with the seemingly raw immediacy of the shot concealing its artistic intentionality). - Max Goldberg",0.89,"\u002FjMxTuAmRULdSuEcaxBbZu1xAZEl.jpg","2013-01-02",{"adult":5,"backdrop_path":7,"genre_ids":220,"id":221,"title":222,"original_language":17,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],438894,"Second Place","One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg",1.7447,"\u002FpoksBiC0NLeF74wf7DHBcYJol7e.jpg","2012-02-05",{"adult":5,"backdrop_path":7,"genre_ids":228,"id":229,"title":230,"original_language":17,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":226,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],438897,"The Mayberry Practice Calf","Radiating the radical simplicity of a Lumière actuality, THE MAYBERRY PRACTICE CALF shows an African-American cowboy roping a hunk of tire again and again. \"Calf roping is a discipline,\" Kevin Jerome Everson told an interviewer. \"People practice it, they know the language of it and they know how to do it.\" Everson's camera evinces a comparable degree of discipline, with a single long take functioning as a montage through the serial repetition of the cowboy's action. We may wonder if we're watching a loop but gradually our eyes are drawn to small variations. Practice makes perfect. - Max Goldberg",0.652,"\u002FnhEhOHSjBkm7THk7BpPpLqJsMur.jpg",13571,271403,{"results":237},{},{"results":239},[],45,"A documentary story that tends to land well.",[]]