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I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.",0.4934,"\u002F1PD3kgNzira3EWl6TqP3hc0IcM3.jpg","2021-05-01",{"adult":5,"backdrop_path":191,"genre_ids":192,"id":194,"title":195,"original_language":19,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":5,"video":5,"vote_average":98,"vote_count":44},"\u002F1Z9C1VnjoR2LAjgqRj4B8PuLlUG.jpg",[10,193],16,825223,"Taxidrome","To fly a – way from\u002Fout of death, don’t hire a taxidermist but take a ride in this taxidrome!  Series of 41 Moving Images  - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life.  The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. 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And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could.  Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. 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