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Trained at the École des beaux-arts de Montréal and the University of California at Los Angeles (UCLA), Drouin became in some ways the heir to Alexandre Alexeïeff when he began working with the Alexeïeff-Parker pinhole screen in 1974.  Recounting his relationship with the filmmaker and inventor, coming back with lucidity and precision on the whole of his own filmography, Jacques Drouin delivers here a precious testimony on creation. 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