[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-956305-en-US":3},{"detail":4,"match":312,"insight":313,"providers":314,"providerLink":35,"trailer":315},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":26,"imdb_id":35,"revenue":8,"runtime":84,"similar":85,"tagline":32,"homepage":32,"overview":276,"softcore":6,"popularity":277,"vote_count":8,"poster_path":278,"release_date":279,"vote_average":8,"backdrop_path":280,"origin_country":281,"original_title":7,"watch\u002Fproviders":282,"spoken_languages":284,"original_language":23,"production_companies":288,"production_countries":307,"belongs_to_collection":35},956305,false,"Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626",0,[10],{"id":11,"name":12},10402,"Music","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25},"62448933cee48100488060bd","_jy00qL3HWw","Teodor Currentzis - Mozart's Requiem: 3. 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The experiment focuses a grand piano floating  and drifting  until it sinks. This video questions the artist's role in today's society and the piano as an icon  that submerges, subverted by mass culture.",[11],0.4144,"\u002FoyVT6Lm52whAPiqhxiVOjwY1O82.jpg","2005-01-01","pt",{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":40,"poster_path":102,"release_date":103,"vote_average":57,"backdrop_path":104,"original_title":105,"original_language":106},299184,"Andre Rieu : Magic Of The Musicals","The Dutch violinist and the Johann Strauss Orchestra perform a number of musical hits. André Rieu is one of the bestselling modern classical artists, with over 20 million sales worldwide and a string of successful tours behind him. Rieu set up the Johann Strauss Orchestra in 1987 with the dual aim of promoting the waltz music he loves while introducing a wider audience to the pleasures of classical music. Here Rieu and his orchestra turn their attention to memorable songs from stage musicals, providing their own take on a number of popular tunes.",[11],0.4444,"\u002FmXKt1ZpqbEiPZSBoNRvcsFDgtJO.jpg","2014-05-26","\u002FuOoe9BW743muNYhG6FH4olLjg4t.jpg","André Rieu - Magic Of The Musicals","nl",{"id":108,"adult":6,"title":109,"video":110,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":8,"poster_path":114,"release_date":115,"vote_average":8,"backdrop_path":35,"original_title":109,"original_language":23},652162,"Dvorak Requiem",true,"Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Philippe Herreweghe himself, and superb soloists they perform Dvorak’s Requiem. A modern and stylistically flexible symphony orchestra, the Royal Flemish Philharmonic demonstrates an artistic flair which allows for a variety of styles and occupies a unique position in Flanders. Collegium Vocale Gent were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals all over the world.",[11],1.6423,"\u002FkX9oN9kzAEFntSNpDy0JesuYKgp.jpg","2017-02-11",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":122,"vote_count":123,"poster_path":124,"release_date":125,"vote_average":126,"backdrop_path":127,"original_title":118,"original_language":23},13760,"The Nutcracker","The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.",[11,121],14,2.7653,11,"\u002Ft65NpiPG0XXvMd4HL9Hude3sZKN.jpg","1977-12-16",8.4,"\u002FtLdqJkdENUzfhDCSKTPNO56QZc2.jpg",{"id":129,"adult":6,"title":130,"video":110,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":134,"release_date":135,"vote_average":8,"backdrop_path":35,"original_title":130,"original_language":23},278578,"The Metropolitan Opera Centennial Gala","In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.",[11],0.4967,"\u002FieryxlE3DZkqJ7nQ9yUQjFaGKmN.jpg","1983-01-01",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":40,"poster_path":142,"release_date":143,"vote_average":144,"backdrop_path":35,"original_title":138,"original_language":23},652144,"Mahler - Symphonies Nos. 9 & 10 \u002F Das Lied von der Erde","Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of \"Das Lied von der Erde\" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.",[11],0.8884,"\u002FhWOSgpudGmt3yi82Bzv4pQ7fyeq.jpg","2005-11-22",10,{"id":146,"adult":6,"title":147,"video":110,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":40,"poster_path":151,"release_date":152,"vote_average":144,"backdrop_path":35,"original_title":147,"original_language":23},651828,"Mahler - Symphonies