[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-950866-en-US":3},{"detail":4,"match":323,"insight":324,"providers":325,"providerLink":36,"trailer":36},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":92,"revenue":8,"runtime":93,"similar":94,"tagline":99,"homepage":99,"overview":290,"softcore":6,"popularity":291,"vote_count":103,"poster_path":292,"release_date":293,"vote_average":294,"backdrop_path":295,"origin_country":296,"original_title":298,"watch\u002Fproviders":299,"spoken_languages":301,"original_language":108,"production_companies":307,"production_countries":320,"belongs_to_collection":36},950866,false,"Restitution? Africa's Fight for Its Art",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},144258,"Léonie Simaga",1,2,"Narrator","6419b20a0d5d85007b695376",1.4089,"\u002F7p06MHCfHaqwu0Dtq9zYc3OhHXs.jpg","Acting",[29,37,45,53,60,67,69,76,81,86],{"id":30,"job":31,"name":32,"adult":6,"gender":8,"credit_id":33,"department":34,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":34},1384881,"Director","Nora Philippe","6234ed98894ed6001c986ed8","Directing",0.4387,null,{"id":38,"job":39,"name":40,"adult":6,"gender":8,"credit_id":41,"department":42,"popularity":43,"profile_path":36,"original_name":40,"known_for_department":44},2232145,"Cinematography","Cécile Bodénès","6419b26ae004a60081abbdd2","Crew",0.6541,"Camera",{"id":46,"job":47,"name":48,"adult":6,"gender":8,"credit_id":49,"department":50,"popularity":51,"profile_path":36,"original_name":48,"known_for_department":52},1362458,"Writer","Karim Miské","6419b23a0d5d8500e0e7c6c2","Writing",0.4145,"Creator",{"id":54,"job":55,"name":56,"adult":6,"gender":8,"credit_id":57,"department":58,"popularity":59,"profile_path":36,"original_name":56,"known_for_department":58},2391377,"Music","Thibault Kienz Agyeman","6419b25e5690b5007a560d52","Sound",0.1643,{"id":61,"job":62,"name":63,"adult":6,"gender":21,"credit_id":64,"department":65,"popularity":66,"profile_path":36,"original_name":63,"known_for_department":65},1532523,"Editor","Barbara Bascou","6419b27531032500e8a355d0","Editing",0.2402,{"id":30,"job":47,"name":32,"adult":6,"gender":8,"credit_id":68,"department":50,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":34},"6419b22a31032500e8a355bc",{"id":70,"job":71,"name":72,"adult":6,"gender":8,"credit_id":73,"department":74,"popularity":75,"profile_path":36,"original_name":72,"known_for_department":74},2611861,"Producer","Emelie de Jong","6419b250e004a600a025b2e7","Production",0.6595,{"id":77,"job":62,"name":78,"adult":6,"gender":8,"credit_id":79,"department":65,"popularity":80,"profile_path":36,"original_name":78,"known_for_department":65},2340711,"Tania Goldenberg","6419b2810d5d85007b695396",0.4803,{"id":82,"job":62,"name":83,"adult":6,"gender":8,"credit_id":84,"department":65,"popularity":85,"profile_path":36,"original_name":83,"known_for_department":65},1027555,"Anne Souriau","6419b28f5690b500d402708b",0.1652,{"id":87,"job":88,"name":89,"adult":6,"gender":8,"credit_id":90,"department":58,"popularity":91,"profile_path":36,"original_name":89,"known_for_department":58},1599038,"Sound Mixer","Jocelyn Robert","6419b29ee7414600f7efe251",0.1738,"tt19383152",82,{"page":21,"results":95,"total_pages":288,"total_results":289},[96,109,119,129,137,145,153,164,172,182,192,205,213,221,231,240,250,261,269,281],{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":102,"vote_count":103,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":98,"original_language":108},1197853,"Le Baron et l'Empereur : Japon, la voie de la guerre","",[11,101],36,0.6313,3,"\u002FcVms9sXIv2Z6xZyrNQRNcMYPl7D.jpg","2023-10-29",8.667,"\u002FjmnVKug3tN3KW4vLRP2MGnlkslT.jpg","fr",{"id":110,"adult":6,"title":111,"video":6,"overview":99,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":21,"poster_path":114,"release_date":115,"vote_average":116,"backdrop_path":36,"original_title":117,"original_language":118},453012,"The Moroccan Labyrinth",[11],2.8876,"\u002F1TC3bZSH97qn27RnSLDlYYmk02I.jpg","2007-11-15",7,"El laberinto marroquí","es",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":21,"poster_path":125,"release_date":126,"vote_average":127,"backdrop_path":36,"original_title":121,"original_language":128},1014929,"The Wedding at Cana","A short film