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IRANIAN LIVES MATTER is an experimental documentary, an audio-visual endurance test that audibly takes its audience through the chaos in the streets of Iran as the brutal regime cracks down on Iranian protesters, while visually showing the hands of the dictatorship as it crosses out 1500 lives one by one to further emphasize the scale of the massacre and show to a world desensitized to news of mass killings in the Middle East what the term \"1500 dead\" truly means.",[11],0.4688,"\u002F1BQoB5TkXZnrB82Nng1v8lesg8F.jpg","2021-01-01","\u002FzJ2NHlsU9rcWHZhlXnRC7HbX60U.jpg","fa",{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":88,"vote_count":8,"poster_path":89,"release_date":90,"vote_average":8,"backdrop_path":91,"original_title":85,"original_language":62},1033186,"back home","In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. 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Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. 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Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic\u002Fnon-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.",[11],0.8526,"\u002FhBoVuvk6zySBAOnZmZNuedftMcS.jpg","2025-11-21","Le Temple d'Auguste et de Livie vu près de Saint-Prim",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":228,"release_date":229,"vote_average":8,"backdrop_path":25,"original_title":224,"original_language":72},1212943,"Insistir","A documentary about the sea and memory. Its movement is its form. 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The voice that populate this film bring us to various spaces in Matera, from tourist agglomerations to the town’s internal spaces (grottes, caves, cisterns, lanes, rooms) and the body’s own unassailable space: pleasure and desire for other bodies that no one can cancel.",1.199,"2019-01-01",[254],"IT","COS ENDINS",{"results":257},{},[],[],[261],{"name":262,"iso_3166_1":254},"Italy",45,"A documentary story that tends to land well.",[]]