[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-859936-en-US":3},{"detail":4,"match":371,"insight":372,"providers":373,"providerLink":100,"trailer":374},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":27,"imdb_id":132,"revenue":8,"runtime":133,"similar":134,"tagline":344,"homepage":345,"overview":346,"softcore":6,"popularity":347,"vote_count":42,"poster_path":348,"release_date":349,"vote_average":166,"backdrop_path":350,"origin_country":351,"original_title":7,"watch\u002Fproviders":352,"spoken_languages":354,"original_language":24,"production_companies":363,"production_countries":368,"belongs_to_collection":100},859936,false,"Five Directors On The Battle of Algiers",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":23,"iso_639_1":24,"iso_3166_1":25,"published_at":26},"65ce614fa27502018696b874","1KstueVVbgI","Spike Lee, Mira Nair, 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Lee","Self","61121c5c97fdec002d694de3",2.6382,"\u002F2KOHXgk2uoRXl6u7V9xpAIo3uay.jpg","Directing",{"id":57,"name":58,"adult":6,"order":59,"gender":32,"cast_id":60,"character":51,"credit_id":61,"popularity":62,"profile_path":63,"original_name":58,"known_for_department":55},1152,"Oliver Stone",3,5,"61121c9f01e4d1002ecbf4ca",2.1408,"\u002Fzn4XrQMUg32poFHJd2kwlXBPmGg.jpg",{"id":65,"name":66,"adult":6,"order":67,"gender":42,"cast_id":32,"character":51,"credit_id":68,"popularity":69,"profile_path":70,"original_name":66,"known_for_department":55},6495,"Mira Nair",4,"61121c6dcd2046002e570044",1.6606,"\u002FAwpYt2FDZL7dN5HFE1XVJRjh9D4.jpg",{"id":72,"name":73,"adult":6,"order":60,"gender":32,"cast_id":67,"character":51,"credit_id":74,"popularity":75,"profile_path":76,"original_name":73,"known_for_department":55},1884,"Steven 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Blair","61121d7301e4d1007545f2be","Camera",0.5746,null,{"id":102,"job":103,"name":104,"adult":6,"gender":8,"credit_id":105,"department":106,"popularity":107,"profile_path":100,"original_name":104,"known_for_department":106},1113580,"Editor","Gary Bradley","61121d8e8d1b8e0029687f29","Editing",0.5018,{"id":109,"job":110,"name":111,"adult":6,"gender":32,"credit_id":112,"department":113,"popularity":114,"profile_path":115,"original_name":111,"known_for_department":113},1102236,"Executive Producer","Peter Becker","61121d48afa1b0007e336c32","Production",0.4997,"\u002FnPqygbgKb9I92cgkQ4ONdCcBQFd.jpg",{"id":117,"job":118,"name":119,"adult":6,"gender":8,"credit_id":120,"department":113,"popularity":121,"profile_path":100,"original_name":119,"known_for_department":113},1115054,"Producer","Abbey Lustgarten","61121d20d05a03007f536abc",0.6169,{"id":123,"job":110,"name":124,"adult":6,"gender":32,"credit_id":125,"department":113,"popularity":126,"profile_path":100,"original_name":124,"known_for_department":113},1102239,"Jonathan Turell","61121d58255dba005ded29d6",0.5132,{"id":128,"job":118,"name":129,"adult":6,"gender":8,"credit_id":130,"department":113,"popularity":131,"profile_path":100,"original_name":129,"known_for_department":113},1102237,"Kim Hendrickson","61b5fa4e894ed6005e936902",0.4251,"tt0768113",17,{"page":42,"results":135,"total_pages":342,"total_results":343},[136,149,158,169,180,189,199,209,219,229,240,248,258,269,278,290,300,312,322,333],{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":142,"vote_count":32,"poster_path":143,"release_date":144,"vote_average":145,"backdrop_path":146,"original_title":147,"original_language":148},1212784,"1983, The Marchers for Equality","In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the \"March of the Beurs.\" Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?",[11,141],10770,1.338,"\u002Fg8tEM6yVDxmyQEYitTz1ryE5Uey.jpg","2023-12-03",9.5,"\u002FagNWXvCnXxJIcS1c9f0BZlDUzUs.jpg","1983, Les marcheurs de l'égalité","fr",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":42,"poster_path":155,"release_date":156,"vote_average":59,"backdrop_path":157,"original_title":151,"original_language":24},834583,"Discovering Christmas Films","Gathering for a Christmas lunch, the film critics and writers of Discovering Film discuss the merits of 20 films from Bill Murray's star turn in Scrooged, the James Stewart classic It's a Wonderful Life, Ingmar Bergman's Fanny & Alexander, to Bruce Willis' memorable Die Hard.",[11],1.1207,"\u002FzaThCCvvSKs0znJNWDEBVOWVJ9W.jpg","2018-12-16","\u002F54Bozf5vTMe3FFWxh7vtuMxFwdK.jpg",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":42,"poster_path":164,"release_date":165,"vote_average":166,"backdrop_path":167,"original_title":168,"original_language":148},1220211,"Zinet, Algiers, Happiness","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",[11],0.929,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15",10,"\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg","زينات، الجزائر، السعادة",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":175,"vote_count":42,"poster_path":176,"release_date":177,"vote_average":166,"backdrop_path":178,"original_title":179,"original_language":148},1033814,"The Desert Rocker","The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist.  