by Peter Greenaway. It depicts the painting The Wedding Feast at Cana by Paolo Veronese, through mixed media and shows different perspectives.",[11],0.4863,"\u002Fv2TvyfFEj6OJjnn1Sp0l3Jucz4g.jpg","2009-01-01",10,"en",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":8,"poster_path":135,"release_date":136,"vote_average":8,"backdrop_path":36,"original_title":131,"original_language":118},1202494,"Costa Rica Banana Republic","This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.",[11],0.9741,"\u002Fn6FtiNp3iu2EWzMHjhTw03KDhbx.jpg","1979-01-01",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":143,"release_date":144,"vote_average":8,"backdrop_path":36,"original_title":139,"original_language":118},1202501,"Tiempo de audacia","This documentary juxtaposes scenes of El Salvador's opposition factions, including U.S. government advisors and government troops, and guerrillas and their sympathizers.",[11],0.795,"\u002Fgkw6YZcZcAyaL1DQ5BxkOc8k7SG.jpg","1983-01-01",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":151,"release_date":152,"vote_average":8,"backdrop_path":36,"original_title":147,"original_language":128},447214,"The Struggle Continues","A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.",[11],0.7563,"\u002Fa10kzZHujI1qUnUvOxs6q2b2fDs.jpg","1971-10-31",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":159,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":155,"original_language":128},626979,"Coup 53","Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.",[11,101],1.314,14,"\u002FAr7iq23QZNh0ZX57uPc8e2IasvD.jpg","2019-09-01",8,"\u002Fmirbd7cFNdwbkR8gMrVJfd8OdEp.jpg",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":169,"vote_count":8,"poster_path":170,"release_date":171,"vote_average":8,"backdrop_path":36,"original_title":166,"original_language":108},1007973,"Philippe-Alain Michaud, le réel traversé par la fiction","To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.",[11],4.6613,"\u002F1kK4PGDR4EKT1FitzBzgCnTwhwM.jpg","2016-01-01",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":178,"vote_count":21,"poster_path":179,"release_date":180,"vote_average":162,"backdrop_path":181,"original_title":174,"original_language":128},267107,"James Ensor: Demons Teasing Me","This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.",[11,177],10770,0.4352,"\u002Fq13Ce8eRbSuQJ3AJ0VutvtC6FlY.jpg","2010-10-14","\u002FsLkWN8BRQmDC0xm59jsdrYxcsvJ.jpg",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":8,"poster_path":188,"release_date":189,"vote_average":8,"backdrop_path":190,"original_title":184,"original_language":191},1568577,"Idak-Idak-Idak","Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, \"Idak\" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.",[11],0.3872,"\u002FuyVnIzL167XjLbaJIwOeVs3zPRa.jpg","2025-11-27","\u002Fj67Oef1B7xaxMziVWUdoelu0ODv.jpg","id",{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":198,"vote_count":199,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":203,"original_title":204,"original_language":108},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[197,11],18,0.4385,5,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":206,"adult":6,"title":207,"video":6,"overview":99,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":21,"poster_path":210,"release_date":211,"vote_average":162,"backdrop_path":212,"original_title":207,"original_language":108},1569075,"Ils étaient tirailleurs, voix oubliées de la Grande Guerre",[11,101],0.5338,"\u002FtBYidiML2PWA0sqOCKURyDsDfzB.jpg","2025-10-26","\u002FmNZezUbHUqLjXkuPkspTSkBFb6F.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":99,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":21,"poster_path":218,"release_date":219,"vote_average":127,"backdrop_path":220,"original_title":215,"original_language":108},456766,"Les 16 de Basse-Pointe",[11],0.8734,"\u002Flve3YblwIwgjvRC7G2wVsA1AkVS.jpg","2009-04-22","\u002Fcr7FjIsFy9mzQTkK262kvx2ibg.jpg",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":21,"poster_path":227,"release_date":228,"vote_average":162,"backdrop_path":229,"original_title":230,"original_language":108},1564840,"Vichy in the Colonies","After the defeat of 1940, and faced with the unexpected collapse of French power, all eyes turned to a