[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-992238-en-US":3},{"detail":4,"match":245,"insight":246,"providers":247,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":22,"revenue":7,"runtime":23,"softcore":5,"spoken_languages":24,"status":27,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":28,"similar":38,"watch\u002Fproviders":241,"videos":243},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",992238,[15],"US","en","Sisterhood™: Hyping the Female Market","This video takes an analytical and humorous stab at the plethora of “pro-feminist” advertising that followed the emergence of the “new woman” and the increasing presence of women in the workforce during the 1990s. Conventional television genres are appropriated to show how the language and sentiments of feminism have been exploited by the advertising of an industry which cares little for the rights of its own female workers.",0.109,[],[],"1993-01-01",25,[25],{"english_name":26,"iso_639_1":16,"name":26},"English","Released",{"cast":29,"crew":30},[],[31],{"adult":5,"gender":7,"id":32,"known_for_department":33,"name":34,"original_name":34,"popularity":35,"profile_path":6,"credit_id":36,"department":33,"job":37},5542503,"Directing","Paper Tiger TV",0.0193,"68eb7541c17d844ef86460b5","Director",{"page":39,"results":40,"total_pages":239,"total_results":240},1,[41,54,61,72,86,97,104,113,124,134,145,155,165,176,185,192,202,210,220,230],{"adult":5,"backdrop_path":42,"genre_ids":43,"id":46,"title":47,"original_language":16,"original_title":47,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":5,"video":5,"vote_average":52,"vote_count":53},"\u002Fsv6e1n6yvsXGtezQngNRMvEpEMg.jpg",[44,10,45],35,10770,439414,"The History of White People in America: Volume II","In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.",1.0164,"\u002FlFB0BERkjmVZ6KORlMHUfb5W1tQ.jpg","1986-01-01",8.25,4,{"adult":5,"backdrop_path":6,"genre_ids":55,"id":56,"title":57,"original_language":16,"original_title":57,"overview":58,"popularity":59,"poster_path":6,"release_date":60,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1358727,"[sound of subtitles]","Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.",0.1393,"2021-10-14",{"adult":5,"backdrop_path":62,"genre_ids":63,"id":64,"title":65,"original_language":16,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":5,"video":5,"vote_average":70,"vote_count":71},"\u002F2JJkxOfwjyTeNOyKl46jlgG7fDL.jpg",[10],11420,"The Corporation","Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of \"person\" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.",1.3387,"\u002FaN7LHIKHkq6x16a4pXlaiB7PHiP.jpg","2003-09-10",7.615,282,{"adult":5,"backdrop_path":73,"genre_ids":74,"id":76,"title":77,"original_language":78,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":5,"video":5,"vote_average":84,"vote_count":85},"\u002Fn8bSr23xDkkAgck7xnX0HoRd7yk.jpg",[10,75],36,265527,"Dead Gay Men and Living Lesbians","de","Tote Schwule – Lebende Lesben","As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.",0.1439,"\u002FtuZonluBpdKTlrL2AEqOakayIbG.jpg","2008-02-09",3.5,3,{"adult":5,"backdrop_path":87,"genre_ids":88,"id":89,"title":90,"original_language":16,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":5,"video":5,"vote_average":95,"vote_count":96},"\u002Fz7QrcqdamPpfZdPNUvcuslPrtBL.jpg",[10],264763,"Regarding Susan Sontag","An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.",0.3494,"\u002F8Jwh6NqDNJjwX5ma87MUhCFid54.jpg","2014-04-20",5.7,17,{"adult":5,"backdrop_path":6,"genre_ids":98,"id":99,"title":100,"original_language":16,"original_title":100,"overview":101,"popularity":102,"poster_path":6,"release_date":103,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],438334,"Virago: Changing The World One Page at a Time","Despite the 1960s free-love and alternative culture, many women found that their lives and expectations had barely altered. But by the 1970s, the Women's Liberation Movement was causing seismic shifts in the march of the world's events, and women's creativity and political consciousness was soon to transform everything - including