The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.",[11,174],10402,0.6798,"\u002FxNT9JYbXghZ9jwawohXSnhLljkH.jpg","2022-11-13","\u002F1Wr2yB2cikAmMAvO7qlQCMTXdhJ.jpg","La Rockeuse du Désert",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":8,"poster_path":186,"release_date":187,"vote_average":8,"backdrop_path":188,"original_title":182,"original_language":24},1601333,"Two Bergmans","There are two Bergmans. One speaks English, the other Italian. They fall in love and set off impulsively to live together. But reality is far from easy. As the rift between their emotions deepens, what choice will they make? And what kind of ending awaits them?",[11],1.3883,"\u002F5sy24J63pyML9qIjdKMK3NOPZPj.jpg","2025-12-19","\u002F2WOe8RZCErGOX5cwpZ6V1GMO6Bz.jpg",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":195,"vote_count":42,"poster_path":196,"release_date":197,"vote_average":166,"backdrop_path":198,"original_title":191,"original_language":148},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,194],36,0.8608,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":100,"original_title":208,"original_language":148},827539,"Surgeon during the Algerian War","Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.",[11,194,204],10752,1.2248,"\u002F2HduU6vh8jgL379uFUgw0yzLvcq.jpg","2012-01-09","Chirurgien dans la guerre d'Algérie",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":8,"poster_path":215,"release_date":216,"vote_average":8,"backdrop_path":217,"original_title":218,"original_language":148},1019629,"Dreams have no titles","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.",[11],0.521,"\u002FgSqi3Epez0FaBMt8kytMr25Yf4m.jpg","2022-04-23","\u002FtU21UThAZCFm8JSFw4Crurr9vNH.jpg","Les rêves n'ont pas de titre",{"id":220,"adult":6,"title":221,"video":6,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":42,"poster_path":225,"release_date":226,"vote_average":227,"backdrop_path":228,"original_title":221,"original_language":24},277624,"Algeria: Drink, Smoke and Love","Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",[11],0.439,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01",8,"\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":42,"poster_path":235,"release_date":236,"vote_average":166,"backdrop_path":237,"original_title":238,"original_language":239},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.7187,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime","ar",{"id":241,"adult":6,"title":242,"video":6,"overview":243,"softcore":6,"genre_ids":244,"popularity":245,"vote_count":8,"poster_path":246,"release_date":247,"vote_average":8,"backdrop_path":100,"original_title":242,"original_language":24},453531,"Vote off","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",[11],0.9191,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":227,"poster_path":254,"release_date":255,"vote_average":256,"backdrop_path":257,"original_title":250,"original_language":148},1408238,"Pretty Woman, un conte de fées hollywoodien","Overknee boots that triggered a fashion wave, a legendary shopping spree to the iconic theme song - the 1990 romantic comedy \"Pretty Woman\" by Garry Marshall starring Julia Roberts and Richard Gere is still the genre's biggest box office hit. The modern fairytale about a rich man who falls in love with a prostitute and rescues her made millions dream and made 22-year-old Julia Roberts famous overnight.",[11],1.0385,"\u002Fl2LsZo2P22DweZ5yVzpFFoj2d2a.jpg","2024-12-27",7.2,"\u002FvrWgE6zE97wGluzRlW4swqMPu1m.jpg",{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":264,"vote_count":42,"poster_path":265,"release_date":266,"vote_average":166,"backdrop_path":267,"original_title":260,"original_language":268},1415644,"Hoggar '64","Filmed chronicle by mountain filmmaker Mario Fantin, of the 1964-1965 expedition of the Italian mountaineer Guido Monzino to the summits of Hoggar in the Algerian Sahara with the ascents of Garet el Djenoun, Tizouyag Nord, Saouinan and Iharen. The mountain ranges of the Hoggar desert turn out to be more complex and interesting than most mountaineers suspected at the time.",[11,263],12,1.7972,"\u002Fsn1pAXxWz05yCHQ8OYIKkqiDL5G.jpg","1965-01-01","\u002FwR6h5fXOKXs1NsAB4foqr9VN17Q.jpg","it",{"id":270,"adult":6,"title":271,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":42,"poster_path":275,"release_date":276,"vote_average":166,"backdrop_path":277,"original_title":271,"original_language":148},1598091,"Écoutez May Picqueray","\"Well, I believe in anarchy! And I believe it will come true one day.