horizon of both hope and uncertainty: the colonies. France had suddenly become an empire without a metropolis, reduced to two-thirds of its former size. Pétain saw the colonies as a \"consoling myth\" after the defeat, while de Gaulle considered them essential strategic locations for the Resistance. The two clashed in a propaganda war.",[11,101],0.6532,"\u002FrWBVLfTbVYYmvDlqZJtVtVl7M7d.jpg","2023-06-01","\u002FqZqDSnsrDJSpYwthWZK86ljREmK.jpg","Vichy dans les colonies",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":22,"poster_path":237,"release_date":238,"vote_average":162,"backdrop_path":239,"original_title":233,"original_language":128},1185135,"Klimt & The Kiss","The Kiss by Gustav Klimt is one of the most recognised and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston.  Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist that created it?  Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old.",[11],0.6046,"\u002ForVeKxKtPegIyiQwEnTfrax90q9.jpg","2023-10-30","\u002Feyb9txvnuiyAYdtrpARmXxh3vSB.jpg",{"id":241,"adult":6,"title":242,"video":6,"overview":243,"softcore":6,"genre_ids":244,"popularity":245,"vote_count":103,"poster_path":246,"release_date":247,"vote_average":248,"backdrop_path":249,"original_title":242,"original_language":128},262668,"Montezuma","Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.",[11],0.6921,"\u002FmeeLBldqwzRRSxGsiAohU4gVKYm.jpg","2009-09-19",6.333,"\u002FcX1uaFUL0oGMUfVGY9uN7cweFJz.jpg",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":8,"poster_path":256,"release_date":257,"vote_average":8,"backdrop_path":258,"original_title":259,"original_language":260},1557082,"Ships, seas, power - beginning of globalization","People have always wanted to reach the horizon and go beyond it. It wasn't and isn't just about discovering for the sake of discovering. Exotic goods, wealth and power were the driving forces of these people. The steamship ultimately brought the breakthrough for global mobility and trade. In the past, as now, shipping is the engine of globalization.",[11,101],0.9319,"\u002F91zDvRnGIbKpjqd2epqvIkAnkl8.jpg","2025-10-04","\u002FiAJWo3ykRlriwDfTCrc9KYVyBys.jpg","Schiffe, Meere, Macht - Beginn der Globalisierung","de",{"id":262,"adult":6,"title":263,"video":6,"overview":264,"softcore":6,"genre_ids":265,"popularity":266,"vote_count":8,"poster_path":267,"release_date":268,"vote_average":8,"backdrop_path":36,"original_title":263,"original_language":128},809768,"Melting Snow","Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.",[11],0.575,"\u002FojzoTzxRIG95I7R4In2eBChvGqO.jpg","2021-04-08",{"id":270,"adult":6,"title":271,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":103,"poster_path":275,"release_date":276,"vote_average":277,"backdrop_path":278,"original_title":279,"original_language":280},808774,"The Imperial Lullaby","The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.",[11,101],1.3045,"\u002F1JdtUR1YW12vIJPah24TgOXYF5m.jpg","2020-03-21",5.3,"\u002FtMSUpn9UQqlX1N5FhRxZgIeRaR9.jpg","Africa bianca","it",{"id":282,"adult":6,"title":283,"video":6,"overview":284,"softcore":6,"genre_ids":285,"popularity":286,"vote_count":8,"poster_path":36,"release_date":287,"vote_average":8,"backdrop_path":36,"original_title":283,"original_language":128},1002322,"Potlatch...a strict law bids us dance","Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.",[11],0.5024,"1975-01-01",11669,233376,"There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.",0.9223,"\u002FrAtj9PLZHJHjP8t0LS1VIn0MKm0.jpg","2022-04-05",7.3,"\u002FqckecY9jNjLcvz5bUygFptLUbXt.jpg",[297],"FR","Restituer ? L'Afrique en quête de ses chefs-d'œuvre",{"results":300},{},[302,305],{"name":303,"iso_639_1":108,"english_name":304},"Français","French",{"name":306,"iso_639_1":128,"english_name":306},"English",[308,312,316],{"id":309,"name":310,"logo_path":311,"origin_country":297},201,"ARTE","\u002F6UIpEURdjnmcJPwgTDRzVRuwADr.png",{"id":313,"name":314,"logo_path":315,"origin_country":297},20662,"TV5 Monde","\u002Frxfxm2P7zJdUsXB9d5Zrg9DOXfd.png",{"id":317,"name":318,"logo_path":319,"origin_country":297},11331,"Cinétévé","\u002FwcHhcw58wms26ejFLx1unYDT37n.png",[321],{"name":322,"iso_3166_1":297},"France",45,"A documentary story that tends to land well.",[]]