the face of publishing and literature. In 1973 a group of women got together and formed Virago Press; an imprint, they said, for 52 per cent of the population. These women were determined to make change - and they would start by giving women a voice, by giving them back their history and reclaiming women's literature.",0.1853,"2016-10-31",{"adult":5,"backdrop_path":6,"genre_ids":105,"id":106,"title":107,"original_language":16,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":5,"video":5,"vote_average":112,"vote_count":39},[10],991455,"Mink!","Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.",0.2113,"\u002F6gUu2tfAyto6k1rP52WtXzHQSKw.jpg","2022-06-23",9,{"adult":5,"backdrop_path":114,"genre_ids":115,"id":116,"title":117,"original_language":16,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":5,"video":5,"vote_average":122,"vote_count":123},"\u002F4enh5oCykgbpNiLTEYsnjZJhYVb.jpg",[10],13020,"Enron: The Smartest Guys in the Room","A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.",1.2759,"\u002FzezeOElCxlPui9SFGj5ToZ4W1Nh.jpg","2005-04-22",7.2,298,{"adult":5,"backdrop_path":6,"genre_ids":125,"id":126,"title":127,"original_language":16,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":5,"video":5,"vote_average":132,"vote_count":133},[44,10],276562,"One Rogue Reporter","Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.",0.3956,"\u002FePQt6sXTlv0awy0CnFDZ1wfBJqd.jpg","2014-06-08",6,2,{"adult":5,"backdrop_path":135,"genre_ids":136,"id":137,"title":138,"original_language":16,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":5,"video":5,"vote_average":143,"vote_count":144},"\u002FpT7iiM1HzWgc0tugnGml0tLQmLP.jpg",[45,44,10],25160,"George Carlin: Doin' It Again","George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people are stupid, Cancer, Feminists, Good Ideas, Rape, Life's moments, and organ donors.",0.5056,"\u002FfGWOQ7M9bybjah8bDELlG8nfNe4.jpg","1990-06-02",7.698,53,{"adult":5,"backdrop_path":146,"genre_ids":147,"id":148,"title":149,"original_language":150,"original_title":149,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":132,"vote_count":39},"\u002FjJwtyOXbeUvrSkMRtta1FtxVnd4.jpg",[10],810466,"Grid","pt","A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).",0.2228,"\u002Fpnty2w8uVVDF6jN0nW5uQimwibh.jpg","2021-10-22",{"adult":5,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":16,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":164,"vote_count":133},"\u002FnodD5PguH9VxuWqdplIX54hf7oV.jpg",[10],1543524,"Worth Every Minute","A tribute to the late Pat Schulz, an influential Canadian feminist.",0.1457,"\u002Fgj7EDSX1xlbYswZA1SBnnjKVNi7.jpg","1987-01-01",9.5,{"adult":5,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":170,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F20z0kRsWDN2vTwrJNn1hPCIlu9I.jpg",[10],1541793,"I Miss (The Istanbul I Don't Remember)","tr","özledim yani (hatırlamadığım İstanbul)","Someone born in the 1990s, who never actually lived in 1990s Istanbul, can only long for what they’ve seen in old videos. But how do you yearn for moments you never experienced... or why do you? In this nostalgic Istanbul we don’t remember, a digital passage unfolds from the European side to the Asian side, told only through the footage recorded on the cameras of those who once lived it.",0.1453,"\u002F2sFklhRZmsbUGwja01zMZDr10V9.jpg","2025-08-26",{"adult":5,"backdrop_path":177,"genre_ids":178,"id":179,"title":180,"original_language":16,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FzVpokkUSHXyJkvRcbWDtNOqQG4j.jpg",[10],1541711,"the post-feminist dissonance project","The Post(?) Feminist Dissonance Project uses a quote by Kathleen Hanna as a prompt, a voicemail box as an interviewing device, found footage as a tool, and text as a character. it is a study in the cacophony of the inner life tuned against the perception of reality. i made this piece to see if i was alone, and i discovered that for better or for worse, i am not. this is above all about the process, not the resolution.",0.1658,"\u002Fmp19rvXHOqsjawEEniUJXwlLVSt.jpg","2013-08-24",{"adult":5,"backdrop_path":6,"genre_ids":186,"id":187,"title":188,"original_language":16,"original_title":188,"overview":189,"popularity":190,"poster_path":6,"release_date":191,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1367904,"The Golf War","A Philippine government plan to transform ancestral farmland into a tourist resort sparks a dramatic conflict when villagers actively resist the development. As peasants and fisherfolk organize to stop the golf courses and yacht marinas, their seaside community called Hacienda Looc becomes a violent flashpoint in a larger, national battle over land and revolution.  