\" That's what \"May the Rebel,\" a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang \"Hymn to Anarchy\" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.",[11],0.9222,"\u002FeWEQrLoY6cyUpkv6qxL4VLZ1Od.jpg","1984-01-01","\u002F95lKeZh78HZipyEmb6Y3wZpMqjy.jpg",{"id":279,"adult":6,"title":280,"video":6,"overview":281,"softcore":6,"genre_ids":282,"popularity":284,"vote_count":60,"poster_path":285,"release_date":286,"vote_average":287,"backdrop_path":288,"original_title":289,"original_language":148},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[283,11],18,0.5771,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":291,"adult":6,"title":292,"video":6,"overview":293,"softcore":6,"genre_ids":294,"popularity":295,"vote_count":32,"poster_path":296,"release_date":297,"vote_average":80,"backdrop_path":298,"original_title":299,"original_language":239},1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",[194,283,11],0.9059,"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23","\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956",{"id":301,"adult":6,"title":302,"video":6,"overview":303,"softcore":6,"genre_ids":304,"popularity":306,"vote_count":307,"poster_path":308,"release_date":309,"vote_average":310,"backdrop_path":311,"original_title":302,"original_language":24},13611,"Heckler","HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.",[11,305],35,1.9284,57,"\u002FwDcnCvPTBqAhMqyfpxVtA2WZwd8.jpg","2007-11-04",5.9,"\u002FvXbbYeSTsReXP0p5RJnlUikoaHX.jpg",{"id":313,"adult":6,"title":314,"video":6,"overview":315,"softcore":6,"genre_ids":316,"popularity":317,"vote_count":42,"poster_path":318,"release_date":319,"vote_average":166,"backdrop_path":320,"original_title":321,"original_language":148},1414080,"Salt and Rock","After reading the book \"Guide to Hoggar Climbing,\" guide Pierre Agresti and his wife Isabelle Agresti set off into the Hoggar massif in the Algerian Sahara and tackled the west face of Garet El Djenoun. After a first attempt in 1967, they successfully reached the summit in 1970 and, with an old camera, made a film that remained unused for 25 years. In 1996, they decided to bring the past back to life through the ascent and encounters with the Tuaregs in the rock salt mines of Amadror. The film was shown in competition at the Trento Film Festival in 1997.",[11,263],1.1209,"\u002FgL2Ytnp1IpkjicI6FcXiNVXyWbh.jpg","1996-01-01","\u002FfmIxSL9AJLedeuPc3y2DkgIn2YE.jpg","Le Sel Et La Roche",{"id":323,"adult":6,"title":324,"video":6,"overview":325,"softcore":6,"genre_ids":326,"popularity":327,"vote_count":32,"poster_path":328,"release_date":329,"vote_average":330,"backdrop_path":331,"original_title":332,"original_language":239},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,204],0.8587,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes",{"id":334,"adult":6,"title":335,"video":6,"overview":336,"softcore":6,"genre_ids":337,"popularity":338,"vote_count":42,"poster_path":339,"release_date":340,"vote_average":166,"backdrop_path":341,"original_title":335,"original_language":148},1415248,"Sahara Vertical","Following in the footsteps of Frison Roche, 7 climbers explore the main Hoggar massifs in Algeria. Their main objective is the ascent of the Garet El Djenoun summit via the north ridge, a long climb symbolic of a certain difficulty and a significant commitment, due to its location in the desert. They also attempt the Diedre Agresti, a daring route from the 70s, opened in around ten days on artificial, and unequipped; it is a path that has never been repeated; the objective is to do it free and almost only on wedges, with difficulties up to 7b\u002Fc in a sometimes very delicate rock... Excerpts from the film shot in 1970 by Henri Agresti on this same route, allow us to compare the technical and material means of the time to those of today. They also discover the beauty of the Algerian desert, its silence, its rock paintings, the customs of the Tuaregs, etc... a fascinating journey.",[11,263],1.8688,"\u002Fp85H6IDldPOLzgJT0x7hEN1dr5w.jpg","2006-01-01","\u002Fl5Wh1a41n4ftztyfdosJRqL3Qqi.jpg",1001,20001,"","https:\u002F\u002Fwww.criterionchannel.com\u002Fvideos\u002Ffive-directors-on-the-battle-of-algiers","This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .",1.8806,"\u002FhlxewWQaGTCTTnnlL5HQ5hHVeXE.jpg","2004-08-01","\u002FjzWrAcwZoQnL2B4t4k1rZG530sV.jpg",[25],{"results":353},{},[355,357,360],{"name":356,"iso_639_1":24,"english_name":356},"English",{"name":358,"iso_639_1":239,"english_name":359},"العربية","Arabic",{"name":361,"iso_639_1":148,"english_name":362},"Français","French",[364],{"id":365,"name":366,"logo_path":367,"origin_country":25},10932,"The Criterion Channel","\u002FAscjWwkpQC23EZgRxbeOqs4KhRI.png",[369],{"name":370,"iso_3166_1":25},"United States of America",45,"A documentary story that tends to land well.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":23,"iso_639_1":24,"iso_3166_1":25,"published_at":26}]