[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-835814-en-US":3},{"detail":4,"match":260,"insight":261,"providers":262,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":25,"release_date":28,"revenue":7,"runtime":29,"softcore":5,"spoken_languages":30,"status":34,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":35,"similar":57,"watch\u002Fproviders":256,"videos":258},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",835814,[15],"BR","pt","Movimento Intrínseco","Experimental projects carried out during scientific initiation - 2002 \u002F UFRJ",0.2471,"\u002Fakn621WpCP0kZ4X8gJk6TteH269.jpg",[22],{"id":23,"logo_path":6,"name":24,"origin_country":12},155731,"FAPERJ",[26],{"iso_3166_1":15,"name":27},"Brazil","2002-02-02",3,[31],{"english_name":32,"iso_639_1":16,"name":33},"Portuguese","Português","Released",{"cast":36,"crew":37},[],[38,47,52],{"adult":5,"gender":39,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":45,"department":41,"job":46},1,1053934,"Directing","Julia Murat",0.2166,"\u002FvsMZiezBizVuLQvCaTQSJ2G5DSj.jpg","60b65968abf8e2006faf189d","Director",{"adult":5,"gender":7,"id":48,"known_for_department":41,"name":49,"original_name":49,"popularity":50,"profile_path":6,"credit_id":51,"department":41,"job":46},3211612,"Carlos Alberto Murad",0.0453,"6125a6e15a07f500626e7ee6",{"adult":5,"gender":7,"id":53,"known_for_department":41,"name":54,"original_name":54,"popularity":55,"profile_path":6,"credit_id":56,"department":41,"job":46},3211613,"Leonardo Ventapane",0.08,"6125a71ffdf8b70047710a75",{"page":39,"results":58,"total_pages":254,"total_results":255},[59,72,81,93,105,117,126,136,147,155,165,175,184,195,206,214,223,230,239,247],{"adult":5,"backdrop_path":60,"genre_ids":61,"id":63,"title":64,"original_language":65,"original_title":64,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":5,"video":5,"vote_average":70,"vote_count":71},"\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",[10,62],16,440917,"The Bomb","en","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",0.1923,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10",7,15,{"adult":5,"backdrop_path":6,"genre_ids":73,"id":74,"title":75,"original_language":65,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":39},[10],453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",0.1249,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",8,{"adult":5,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":86,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":5,"video":5,"vote_average":92,"vote_count":70},"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg",[10],271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","fr","Khan Khanne, sélection naturelle","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",1.15,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,{"adult":5,"backdrop_path":6,"genre_ids":94,"id":95,"title":96,"original_language":97,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":102,"softcore":5,"video":5,"vote_average":103,"vote_count":104},[10],439707,"Private Chronicles: Monologue","ru","Частные хроники. Монолог","The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.",0.7976,"\u002F3et6Yqj4E97hmzQcEeVHcsZK5Sz.jpg","1999-01-01",9,2,{"adult":5,"backdrop_path":6,"genre_ids":106,"id":107,"title":108,"original_language":109,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":5,"video":5,"vote_average":115,"vote_count":116},[10],262067,"On the Heights All Is Peace","it","Su tutte le vette è pace","Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.",1.6098,"\u002Feed1jkEAL1wwehR6ZYRSHH52Btm.jpg","1998-01-01",6.75,4,{"adult":5,"backdrop_path":6,"genre_ids":118,"id":120,"title":121,"original_language":122,"original_title":121,"overview":123,"popularity":124,"poster_path":6,"release_date":125,"softcore":5,"video":5,"vote_average":103,"vote_count":104},[10,119],10402,441657,"Rytmus","cs","An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.",0.8791,"1942-11-06",{"adult":5,"backdrop_path":6,"genre_ids":127,"id":128,"title":129,"original_language":130,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":5,"video":5,"vote_average":70,"vote_count":39},[10],806780,"The Hole","ko","구멍","One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)",0.1465,"\u002F49un7UGWcHy53bFoShqiNB5BnlA.jpg","1973-07-27",{"adult":5,"backdrop_path":137,"genre_ids":138,"id":140,"title":141,"original_language":142,"original_title":141,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F5SwnySiohiQN4JSDdKUTVxA4k2L.jpg",[10,139],18,628349,"Puenting (Leap of Faith)","es","A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of  professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual  conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?",0.7085,"\u002F63G0hyZcBhEEe8Z0GJws2hKT95K.jpg","2019-04-30",{"adult":5,"backdrop_path":6,"genre_ids":148,"id":149,"title":150,"original_language":65,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",0.2493,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29",{"adult":5,"backdrop_path":6,"genre_ids":156,"id":157,"title":158,"original_language":159,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],628249,"Poisons","sl","Strupi","Industrialization brings progress, but also harmful influences on the environment. Warning of the dangers of waste materials dumped into the air and the waters.",0.14,"\u002F8LssopEJohalmJyxri9IYbtFUUe.jpg","1964-01-01",{"adult":5,"backdrop_path":6,"genre_ids":166,"id":167,"title":168,"original_language":169,"original_title":170,"overview":171,"popularity":172,"poster_path":6,"release_date":173,"softcore":5,"video":5,"vote_average":174,"vote_count":71},[10],268617,"1\u002F57: Experiment with Synthetic Sound (Test)","de","1\u002F57: Versuch mit synthetischem Ton","Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)",0.1328,"1957-03-01",4.667,{"adult":5,"backdrop_path":6,"genre_ids":176,"id":177,"title":178,"original_language":179,"original_title":178,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],633565,"Magma (C)","gl","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",0.3139,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12",{"adult":5,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":16,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":5,"video":5,"vote_average":194,"vote_count":70},"\u002F3Y6rLMpA6RjAjsyYqdw38YJWM12.jpg",[10],273320,"Chinese Viola","Viola Chinesa","The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called \"Belair's last film,\" Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.",0.8098,"\u002FnuLdqSIUYePh1HnL0pXKTGRI5rm.jpg","1975-05-31",6,{"adult":5,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":65,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":204,"vote_count":205},"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",[10],455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",0.5341,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",5.9,10,{"adult":5,"backdrop_path":6,"genre_ids":207,"id":208,"title":209,"original_language":65,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],445805,"Depositions","The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. DEPOSITIONS repurposes footage from the archives of the BBC and sound from the School of Scottish Studies, it is a film about differences and dichotomies: science and superstition, near and far, community and the individual.",0.96,"\u002FgXhPYCRdBY2gaWFwkLimUY6i6jp.jpg","2014-04-08",{"adult":5,"backdrop_path":6,"genre_ids":215,"id":216,"title":217,"original_language":218,"original_title":217,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],445810,"Tenement Films","xx","A series of portraits, made for Television, of four diverse individuals brought together through shared residence. These short films were filmed in the tenement where I lived for eight years. The first is shot in our bedroom, which doubled up as my former partner's office, the three others were shot in architecturally identitical spaces owned by my then neighbours. Shot and edited on a single 16mm bolex camera using available light throughout, the films invoke reflections on the four individuals, how they occupy these particular spaces together.",0.9373,"\u002Fg3ySjS8DCplRTfUWIFAc3LU32GX.jpg","2009-03-15",{"adult":5,"backdrop_path":6,"genre_ids":224,"id":225,"title":226,"original_language":16,"original_title":226,"overview":12,"popularity":227,"poster_path":228,"release_date":229,"softcore":5,"video":5,"vote_average":194,"vote_count":39},[139,10],447261,"Anônimo e incomum",1.0764,"\u002Fy5b8jSOG2WNxa2lGMSF8JwuRXB5.jpg","1990-03-16",{"adult":5,"backdrop_path":6,"genre_ids":231,"id":232,"title":233,"original_language":130,"original_title":234,"overview":235,"popularity":236,"poster_path":237,"release_date":238,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],623003,"2minutes40seconds","2분 40초","One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.",0.1178,"\u002FnADUeTwzId4HHJhBBNdQh2Mnp2S.jpg","1975-12-01",{"adult":5,"backdrop_path":6,"genre_ids":240,"id":241,"title":242,"original_language":65,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],442792,"Irradiant Field","In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.",0.3165,"\u002Fj1xz0VxyfzlVwLeJleQjGYV08UG.jpg","2016-01-01",{"adult":5,"backdrop_path":6,"genre_ids":248,"id":249,"title":250,"original_language":65,"original_title":250,"overview":251,"popularity":252,"poster_path":6,"release_date":253,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],442791,"State of Rest and Motion","This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.",0.345,"2017-02-19",11728,234547,{"results":257},{},{"results":259},[],45,"A documentary story that tends to land well.",[]]