Nos. 1, 2 & 3","Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second \"Resurrection\" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.",[11],0.4264,"\u002FzRWfqc3xdLdrjknehi3AOQPusb3.jpg","1973-08-17",{"id":154,"adult":6,"title":155,"video":110,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":41,"poster_path":159,"release_date":160,"vote_average":161,"backdrop_path":35,"original_title":155,"original_language":23},652923,"Mozart Symphonies Vol. II - Nos. 1,25,31,36,38 and \"Eine Kleine Nachtmusik\"","In the 1960s Karl Böhm (1894–1981) had made his mark as interpreter of Mozart with the the Berlin Philharmonic. Yet his recordings with the Vienna Symphony demonstrate a mutual sympathy and deep love for this timeless music. The musicians are razor-sharp in attack, harmony, and release. Böhm's style is minimalist: a firm downbeat, a ruffled hand here and there, a slight sway, no mugging. Occasionally, when quite excited, he gives a little hop but immediately pulls himself on a tight leash.",[11],1.4497,"\u002FgCG1gcVC56nkbVuQIiN2tsbmOnl.jpg","1978-07-12",8.2,{"id":163,"adult":6,"title":164,"video":110,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":35,"original_title":164,"original_language":23},652253,"Mahler - Symphonies Nos. 7 & 8","Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer\u002Flistener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.",[11],0.6491,"\u002Fz3R3NIDORi6f2oBPM7PAFoWdBmr.jpg","1975-07-17",{"id":171,"adult":6,"title":172,"video":110,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":178,"original_title":172,"original_language":23},1629298,"Verbier Festival 2021 - Behzod Abduraimov","A piano prodigy in the grandest tradition welcomes you to a high-flying recital, live from the 2021 Verbier Festival!  Uzbek pianist Behzod Abduraimov interprets a demanding program that begins in the Baroque era with two spirited sonatas from Italian composer Domenico Scarlatti, and continues with the eight movements of Schumann’s epic Kreisleriana.  The concert ends with Rachmaninov’s dazzling Variations on a Theme by Corelli, whose theme itself draws inspiration from La Folia, one of Europe’s earliest known melodies.",[11],0.308,"\u002FxKWieZMiWqKEzk80sQeaqIX7Aj4.jpg","2021-07-20","\u002F3CVaTxCuURz0zEmRSj5ks7FNBzT.jpg",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":8,"poster_path":185,"release_date":186,"vote_average":8,"backdrop_path":187,"original_title":181,"original_language":188},1239101,"Svätopluk","Eugen Suchoň's opera Svätopluk returns to the stage of the Slovak National Theatre Opera in 2023. Since 1960, when it had its world premiere, this is the fifth production of this musical drama at the Slovak National Theatre. It returns as an eloquent witness of Slovak operatic history, as a bearer of a message, as an impulse for reflection and reassessment of historical attitudes in a broader context.",[11],1.1453,"\u002Fg3TYYHPrzl8o7mzBWEiGTwol3bd.jpg","2024-01-28","\u002Fy5Hvm7oROczBtnGZjDnCqvjXOB4.jpg","sk",{"id":190,"adult":6,"title":191,"video":110,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":40,"poster_path":195,"release_date":196,"vote_average":49,"backdrop_path":35,"original_title":191,"original_language":23},652959,"Mozart Symphonies Vol. I - Nos. 29,34,35,40,41 and Minuet K.409","There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.",[11],1.4469,"\u002Fyo10XhBaKy7lUMcBlypZM0kiRO.jpg","1978-10-03",{"id":198,"adult":6,"title":199,"video":110,"overview":32,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":40,"poster_path":202,"release_date":203,"vote_average":49,"backdrop_path":204,"original_title":199,"original_language":205},467221,"Beethoven · Missa Solemnis (Staatskapelle Dresden, Christian Thielemann)",[11],0.3985,"\u002FgyzcuSuzK06cmnETId4CT0jRL9X.jpg","2011-03-07","\u002Fgf85Act7Z9gB8HrXoqdNK8nPpNf.jpg","de",{"id":207,"adult":6,"title":208,"video":110,"overview":32,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":40,"poster_path":211,"release_date":212,"vote_average":213,"backdrop_path":214,"original_title":208,"original_language":205},467231,"Beethoven · Missa Solemnis (Berliner Philharmoniker, Herbert von Karajan)",[11],0.358,"\u002FnnByUVhEHwFU7cKcebcnqGvWSoP.jpg","2008-03-28",9,"\u002F1EQXGtPKiYl5G4ZLha2Plzw2zCN.jpg",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":221,"vote_count":42,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":35,"original_title":217,"original_language":23},279323,"The