[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-889921-en-US":3},{"detail":4,"match":243,"insight":244,"providers":245,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":28,"similar":29,"tagline":232,"homepage":232,"overview":233,"softcore":6,"popularity":234,"vote_count":8,"poster_path":26,"release_date":235,"vote_average":8,"backdrop_path":26,"origin_country":236,"original_title":7,"watch\u002Fproviders":238,"spoken_languages":240,"original_language":47,"production_companies":241,"production_countries":242,"belongs_to_collection":26},889921,false,"The Room",0,[10],{"id":11,"name":12},16,"Animation","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1126628,"Director","Carmen D'Avino","61776642c2b9df0026dbc6f2","Directing",0.0649,null,"tt2056755",5,{"page":30,"results":31,"total_pages":230,"total_results":231},1,[32,48,59,70,83,92,104,113,121,129,140,149,160,168,178,189,196,204,214,221],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":41,"vote_count":42,"poster_path":43,"release_date":44,"vote_average":45,"backdrop_path":46,"original_title":34,"original_language":47},530,"A Grand Day Out","Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.",[37,11,38,39,40],10751,35,878,12,3.1682,1059,"\u002Fh5e3r12VwfUotN36fBr1DNeCD4n.jpg","1990-05-18",7.5,"\u002FbWpk3hGj95bDxDVk4pvU2K7tN0H.jpg","en",{"id":49,"adult":6,"title":50,"video":6,"overview":51,"softcore":6,"genre_ids":52,"popularity":53,"vote_count":54,"poster_path":55,"release_date":56,"vote_average":57,"backdrop_path":58,"original_title":50,"original_language":47},531,"The Wrong Trousers","Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. 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Preserved by the Academy Film Archive in 2008.",[38,11],0.131,3,"1921-07-02",5.7,{"id":93,"adult":6,"title":94,"video":6,"overview":95,"softcore":6,"genre_ids":96,"popularity":98,"vote_count":99,"poster_path":100,"release_date":101,"vote_average":102,"backdrop_path":103,"original_title":94,"original_language":47},489179,"No No Nooky T.V.","NO NO NOOKY TV posits sexuality to be a social construct in a \"sex-text\" of satiric graphic representation of \"dirty pictures.\" Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film\u002Fvideo hybrid that points fun at romance, sexuality, and love in our post-industrial age.  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Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence.  Preserved by the Academy Film Archive in 2010.",[11],0.3591,"1984-01-01",6.7,{"id":122,"adult":6,"title":123,"video":6,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":8,"poster_path":127,"release_date":128,"vote_average":8,"backdrop_path":26,"original_title":123,"original_language":47},490990,"Five Film Exercises: Film 5","Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller.  Preserved by the Academy Film Archive in 2005.",[11],0.5318,"\u002FybRMS5KobFkYsT63cq1dokrijsX.jpg","1944-07-31",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":135,"poster_path":136,"release_date":137,"vote_average":138,"backdrop_path":139,"original_title":131,"original_language":47},3171,"Bambi Meets Godzilla","A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.",[38,11],0.471,184,"\u002FlJazOe53J7FPC2H2d6i64jFGNGC.jpg","1969-07-10",6.478,"\u002Ftv7spvonDUQoIBoUCiGOIigqidW.jpg",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":146,"vote_count":30,"poster_path":26,"release_date":147,"vote_average":148,"backdrop_path":26,"original_title":142,"original_language":47},657665,"How to Bridge a Gorge","An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment.  Preserved by the Academy Film Archive in 2004.",[11,145],10752,0.325,"1942-01-02",10,{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":155,"poster_path":156,"release_date":157,"vote_average":158,"backdrop_path":159,"original_title":151,"original_language":47},284569,"The Cow Who Wanted To Be a Hamburger","A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love.  Preserved by the Academy Film Archive in 2016.",[11,38],0.1293,8,"\u002Fsvsimwb0q4XQVTrzcyWQDk9ilk8.jpg","2010-03-12",5.4,"\u002FmYGvIV4D8QJBWrLryzMLxHgP0ul.jpg",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":8,"poster_path":166,"release_date":167,"vote_average":8,"backdrop_path":26,"original_title":162,"original_language":47},473664,"Flesh Flows","In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.",[11],0.2674,"\u002FrNCkWIwNxQapL1EMeft14CTjtBy.jpg","1974-09-01",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":155,"poster_path":174,"release_date":175,"vote_average":176,"backdrop_path":26,"original_title":170,"original_language":177},283688,"Five Film Exercises: Film 4","The entire film is divided into four consecutive chosen approaches—the fourth  section devoted to a reiteration and extension of the original material.  Preserved by the Academy Film Archive in 1999.",[11],0.5841,"\u002FfqYkvEGo1m2bObPEVrQln0qv3cS.jpg","1944-05-15",4.6,"xx",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":184,"vote_count":185,"poster_path":186,"release_date":187,"vote_average":188,"backdrop_path":26,"original_title":180,"original_language":47},281635,"Sing Beast Sing","Animated short film.  Preserved by the Academy Film Archive in 2009.",[11,183],10402,0.2029,2,"\u002F2jiA1jjsjWwyceMYkD5cnakUQo4.jpg","1980-01-01",5.5,{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":8,"poster_path":26,"release_date":195,"vote_average":8,"backdrop_path":26,"original_title":191,"original_language":47},1247138,"Keep Cool","An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul.  Preserved by the Academy Film Archive in 2012.",[11],1.1616,"1971-01-01",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":8,"poster_path":202,"release_date":203,"vote_average":8,"backdrop_path":26,"original_title":198,"original_language":47},285539,"Odalisque","\"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others.\"  Preserved by the Academy Film Archive in 2017.",[11],0.7171,"\u002F7OgjyaPCBNeVLa1V1Cq9AkEYohF.jpg","1980-01-02",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":210,"poster_path":211,"release_date":212,"vote_average":158,"backdrop_path":213,"original_title":206,"original_language":47},71255,"Moonbird","Two boys go outside at night to capture a bird.  Preserved by the Academy Film Archive in 2003.",[11,37,76],0.9532,30,"\u002Fb47WcPTRG4Qa6507jRzm2weXrUN.jpg","1959-01-29","\u002Fc5JDuoxqdyKNw2q95WQI5M7eS5b.jpg",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":8,"poster_path":26,"release_date":220,"vote_average":8,"backdrop_path":26,"original_title":216,"original_language":47},888104,"The Shoemaker and the Hatter","The cartoon is one of the Marshall Plan's most popular films. A clash between a shoemaker and a hat maker illustrates the contrasts between protectionism and free trade.  Preserved by the Academy Film Archive in 2003.",[11],0.2786,"1950-01-01",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":8,"poster_path":26,"release_date":227,"vote_average":8,"backdrop_path":26,"original_title":228,"original_language":229},1092083,"Study No. 13","Experimental short film by Oskar Fischinger.  Preserved by the Academy Film Archive in 2000.",[11],0.1268,"1933-01-01","Studie Nr .13","de",1001,20001,"","\"A destitute room, transmuted by the startling magic of stop-motion photography into a luxuriant explosion of color. A new work by D’Avino (THE BIG O).\" – Cinema 16 program notes, May 1959.  Preserved by the Academy Film Archive in 2007.",0.1292,"1959-01-01",[237],"US",{"results":239},{},[],[],[],45,"A animation story that tends to land well.",[]]