[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-992463-en-US":3},{"detail":4,"match":272,"insight":273,"providers":274,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":27,"release_date":30,"revenue":7,"runtime":31,"softcore":5,"spoken_languages":32,"status":35,"tagline":12,"title":36,"video":5,"vote_average":7,"vote_count":7,"credits":37,"similar":59,"watch\u002Fproviders":268,"videos":270},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",992463,"tt35359760",[16],"YU","mk","Русалиски обичаи во гевгелиско","A testimony to the performance of ritual dances. Although they were performed only during the so-called “unbaptized days”, the 12 days between Christmas and Epiphany in the Orthodox Christianity, these dances are associated by some researchers with the Roman rosaries, the cult of the dead. Ritual clothing and the use of wooden swords to disperse the demons are important props in the dances that are believed to protect the folks from temptations and demons until they are baptized.",0.1236,"\u002FiDzZVhXED97ZxUck0bKHKdVnUXa.jpg",[23],{"id":24,"logo_path":6,"name":25,"origin_country":26},28208,"Vardar Film","MK",[28],{"iso_3166_1":16,"name":29},"Yugoslavia","1957-01-01",21,[33],{"english_name":34,"iso_639_1":17,"name":12},"Macedonian","Released","The Rusalia Customs of Gevgelija",{"cast":38,"crew":39},[],[40,48,52],{"adult":5,"gender":7,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":6,"credit_id":45,"department":46,"job":47},1866078,"Writing","Blagoja Drnkov",0.0511,"62b859d07ef38104370bfbd4","Directing","Director",{"adult":5,"gender":7,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":6,"credit_id":49,"department":50,"job":51},"62b859c17352050ceb149c4c","Camera","Director of Photography",{"adult":5,"gender":7,"id":53,"known_for_department":54,"name":55,"original_name":55,"popularity":56,"profile_path":6,"credit_id":57,"department":42,"job":58},3602814,"Crew","Vera Kličkova",0.0768,"62b859dda61de103b61ecf1c","Writer",{"page":60,"results":61,"total_pages":266,"total_results":267},1,[62,74,86,99,107,118,126,135,144,158,168,179,192,199,207,218,229,240,249,258],{"adult":5,"backdrop_path":63,"genre_ids":64,"id":65,"title":66,"original_language":67,"original_title":66,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":5,"video":5,"vote_average":72,"vote_count":73},"\u002FakVINqtQ6cgSmVeIVtEEvlhAzzE.jpg",[10],263108,"Los posibles","es","Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.",0.1719,"\u002FcVlk1Ck65fcOK0TbDNPWJicF4UD.jpg","2013-04-01",7,4,{"adult":5,"backdrop_path":75,"genre_ids":76,"id":77,"title":78,"original_language":79,"original_title":78,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":5,"video":5,"vote_average":84,"vote_count":85},"\u002FyTQ1nGUbXtFefSqrcjvGZd8unGP.jpg",[10],2287,"Rize","en","A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.",0.6243,"\u002Fbx7UAcyumQZuNj3dZFK7Wh4dbRl.jpg","2005-01-15",6.7,48,{"adult":5,"backdrop_path":87,"genre_ids":88,"id":90,"title":91,"original_language":92,"original_title":91,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":5,"video":5,"vote_average":97,"vote_count":98},"\u002F2Yp6zTFf8zzZ5UDs5pRz6LYKH0y.jpg",[89,10],10402,258233,"Appalachian Spring","xx","A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.",0.1486,"\u002Fjya8qa4bLWPpKsWpRX8M1PpK7yi.jpg","1959-01-14",5.3,10,{"adult":5,"backdrop_path":6,"genre_ids":100,"id":101,"title":102,"original_language":103,"original_title":102,"overview":104,"popularity":105,"poster_path":6,"release_date":106,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[89,10],435133,"Café Müller","de","Pina Bausch created and performed Café Müller for her dance company Tanztheater Wuppertal. The dance was inspired by and based on her childhood memories of watching her father work at his café in Germany during and immediately following World War II. In this silent style featurette, Bausch shows a restaurant after closing, in which the ghosts of the departed customers stumble blindly into walls and onto chairs but fail to find one another.",0.2529,"1985-05-20",{"adult":5,"backdrop_path":108,"genre_ids":109,"id":110,"title":111,"original_language":79,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":5,"video":5,"vote_average":116,"vote_count":117},"\u002FyIMBmCDSRjnPTuCuvmqmamdcQxK.jpg",[10],266080,"National Gallery","A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.",0.5131,"\u002F7j8tD2Gt72aSPxekNcd8tS6Q2M5.jpg","2014-10-08",7.3,47,{"adult":5,"backdrop_path":6,"genre_ids":119,"id":120,"title":121,"original_language":79,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],268291,"The