[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-858234-en-US":3},{"detail":4,"match":285,"insight":286,"providers":287,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":39,"similar":40,"tagline":106,"homepage":106,"overview":246,"softcore":6,"popularity":247,"vote_count":8,"poster_path":26,"release_date":248,"vote_average":8,"backdrop_path":26,"origin_country":249,"original_title":7,"watch\u002Fproviders":251,"spoken_languages":253,"original_language":137,"production_companies":257,"production_countries":282,"belongs_to_collection":26},858234,false,"Le Prince charmant est toujours blanc",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32,37],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":27},2430693,"Author","Nancy-Emmanuelle Gille","610bc57a9f5dfb002a331b02","Writing",0.126,null,"Production",{"id":20,"job":29,"name":22,"adult":6,"gender":8,"credit_id":30,"department":31,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":27},"Director","610bc571e78687001d4f9f45","Directing",{"id":33,"job":21,"name":34,"adult":6,"gender":8,"credit_id":35,"department":24,"popularity":36,"profile_path":26,"original_name":34,"known_for_department":31},2999645,"Laëtitia Arlix","610bc51b323eba0046d79326",0.1072,{"id":33,"job":29,"name":34,"adult":6,"gender":8,"credit_id":38,"department":31,"popularity":36,"profile_path":26,"original_name":34,"known_for_department":31},"610bc54cb234b9002ff32e78",52,{"page":41,"results":42,"total_pages":244,"total_results":245},1,[43,54,65,74,86,95,103,116,124,138,148,158,166,178,186,197,206,216,224,235],{"id":44,"adult":6,"title":45,"video":6,"overview":46,"softcore":6,"genre_ids":47,"popularity":49,"vote_count":8,"poster_path":50,"release_date":51,"vote_average":8,"backdrop_path":52,"original_title":45,"original_language":53},473056,"After the Apology","Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. 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The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.",[11],1.6404,"2005-11-29","pt",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":130,"vote_count":131,"poster_path":132,"release_date":133,"vote_average":134,"backdrop_path":135,"original_title":136,"original_language":137},470419,"Tokyo Phoenix","In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.",[11,48,129],10770,0.6314,4,"\u002Fc2fMKNmYxnFwVF76unjZLFcFDJr.jpg","2017-05-20",7.5,"\u002FbR51A0KPmEEFnMZ5YhpZ0HtBmRh.jpg","Tokyo, Cataclysmes et Renaissance","fr",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":41,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":147,"original_title":140,"original_language":53},1216165,"No Māori Allowed","When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.",[11,79],0.7836,"\u002Fwgdsia1drhsasXPkAtgKDIQXNq4.jpg","2022-10-18",8,"\u002FfmT9J3USBoUOvDlg2175JumfcN3.jpg",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":8,"poster_path":154,"release_date":155,"vote_average":8,"backdrop_path":156,"original_title":157,"original_language":137},470040,"Too Black to Be French?","Approximately, because so-called \"ethnic\" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or \"indigenous\" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.",[11],0.8644,"\u002FmB2lqaJhexKgc4H2ugZzfPOXfXe.jpg","2015-07-03","\u002F94hInHB7QIAPxujxpFkOk0uaLL8.jpg","Trop noire pour être française ?",{"id":159,"adult":6,"title":160,"video":6,"overview":106,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":165,"original_title":160,"original_language":123},1409788,"MARCIANO",[11],0.8685,"\u002FunvxE4DJLLCNZ5GJFK5Y1bP4Y9c.jpg","2023-10-11","\u002FfoiKxERBpK69XNAF7ue3tvyo58T.jpg",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":172,"poster_path":173,"release_date":174,"vote_average":175,"backdrop_path":176,"original_title":177,"original_language":137},1217455,"The Matrix: Generation","After the 1999 premiere of the first Matrix movie, it became a pop culture phenomenon. 