[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-882862-en-US":3},{"detail":4,"match":317,"insight":318,"providers":319,"providerLink":40,"trailer":40},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":100,"revenue":8,"runtime":101,"similar":102,"tagline":184,"homepage":184,"overview":295,"softcore":6,"popularity":296,"vote_count":8,"poster_path":297,"release_date":298,"vote_average":8,"backdrop_path":40,"origin_country":299,"original_title":301,"watch\u002Fproviders":302,"spoken_languages":304,"original_language":307,"production_companies":309,"production_countries":314,"belongs_to_collection":40},882862,false,"Actor Nikolai Cherkasov",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},10770,"TV Movie","Released",{"results":18},[],{"cast":20,"crew":32},[21],{"id":22,"name":23,"adult":6,"order":8,"gender":24,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":30,"known_for_department":31},67502,"Nikolai Cherkasov",2,1,"Himself","6161cf5b33ec2600919f4e9c",1.4703,"\u002FewS6xhndw1k5s8iaeL1zBT7IomN.jpg","Николай Черкасов","Acting",[33,42,49,58,66,74,81,88,95],{"id":34,"job":35,"name":36,"adult":6,"gender":24,"credit_id":37,"department":38,"popularity":39,"profile_path":40,"original_name":41,"known_for_department":38},1344538,"Director","Aleksandr Ivanovsky","6161cf764df291006494b4bb","Directing",0.6646,null,"Александр Ивановский",{"id":43,"job":44,"name":45,"adult":6,"gender":8,"credit_id":46,"department":47,"popularity":48,"profile_path":40,"original_name":45,"known_for_department":47},4868871,"Director of Photography","Viktor Maksimovich","66fdb95be48014914684bb08","Camera",0.2896,{"id":50,"job":51,"name":52,"adult":6,"gender":24,"credit_id":53,"department":54,"popularity":55,"profile_path":56,"original_name":57,"known_for_department":54},1619122,"Writer","Aleksey Leontyev","66fdb9f867c6fb09fff7a8a7","Writing",0.66,"\u002Ffc9Mc57fOa1NlfFIBrI8jBM0zZk.jpg","Алексей Леонтьев",{"id":59,"job":60,"name":61,"adult":6,"gender":24,"credit_id":62,"department":63,"popularity":64,"profile_path":40,"original_name":65,"known_for_department":63},1637179,"Production Design","Boris Burmistrov","66fdbb057830c1301e7c643d","Art",0.5122,"Борис Бурмистров",{"id":67,"job":68,"name":69,"adult":6,"gender":24,"credit_id":70,"department":71,"popularity":72,"profile_path":40,"original_name":73,"known_for_department":71},1540561,"Sound Director","Aleksandr Bekker","66fdbb896fc74e5756f7afd1","Sound",0.3768,"Александр Беккер",{"id":75,"job":76,"name":77,"adult":6,"gender":8,"credit_id":78,"department":79,"popularity":80,"profile_path":40,"original_name":77,"known_for_department":79},4973971,"VFX Artist","M. 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He knew early on what he wanted: to become an actor. Antje Althoff's film traces his life and career, showing his incorrigible nature, an endearing symbiosis of a big mouth and a similarly big heart.",[11],0.8943,"\u002FkZ6pqb54xrWrIfM9egnlMoMkRhc.jpg","2020-01-01","\u002FgPknOJOgVRn9sBYxGuZULD6gwxE.jpg",{"id":236,"adult":6,"title":237,"video":6,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":8,"poster_path":241,"release_date":242,"vote_average":8,"backdrop_path":243,"original_title":237,"original_language":159},1244028,"How It Breathes","Elijah Jamal Balbed grew up in Washington DC in the midst of one of its most difficult eras, as its identity was being tested. As the city changed around him, his budding career as a musician exposed him to the people and music providing a voice and an outlet to the people of DC. Now tasked with preserving and sharing that tradition, Balbed reflects on balancing that responsibility with creating a musical identity of his own.",[11],0.9733,"\u002FxcYrrmFrzseF2aTnTtvloG8KBga.jpg","2024-03-24","\u002F8RkLEqprh27U675wM9knlsuQhiU.jpg",{"id":245,"adult":6,"title":246,"video":6,"overview":247,"softcore":6,"genre_ids":248,"popularity":249,"vote_count":8,"poster_path":40,"release_date":250,"vote_average":8,"backdrop_path":40,"original_title":246,"original_language":159},664421,"Figure 3","How do you deal with life's curveballs? FIGURE 3 tells trapeze artist Korri Singh Aulakh's story of being diagnosed with the chronic autoimmune condition Myasthenia Gravis. It's the third installment in FIGURES, a new series of portrait films. Shot on a mix of 16mm film, VHS and digital.",[11],1.2066,"2019-10-27",{"id":252,"adult":6,"title":253,"video":6,"overview":254,"softcore":6,"genre_ids":255,"popularity":256,"vote_count":8,"poster_path":257,"release_date":184,"vote_average":8,"backdrop_path":40,"original_title":253,"original_language":159},663163,"Portrait of A Dancer","The Finnish modern dancer Noora Hannula dances through this documentary film in her own explosive style. Noora’s life has always been very connected to the artist environment with her grandfather, Simo Hannula, who throughout his entire life dedicated him fully to his art. Noora and her grandfather crossed paths when Noora used a picture of his dead body in her show and now we meet Noora working on her newest show: The Era of No Talent Rising, while she is trying to figure out where her own limits are.",[11],0.6615,"\u002FbiYNNx2TORP8wmu5JVfq6Ou6x4r.jpg",{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":8,"poster_path":264,"release_date":265,"vote_average":8,"backdrop_path":266,"original_title":260,"original_language":159},1055731,"Painting Pain","The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. 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[…] they wanted to \"blow up cinematic conventions and invent cinematic language from scratch\". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: \"He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there.\"",[11,194],1.2317,"\u002F7KdTTkjMp16zMRrkOdLNmNRZGyS.jpg","1963-12-17",6.9,"\u002F7zXARvkOkaSqIhH4Ygrv1435BvB.jpg","Stopforbud",1001,20001,"About the creative career of People's Artist of the USSR N.K. Cherkasov. The film uses footage from movies of the 1920s and 1930s.",0.957,"\u002Fmd7CACLXeO9HAu7f7t1DeBVqI06.jpg","1959-07-27",[300],"SU","Актёр Николай Черкасов",{"results":303},{},[305],{"name":306,"iso_639_1":307,"english_name":308},"Pусский","ru","Russian",[310],{"id":311,"name":312,"logo_path":313,"origin_country":300},10845,"Lenfilm","\u002F8qh5BEyKYOQ0e81LPbvWHQvyOy5.png",[315],{"name":316,"iso_3166_1":300},"Soviet Union",45,"A documentary story that tends to land well.",[]]