[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-879484-en-US":3},{"detail":4,"match":304,"insight":305,"providers":306,"providerLink":36,"trailer":307},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":26,"imdb_id":36,"revenue":8,"runtime":68,"similar":69,"tagline":87,"homepage":277,"overview":278,"softcore":6,"popularity":279,"vote_count":8,"poster_path":280,"release_date":281,"vote_average":8,"backdrop_path":36,"origin_country":282,"original_title":285,"watch\u002Fproviders":286,"spoken_languages":288,"original_language":136,"production_companies":298,"production_countries":299,"belongs_to_collection":36},879484,false,"Every Day is Night",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25},"6154e4a381c7be008e0993bb","_bTl2AH5kps","Todos los días la noche - Clip","YouTube",360,"Clip","en","US","2011-12-22T19:56:26.000Z",{"cast":27,"crew":28},[],[29,37,44,50,55,59,64],{"id":30,"job":31,"name":32,"adult":6,"gender":8,"credit_id":33,"department":34,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":34},3252546,"Director","Jean Claude Wicky","6154e21643d9b100294c559b","Directing",0.2594,null,{"id":38,"job":39,"name":40,"adult":6,"gender":8,"credit_id":41,"department":42,"popularity":43,"profile_path":36,"original_name":40,"known_for_department":42},3252558,"Music","Julien Monti","6154e2d4dcb6a30063adfaa1","Sound",0.2483,{"id":45,"job":46,"name":47,"adult":6,"gender":8,"credit_id":48,"department":49,"popularity":43,"profile_path":36,"original_name":47,"known_for_department":49},3252549,"Cinematography","Nicolas Chevre","6154e24ce8a3e1002c0eb887","Crew",{"id":51,"job":42,"name":52,"adult":6,"gender":8,"credit_id":53,"department":42,"popularity":54,"profile_path":36,"original_name":52,"known_for_department":42},3252556,"Carlos Mujica","6154e2ba904f6d0043167318",0.252,{"id":45,"job":56,"name":47,"adult":6,"gender":8,"credit_id":57,"department":58,"popularity":43,"profile_path":36,"original_name":47,"known_for_department":49},"Editor","6154e271d2147c00266f2c66","Editing",{"id":60,"job":42,"name":61,"adult":6,"gender":8,"credit_id":62,"department":42,"popularity":63,"profile_path":36,"original_name":61,"known_for_department":42},3252555,"Carlos Mamani","6154e2a3f04d010091cf6879",0.2408,{"id":30,"job":65,"name":32,"adult":6,"gender":8,"credit_id":66,"department":67,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":34},"Producer","6154e309e18b970062903283","Production",57,{"page":70,"results":71,"total_pages":275,"total_results":276},1,[72,84,94,106,116,126,137,147,155,165,175,187,198,207,215,228,238,248,257,266],{"id":73,"adult":6,"title":74,"video":6,"overview":75,"softcore":6,"genre_ids":76,"popularity":77,"vote_count":78,"poster_path":79,"release_date":80,"vote_average":81,"backdrop_path":36,"original_title":82,"original_language":83},293908,"How the Berlin Worker Lives","This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the \"unpleasant\" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the \"Baltic Sea\" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.",[11],0.8949,5,"\u002FvFaXzdEFuC94xe6fBI7fwrclZc2.jpg","1930-12-31",5.9,"Zeitprobleme: Wie der Arbeiter wohnt","de",{"id":85,"adult":6,"title":86,"video":6,"overview":87,"softcore":6,"genre_ids":88,"popularity":89,"vote_count":70,"poster_path":90,"release_date":91,"vote_average":92,"backdrop_path":36,"original_title":86,"original_language":93},293451,"Plano B","",[11],0.5178,"\u002FwZArtt7XV379nuSNxKJMndVj6VE.jpg","2014-04-21",8,"pt",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":100,"poster_path":101,"release_date":102,"vote_average":103,"backdrop_path":36,"original_title":104,"original_language":105},35693,"Debt","DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. 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Abdel Fattah el-Sisi, the new pharaoh, and his army have set up a pyramid-shaped financial system, built on subsidies from major international institutions—including the European Union—and foreign investment. The most populous nation in the Arab world finds itself on the brink of collapse.",[11],1.874,"\u002FtOYpGe5oC03Ai2zg8GSGG8jWsoq.jpg","2025-12-02","\u002F5JC3SxFZ3YxBcOzqcBXML54xy0X.jpg","Sissi, nouveau pharaon d'Égypte","fr",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":143,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":36,"original_title":139,"original_language":23},296105,"Naples Is a Battlefield","The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.",[11],0.6249,4,"\u002FxRGOikJYIYPgbOZoFTeWbHyiVtZ.jpg","1944-09-01",6.375,{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":8,"poster_path":36,"release_date":153,"vote_average":8,"backdrop_path":36,"original_title":149,"original_language":154},652376,"Köyhät, nöyrät ja häpeämättömät","Documentary film about four families in Pori, Finland, all struggling with unemployment and poverty.",[11],2.6076,"1999-11-04","fi",{"id":156,"adult":6,"title":157,"video":6,"overview":158,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":8,"poster_path":161,"release_date":162,"vote_average":8,"backdrop_path":36,"original_title":163,"original_language":164},447121,"Dokkoi! Songs from the Bottom","After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to ﬁlm. Following the method developed in the previous ﬁlms, the ﬁlmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving ﬁlms produced by the collective, a series of beautifully ﬁlmed portraits, voicing the silenced stories and songs of a group of people living in this community. 