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Through chronicling the lives of these men and women who, with a median age of 82,  are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.",[11],0.2341,"\u002F963SRXYkkd4gsBkzjphFMPSIYJk.jpg","2012-01-01",{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":191,"vote_count":192,"poster_path":193,"release_date":194,"vote_average":195,"backdrop_path":26,"original_title":188,"original_language":196},841677,"Viikinki","Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.",[11],0.2132,6,"\u002FblcCQd86A8nDNOZDPIvUAAortvD.jpg","2022-09-27",3.667,"fi",{"id":198,"adult":6,"title":199,"video":6,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":41,"poster_path":203,"release_date":204,"vote_average":192,"backdrop_path":205,"original_title":199,"original_language":123},1033334,"Tenho Fé","This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity",[11],1.7435,"\u002FalamhItWe3dmk9fVXdoOM6egimZ.jpg","2022-10-20","\u002FkQ4sIkREcKh0mSnZes4B5RbZHRf.jpg",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":212,"poster_path":213,"release_date":214,"vote_average":134,"backdrop_path":215,"original_title":208,"original_language":53},287339,"Two Towns of Jasper","Using two separate filmmaking teams (an all-white crew filming white residents and an all-black camera crew filming black residents), TWO TOWNS OF JASPER captures very different racial views by townsfolk in Jasper, Texas, the location for a racially motivated murder of an African American man in 1998.",[11],0.6192,2,"\u002FrLTelZC3gCIhXTsybNGEfKfmthA.jpg","2002-01-13","\u002FzgIbCLMlgdBS1ckigGAkLpgXtju.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":222,"release_date":223,"vote_average":8,"backdrop_path":26,"original_title":218,"original_language":73},834520,"Elena","In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.",[11,48],0.181,"\u002Fo8nz0eCxgbzbkLYg3L0yDj36nov.jpg","2021-06-04",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":230,"vote_count":41,"poster_path":231,"release_date":106,"vote_average":232,"backdrop_path":233,"original_title":234,"original_language":73},1403621,"I hate my mother and my mother hates me","Sebz traces an intimate and heartbreaking journey through her past and present, exploring the nuances of her identity as a non-binary, black, asexual trans person. Through an introspective narrative, Sebz reflects on the abuse she suffered as a child and the revelation that these experiences were not unique, but also familial. In a space where memory and reality intertwine, Sebz confronts her relationship with her mother, a complex connection torn between rejection and a search for understanding, accentuated by tensions of gender, sexuality and shared trauma.  This short queer documentary is an honest and courageous portrait of wounds, family ties and the resilience that defines those who seek to exist beyond social impositions.",[11,229],35,0.2666,"\u002F8iaCSOqNW7ocDLmELtg5epXUmNj.jpg",7,"\u002F97U0J7pry2dK5L902mNMrCp5oxb.jpg","Odio a mi madre y mi madre me odia a mi",{"id":236,"adult":6,"title":237,"video":6,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":41,"poster_path":241,"release_date":242,"vote_average":192,"backdrop_path":243,"original_title":237,"original_language":53},834221,"Tulsa: The Fire and the Forgotten","Learn about the 1921 Tulsa Race Massacre, on the one hundredth anniversary of the crime, and how the community of Tulsa is coming to terms with its past, present, and future.",[11],0.277,"\u002F9AhdfI2512VEq7mzx6aFj7GZipa.jpg","2021-05-31","\u002FgHguPi8LMIFnpO9fscreDJlUGNL.jpg",11678,233551,"The pupils of about fifteen secondary schools in the suburbs of Paris react to the projection of two short films taken from the series \"No More Lies ! 12 perspectives on everyday racism\". Their comments, questions and reactions are of course focused on the subject of racism, but they also take a stand about what it means to have two cultural identities. Is it enough to be born in France in order to feel French ? What is their vision of a society obsessed with the idea of integration? What do they expect of the future ? With their questions and their protests, they often put their finger on the heart of the issues at stake. 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