[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-849181-en-US":3},{"detail":4,"match":296,"insight":297,"providers":298,"providerLink":270,"trailer":39},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":47,"revenue":8,"runtime":48,"similar":49,"tagline":257,"homepage":258,"overview":259,"softcore":6,"popularity":260,"vote_count":50,"poster_path":261,"release_date":262,"vote_average":107,"backdrop_path":39,"origin_country":263,"original_title":266,"watch\u002Fproviders":267,"spoken_languages":277,"original_language":62,"production_companies":284,"production_countries":285,"belongs_to_collection":39},849181,false,"Holidays Despite All",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"id":5,"results":15},[],{"cast":17,"crew":18},[],[19,28,32,40],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1521047,"Director","Malek Bensmaïl",2,"60e92a13b7d3520046de0a76","Directing",0.9121,"\u002Fg3NYmXyvVQt4vM9CADzOQ8MHElY.jpg",{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Writer","63c693c166ae4d00db4fe947","Writing",{"id":33,"job":34,"name":35,"adult":6,"gender":8,"credit_id":36,"department":37,"popularity":38,"profile_path":39,"original_name":35,"known_for_department":37},3190990,"Music","Phil Marboeuf","63c693e0ea394900948b063e","Sound",0.434,null,{"id":41,"job":42,"name":43,"adult":6,"gender":8,"credit_id":44,"department":45,"popularity":46,"profile_path":39,"original_name":43,"known_for_department":45},3358828,"Editor","Matthieu Bretaud","640dfb85b42242007d70b170","Editing",0.5961,"tt3569618",70,{"page":50,"results":51,"total_pages":255,"total_results":256},1,[52,63,76,89,98,109,118,128,138,147,156,165,173,185,194,205,213,224,234,245],{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":8,"poster_path":58,"release_date":59,"vote_average":8,"backdrop_path":60,"original_title":61,"original_language":62},1214512,"A French Youth","In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?",[11],1.472,"\u002FzY9oYjcoumIHvffKylEjPtr5eKT.jpg","2024-11-15","\u002FAaU2TSjOA66oLFepI4l6d2bwHQK.jpg","Une jeunesse française","fr",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":69,"vote_count":70,"poster_path":71,"release_date":72,"vote_average":73,"backdrop_path":74,"original_title":75,"original_language":62},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[68,11],18,1.085,5,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":77,"adult":6,"title":78,"video":6,"overview":79,"softcore":6,"genre_ids":80,"popularity":82,"vote_count":23,"poster_path":83,"release_date":84,"vote_average":85,"backdrop_path":86,"original_title":87,"original_language":88},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,81],10752,0.894,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes","ar",{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":8,"poster_path":95,"release_date":96,"vote_average":8,"backdrop_path":39,"original_title":91,"original_language":97},453531,"Vote off","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",[11],0.939,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24","en",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":104,"vote_count":50,"poster_path":105,"release_date":106,"vote_average":107,"backdrop_path":108,"original_title":100,"original_language":62},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,103],36,1.0459,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14",10,"\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":50,"poster_path":115,"release_date":116,"vote_average":117,"backdrop_path":39,"original_title":111,"original_language":62},820274,"Des femmes","As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.",[11],1.7003,"\u002FyXWG3ZomsdqizRplrh0YkrIxJRR.jpg","2020-05-12",8,{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":124,"release_date":125,"vote_average":8,"backdrop_path":126,"original_title":127,"original_language":62},822831,"Zahra's Tongue","The Kabyle people define themselves first and foremost through the spoken word. Every gesture, every moment of their daily lives can give rise to a language of verse, metaphors, and proverbs. After all, isn't it said that in the mountain foothills they call home, verbal dueling was a common pastime? It is a reality difficult to visualize when one looks at the immigrant society where these men and women—often illiterate—are relegated solely to the roles of manual laborers and housewives; one can hardly imagine the eloquent orators they become when they return to their native tongue.",[11],0.9489,"\u002FmtBg805q0O9lJNF30teVKtpgPNn.jpg","2011-04-26","\u002F6JB8ELhrc95a6PRnrCSeAQ2q29D.jpg","La Langue de Zahra",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":50,"poster_path":134,"release_date":135,"vote_average":107,"backdrop_path":136,"original_title":137,"original_language":62},1209496,"Algeria 1954, The Revolt Of A Colonized","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",[11,103],0.6988,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01","\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg","Algérie 1954, La Révolte D'un Colonisé",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":50,"poster_path":144,"release_date":145,"vote_average":107,"backdrop_path":146,"original_title":140,"original_language":62},1021584,"Twïza, L'Aventure Algérienne","In Tamazight culture, \"Twïza\" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.",[11],0.9081,"\u002FAk6ExFAiYAghf5EsGZGrZLqjnUu.jpg","2019-06-21","\u002FhqqmZdCE590l0VZznPpNDAbEDZe.jpg",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":50,"poster_path":153,"release_date":154,"vote_average":107,"backdrop_path":155,"original_title":149,"original_language":62},1203696,"L'Algérie