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The Secret of Selling the Negro depicts the lives, activities, and consumer behavior of African American professionals, students, and housewives. 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These are ads that break all manner of taboos, from sex, violence, blasphemy, homosexuality, animal cruelty, rapping pensioners, swearing children, suicidal toys and naked athletes to Kylie in her undies on a bucking bronco. Amongst the contributors are advertising executives, producers and censors. 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London artists are taking to the streets to reclaim public spaces and challenge passerby's to think differently about everything from capitalism to gender.",[11],0.2127,"\u002Fl60lkF7AWGWC6LpHglXU398CaW2.jpg","2019-04-08",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":22,"poster_path":26,"release_date":243,"vote_average":55,"backdrop_path":26,"original_title":239,"original_language":122},500258,"Screenagers","Early 1960s documentary into the spending habit of 'screenagers' (young cinema-goers aged between 16-24). Based on Mark Abrams' 1959 report, 'The Teenage Consumer'.",[11],0.3265,"1967-06-27",{"id":245,"adult":6,"title":246,"video":6,"overview":247,"softcore":6,"genre_ids":248,"popularity":250,"vote_count":8,"poster_path":251,"release_date":252,"vote_average":8,"backdrop_path":26,"original_title":246,"original_language":122},1648593,"How Chee!","From 1996 to 1998, a low-budget TV commercial for Saskatoon’s Great Buffet of China aired relentlessly. Featuring a Caucasian pitchman introducing the phrase “How Chee” and a group of amateur young actors repeating it, the ad became infamous. Some laughed. Others cringed. Many called it the worst commercial ever made.  Thirty years later, it still resurfaces—at one point even going viral in China.  How Chee! explores the unlikely origins of the ad, the friendship between an immigrant restaurant owner and the professor who tried to help save his business, and the now-adult actors who became locally famous long before going viral was a thing.",[11,185,249],36,0.5093,"\u002Fz1MsrBvDbU07HJN7jHMSi6RrDLP.jpg","2026-04-02",{"id":254,"adult":6,"title":255,"video":6,"overview":256,"softcore":6,"genre_ids":257,"popularity":258,"vote_count":259,"poster_path":260,"release_date":261,"vote_average":262,"backdrop_path":263,"original_title":255,"original_language":122},26851,"The Atomic Cafe","A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.",[11,249],1.2248,78,"\u002F9kTkv6o25fuWVSRu1AgOsF0cwz.jpg","1982-03-17",7.3,"\u002FyDrAyZMQpEKAK2HiK5NujvutilM.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":267,"softcore":6,"genre_ids":268,"popularity":269,"vote_count":270,"poster_path":271,"release_date":272,"vote_average":61,"backdrop_path":273,"original_title":266,"original_language":122},36432,"Art & Copy","The personal odysseys of some of the most influential advertising visionaries of all time and the stories behind their campaigns.",[11],1.4287,40,"\u002FyWWrGxHkJv8zzpLAdS33oXh4Ubk.jpg","2009-08-21","\u002FtzcWfZVfgA8qWm49pqICvdYNsak.jpg",{"id":275,"adult":6,"title":276,"video":6,"overview":277,"softcore":6,"genre_ids":278,"popularity":279,"vote_count":49,"poster_path":280,"release_date":281,"vote_average":282,"backdrop_path":283,"original_title":276,"original_language":210},1513646,"La face cachée de l'homme en noir","You've seen him interview Mikhail Gorbachev, Angelina Jolie, Robbie Williams, Mariah Carey, Brad Pitt, Jane Fonda, Robert De Niro... You know him, but you don't really know him. Everyone has talked about Ardisson without ever getting close to the truth about him. My ambition: to reveal the man behind the costume of \"The Man in Black.\" I thought to myself: if anyone can figure him out, it's me, a journalist and portraitist who has lived with him for 15 years. Who is the private Thierry behind the spectacular Ardisson? What we discover is how much Ardisson's personal history reflects the eras he has lived through, their contradictions, their utopias, their excesses, their violence. 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