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Fires set to clear land for agriculture spiralled out of control, turning swathes of the country into an inferno. Against this backdrop, the film follows investigators from The Gecko Project as they journey through the Chiquitano dry forest in Bolivia’s eastern lowlands — the region most deeply affected by fires and deforestation.",[11],0.4709,"\u002FyBked7asHImXIWgZR8g8TJH2oEH.jpg","2025-09-16","Bolivia en Llamas",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":8,"poster_path":213,"release_date":214,"vote_average":8,"backdrop_path":36,"original_title":209,"original_language":83},1575258,"\"...arm würd' ich nicht sagen...\"","The start of a long-term observation of the Bronnmann family from Cologne, who have seven children - what are their concerns, plans, and dreams?",[11],0.8305,"\u002FmKiWha8c2z5nDpgvc68LVBSw460.jpg","1978-04-22",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":221,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":225,"original_title":226,"original_language":227},826740,"Three Songs for Benazir","The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.",[11],1.2323,82,"\u002F4Q1P44IPm9FyxBH4vmxM7pRgopP.jpg","2021-06-02",6.189,"\u002F9VmAvRUvy0cOTzGu7dHpAanMffk.jpg","دری سندری د بینظیر لپاره","ps",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":235,"vote_count":70,"poster_path":36,"release_date":236,"vote_average":237,"backdrop_path":36,"original_title":230,"original_language":23},290743,"Gringo Trails","Are tourists destroying the planet-or saving it? How do travelers change the remote places they visit, and how are they changed? From the Bolivian jungle to the party beaches of Thailand, and from the deserts of Timbuktu, Mali to the breathtaking beauty of Bhutan, GRINGO TRAILS traces stories over 30 years to show the dramatic long-term impact of tourism on cultures, economies, and the environment.",[233,11,234],18,12,1.203,"2014-01-01",6,{"id":239,"adult":6,"title":240,"video":6,"overview":241,"softcore":6,"genre_ids":242,"popularity":243,"vote_count":244,"poster_path":245,"release_date":246,"vote_average":100,"backdrop_path":247,"original_title":240,"original_language":23},467445,"The Salt Mines","Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. 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The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.",[11],1.2473,"\u002FvO2IQGeh705ojk5JWzIPobxAEOp.jpg","2022-10-27","\u002FaKBHWSEOtpvmyhzOHVfgtp7lS4h.jpg",{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":143,"poster_path":263,"release_date":264,"vote_average":100,"backdrop_path":265,"original_title":259,"original_language":105},263108,"Los posibles","Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.",[11],0.5776,"\u002FcVlk1Ck65fcOK0TbDNPWJicF4UD.jpg","2013-04-01","\u002FakVINqtQ6cgSmVeIVtEEvlhAzzE.jpg",{"id":267,"adult":6,"title":268,"video":6,"overview":269,"softcore":6,"genre_ids":270,"popularity":271,"vote_count":78,"poster_path":272,"release_date":273,"vote_average":274,"backdrop_path":36,"original_title":268,"original_language":93},442197,"Morte e Vida Severina","The story of Severino, a man who tries to escape the misery and the drought prevailing in the rural backcountry of the Northeast of Brazil. He heads for Recife, passing through desert and forest regions, expecting to find a better life.",[233,11],0.6828,"\u002FLY9yE3gRMGhUL5CKIm7iQjrSKL.jpg","1977-07-29",6.9,11706,234111,"https:\u002F\u002Fwww.touslesjourslanuit.com\u002Ffr\u002Faccueil","For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.",0.5384,"\u002FgG6nSS0tSOERPCa1lCLstrsXvq8.jpg","2010-09-01",[283,284],"BO","CH","Tous les jours la nuit: Mineros en Bolivia",{"results":287},{},[289,292,295],{"name":290,"iso_639_1":136,"english_name":291},"Français","French",{"name":87,"iso_639_1":293,"english_name":294},"qu","Quechua",{"name":296,"iso_639_1":105,"english_name":297},"Español","Spanish",[],[300,302],{"name":301,"iso_3166_1":284},"Switzerland",{"name":303,"iso_3166_1":283},"Bolivia",45,"A documentary story that tends to land well.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25}]