Planets","Based on the famous Gustav Holst musical suite, Ken Russell's musical delight takes viewers on a magnificent journey of the planets of the Solar System.",[11,220],10770,0.2655,"\u002FlRfHzbuX8lw7V6jmkg7rq2P56WK.jpg","1983-01-30",7.3,{"id":226,"adult":6,"title":227,"video":110,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":8,"poster_path":231,"release_date":232,"vote_average":8,"backdrop_path":233,"original_title":234,"original_language":205},466766,"Waldbühne 2009 | Russian Rhythms","Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music.  Repertoire  Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft",[11],0.4924,"\u002Fo4riv33GyzKsC63s8cZ3F9CboPU.jpg","2009-06-21","\u002FuhbvDSL9oJ4Xh3w2H4GN6525yGO.jpg","Waldbühne 2009: Russische Rhythmen",{"id":236,"adult":6,"title":237,"video":110,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":8,"poster_path":241,"release_date":242,"vote_average":8,"backdrop_path":243,"original_title":244,"original_language":205},466767,"Waldbühne 2010 | An Evening with Renée Fleming","Repertoire\r Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)",[11],2.0633,"\u002F750M8pq4aZQO0rqt4FUtb02z3WC.jpg","2010-06-27","\u002F6fbVgqokybPT8MZdGIzaTQbmOfG.jpg","Waldbühne 2010: Nacht der Liebe",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":40,"poster_path":251,"release_date":252,"vote_average":144,"backdrop_path":253,"original_title":247,"original_language":205},466769,"Waldbühne 2011: Fellini, Jazz & Co","The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB.  Repertoire\r Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft",[11],0.8802,"\u002F4RCK8TmXxrfjSct5SAnKodRcc1r.jpg","2011-07-02","\u002FvqT0qpIXt6LmWf1XOWwyiB5h0N7.jpg",{"id":255,"adult":6,"title":256,"video":110,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":8,"poster_path":260,"release_date":261,"vote_average":8,"backdrop_path":262,"original_title":256,"original_language":23},649371,"Verdi Requiem","The production itself is quite beautiful: recorded in the Basilica di San Marco in Venice in November 2007, it highlights the cathedral's splendor, the reverent audience, the soloists, orchestra and chorus with near-perfect cinematography. The soundtrack is also acceptable, which may have been quite a task to achieve, given the Basilica's over-reverberant acoustics. Alas, the performance itself does not rise to the occasion. Despite the occasional minor insecurity in ensemble and a visible lack of joy, the Symphonica Toscanini musicians play well, the Coro del Maggio Musicale Fiorentino members sing equally well, and the soloists are more than adequate, almost tangibly trying to excel.",[11],0.299,"\u002FtrEtYyUXgpKT9l33iKAfGFyjPtE.jpg","2007-12-01","\u002Fp6SqdsduluYCBnsdTGDFJKvRCp0.jpg",{"id":264,"adult":6,"title":265,"video":6,"overview":266,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":56,"poster_path":269,"release_date":270,"vote_average":271,"backdrop_path":272,"original_title":273,"original_language":23},649311,"Traviata – You deserve a better future","The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.",[11],0.4823,"\u002FmS1Upo7GecuGEwL7HXSEACASgLy.jpg","2019-04-07",7.7,"\u002FtZVP9HOfVdk8jtYHNaQTwSm3wll.jpg","Traviata, vous méritez un avenir meilleur",1001,20001,"Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass).  Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.",0.5145,"\u002F7ovv3TzZqqa3HTHeBzyzBKIsCxb.jpg","2017-07-23","\u002FviYdTVfDlBKP2j19STYuQqF3Dsp.jpg",[24],{"results":283},{},[285],{"name":286,"iso_639_1":287,"english_name":286},"Latin","la",[289,294,299,303],{"id":290,"name":291,"logo_path":292,"origin_country":293},26290,"Unitel","\u002Fo7QeTO6M5CLKZP7RYuIxoHbTqET.png","DE",{"id":295,"name":296,"logo_path":297,"origin_country":298},3391,"ORF","\u002Ft0QBs2fI3mE3HxgoH1n39bYuzNu.png","AT",{"id":300,"name":301,"logo_path":302,"origin_country":293},4606,"ZDF","\u002FotZHbf1HmzLRQsZFSqJXkf8EHz7.png",{"id":304,"name":305,"logo_path":306,"origin_country":293},2027,"3sat","\u002FrvHnU0XJniilOjf6IK9ZdXTUKE5.png",[308,310],{"name":309,"iso_3166_1":298},"Austria",{"name":311,"iso_3166_1":293},"Germany",45,"A music story that tends to land well.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25}]