THE GOLF WAR is a provocative portrait of one community's fight for survival against forces of economic 'development', contrasted with views of developers, bureaucrats, and golf boosters in the Philippines, including Tiger Woods.",0.1862,"2000-01-01",{"adult":5,"backdrop_path":193,"genre_ids":194,"id":195,"title":196,"original_language":197,"original_title":196,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F1EEueq2xjBuFutQ37CPIPeDruml.jpg",[10],998497,"Witness","xx","Experimental short film by Barbara Sykes",0.1404,"\u002F87zI23Wr4iwFyMAmSQ2SmFX6aVx.jpg","1982-01-01",{"adult":5,"backdrop_path":203,"genre_ids":204,"id":205,"title":206,"original_language":16,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":12,"softcore":5,"video":5,"vote_average":112,"vote_count":39},"\u002F50uJ7ka7g4b5YsXlHVoivmkLikS.jpg",[10],1368144,"Margaret Kilgallen: Heroines","\"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman.\"  Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival  recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).",0.2513,"\u002FagRsikCeX4j6uJtL8wBwPOFWZ40.jpg",{"adult":5,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":150,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":5,"video":5,"vote_average":219,"vote_count":39},"\u002FA39dTRGjFpsitYZa5uzQopEJb4m.jpg",[10],809130,"Madrepérola","In a tide oblivious to diversity, pearl oysters live under attack for not fitting into the standards and sizes. This is the story of how their pearls are born.",0.1409,"\u002FyKLlpbighHJZv09iiMzsMFah2NE.jpg","2015-08-08",10,{"adult":5,"backdrop_path":221,"genre_ids":222,"id":224,"title":225,"original_language":16,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":5,"video":5,"vote_average":219,"vote_count":39},"\u002FvaNkSQJes5wjad45Dyy1MlE7r8G.jpg",[223,10],10402,819702,"Hidden Eden","Exploring the concept of the Ecology of Emotions, this musical film portrays an inner journey through the secret garden of creativity put into frame by the nature of Iceland. Hidden Eden is a metaphor for our inner secret garden of creativity. This project bloomed during an art residency in Iceland, sparked by conversations around our shared philosophies on voice and emotional connection. The nature of Iceland inspired us to make the connection on how the landscape reflects the emotional states of creativity and how it helps manage the homeostasis of our inner emotional landscapes. This exchange between emotion and the landscape opens a space for healing. Creativity provides us with the tools to access a garden of our authentic being, nourishing and balancing us. Allowing ourselves to explore the spectrum of our emotions through the lens of our relationship with the Earth invites others to do the same. The creative process can affect our well being and is a key to human evolution.",0.379,"\u002FolPlJN91fbdJ6YRny1CAP36RioE.jpg","2021-03-19",{"adult":5,"backdrop_path":6,"genre_ids":231,"id":232,"title":233,"original_language":16,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":5,"video":5,"vote_average":238,"vote_count":85},[10],454940,"Jane: An Abortion Service","This fascinating political look at a little-known chapter in women's history tells the story of \"Jane\", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history.  JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.",0.4181,"\u002FwTU0sKp9J7BsTlwDit4iS48kJcI.jpg","1995-10-06",3.333,11446,228917,{"results":242},{},{"results":244},[],45,"A documentary story that tends to land well.",[]]