de Gustave Guillaumet (1840-1887)","Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.",[11],0.8816,"\u002Fe7tTC97VWXUFNw4E8hMZeIEEiqW.jpg","2018-10-17","\u002F1w9pkOvkuxi9Idspym3vrhI4HRd.jpg",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":161,"vote_count":50,"poster_path":162,"release_date":163,"vote_average":107,"backdrop_path":164,"original_title":158,"original_language":62},1203614,"L'Orientalisme","Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.",[11],1.3509,"\u002Fp2tjlERPCwo3d9ry5lTM6iKypPE.jpg","2019-08-27","\u002FeG3zbmRv2AE23LO84ueTkdw1TR8.jpg",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":39,"original_title":167,"original_language":88},455140,"The Perfumed Garden","THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world.  Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity.  The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.",[11],0.9623,"\u002FtsO5BOKUXV33eSwdlVo1j1GhGkH.jpg","2000-04-29",{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":179,"vote_count":23,"poster_path":180,"release_date":181,"vote_average":182,"backdrop_path":183,"original_title":184,"original_language":62},1212784,"1983, The Marchers for Equality","In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the \"March of the Beurs.\" Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?",[11,178],10770,1.4827,"\u002Fg8tEM6yVDxmyQEYitTz1ryE5Uey.jpg","2023-12-03",9.5,"\u002FagNWXvCnXxJIcS1c9f0BZlDUzUs.jpg","1983, Les marcheurs de l'égalité",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":50,"poster_path":191,"release_date":192,"vote_average":117,"backdrop_path":193,"original_title":187,"original_language":97},277624,"Algeria: Drink, Smoke and Love","Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",[11],0.5819,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01","\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":200,"vote_count":50,"poster_path":201,"release_date":202,"vote_average":107,"backdrop_path":203,"original_title":204,"original_language":62},1033814,"The Desert Rocker","The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist.  The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.",[11,199],10402,0.8536,"\u002FxNT9JYbXghZ9jwawohXSnhLljkH.jpg","2022-11-13","\u002F1Wr2yB2cikAmMAvO7qlQCMTXdhJ.jpg","La Rockeuse du Désert",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":50,"poster_path":211,"release_date":212,"vote_average":117,"backdrop_path":39,"original_title":207,"original_language":97},1221502,"AÏT ATTA: Nomads of the High Atlas","The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.",[11],1.5712,"\u002FrxfyX7PSJXKVzEVNX5ZImekwcMC.jpg","2020-09-24",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":23,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":223,"original_language":88},1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",[103,68,11],0.881,"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23",6,"\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":50,"poster_path":230,"release_date":231,"vote_average":107,"backdrop_path":232,"original_title":233,"original_language":62},1220211,"Zinet, Algiers, Happiness","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",[11],0.7312,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15","\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg","زينات، الجزائر، السعادة",{"id":235,"adult":6,"title":236,"video":6,"overview":237,"softcore":6,"genre_ids":238,"popularity":240,"vote_count":50,"poster_path":241,"release_date":242,"vote_average":107,"backdrop_path":243,"original_title":236,"original_language":244},1415644,"Hoggar '64","Filmed chronicle by mountain filmmaker Mario Fantin, of the 1964-1965 expedition of the Italian mountaineer Guido Monzino to the summits of Hoggar in the Algerian Sahara with the ascents of Garet el Djenoun, Tizouyag Nord, Saouinan and Iharen. The mountain ranges of the Hoggar desert turn out to be more complex and interesting than most mountaineers suspected at the time.",[11,239],12,1.7033,"\u002Fsn1pAXxWz05yCHQ8OYIKkqiDL5G.jpg","1965-01-01","\u002FwR6h5fXOKXs1NsAB4foqr9VN17Q.jpg","it",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":50,"poster_path":251,"release_date":252,"vote_average":107,"backdrop_path":253,"original_title":254,"original_language":88},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],1.0415,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime",1001,20001,"","http:\u002F\u002Fwww.malekbensmail.com\u002Fproject\u002Fdes-vacances-malgre-tout\u002F","Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…",1.1412,"\u002Fhj7eaFSKawm2z2WPApTuqKs4vLY.jpg","2001-01-01",[264,265],"DZ","FR","Des Vacances Malgré Tout...",{"results":268},{"FR":269},{"link":270,"flatrate":271},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F849181-des-vacances-malgre-tout\u002Fwatch?locale=FR",[272],{"logo_path":273,"provider_id":274,"provider_name":275,"display_priority":276},"\u002FcQRFA66BrjIaBGp2RSC7ChS5ZHi.png",1737,"INA  madelen Amazon Channel",47,[278,281],{"name":279,"iso_639_1":88,"english_name":280},"العربية","Arabic",{"name":282,"iso_639_1":62,"english_name":283},"Français","French",[],[286,288,291,294],{"name":287,"iso_3166_1":264},"Algeria",{"name":289,"iso_3166_1":290},"Belgium","BE",{"name":292,"iso_3166_1":293},"Finland","FI",{"name":295,"iso_3166_1":265},"France",53,"A documentary story that tends to land well.",[299],{"logo_path":273,"provider_id":274,"provider_name":275,"display_priority":276,"status":300,"label":301},"paid","Subscription"]