Long Road Through Balkan History","Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.",0.1694,"\u002FuBJ4q0xXzYKPYAsBsO9RqDrEzxS.jpg","2009-01-01",{"adult":5,"backdrop_path":6,"genre_ids":127,"id":128,"title":129,"original_language":67,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],800694,"Skin Pain","Piel Dolor","Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?",0.1631,"\u002F46lJ5TG7WJmg0kElVfp7RjonwNM.jpg","2013-09-12",{"adult":5,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":79,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F4D3PDEUJFwxgJysJ3Ez6ngHyFGE.jpg",[10],1341109,"On Freedom of Movement (wi de muv)","The film considers what it means to be free to move, not as in leave or flee, but to move. It explores the ability of the environments we live in – especially cities – to create the space people need to move. Shot in Freetown, Sierra Leone, it explores the power of the creative sectors in the city and their immense potential.",0.2513,"\u002F6YORwAcqjVA5EnlMBu7mNJHX5ei.jpg","2024-09-26",{"adult":5,"backdrop_path":145,"genre_ids":146,"id":148,"title":149,"original_language":150,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":5,"video":5,"vote_average":156,"vote_count":157},"\u002F8jB2BJAbXTVAUl3GvbyGCEXKXMe.jpg",[10,147],18,1114,"The Story of the Weeping Camel","mn","Die Geschichte vom weinenden Kamel","When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.",0.664,"\u002Fc3SAAO5hNJqLWLlJr9TZ6CQ8eGI.jpg","2004-08-12",7.112,112,{"adult":5,"backdrop_path":6,"genre_ids":159,"id":160,"title":161,"original_language":162,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],432820,"The Masseurs","ja","按摩","Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker \"performed\" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.",0.2401,"\u002F3E6xrTPfHYsYQdIT0WStQMSKZMI.jpg","1963-12-31",{"adult":5,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":79,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":5,"video":5,"vote_average":177,"vote_count":178},"\u002FtIj48gA5trtzHv5onQd5HpC5pmS.jpg",[89,10],10174,"Madonna: Truth or Dare","From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.",1.5038,"\u002FkJHCqwDgS9MEhdChIkGn7QAUoyL.jpg","1991-05-10",6.2,167,{"adult":5,"backdrop_path":180,"genre_ids":181,"id":182,"title":183,"original_language":184,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":5,"video":5,"vote_average":190,"vote_count":191},"\u002FkMdec6BCnWGEoOMqgfruxIv3fDG.jpg",[10],616605,"The Euphoria of Being","hu","A létezés eufóriája","Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.",0.1353,"\u002FqXypwYMaLwvBbUfxAXBwK4xoUsz.jpg","2019-08-12",9,2,{"adult":5,"backdrop_path":6,"genre_ids":193,"id":194,"title":195,"original_language":79,"original_title":195,"overview":196,"popularity":197,"poster_path":6,"release_date":198,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1529370,"Bumpa","This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.",0.1795,"2025-08-22",{"adult":5,"backdrop_path":6,"genre_ids":200,"id":201,"title":202,"original_language":79,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":190,"vote_count":191},[10],621752,"Lord of the Dance\u002FDestroyer of Illusion","The documentary focuses on the annual Mani Rimdu festival of Tibet and Nepal, an event which encapsulates the Himalayan Buddhist experience.",0.3412,"\u002FEZf62I5KCYmSfYmcxwJ4UPoTie.jpg","1985-01-01",{"adult":5,"backdrop_path":208,"genre_ids":209,"id":211,"title":212,"original_language":79,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":5,"video":5,"vote_average":217,"vote_count":147},"\u002Fz3DtJKwGNZmSbJ6RTC0HpKzipqR.jpg",[147,210,10],10749,442943,"Bobbi Jene","A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.",0.5233,"\u002F6MhC0M5ijVkEgtuvLEanihLEs2j.jpg","2017-09-22",5.556,{"adult":5,"backdrop_path":219,"genre_ids":220,"id":221,"title":222,"original_language":79,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":5,"video":5,"vote_average":227,"vote_count":228},"\u002Fllqp4nTgZEF7NNn7VjrlY6dLSJn.jpg",[10],443781,"Sacred","Sacred explores cultural and religious ritual as it relates to life’s cycles: birth, adolescence, marriage, aging and other key passages of life.",0.1372,"\u002FA2BH78kFz7d0YAvkrhkCJzrYpPM.jpg","2016-11-01",6.5,3,{"adult":5,"backdrop_path":230,"genre_ids":231,"id":232,"title":233,"original_language":92,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":5,"video":5,"vote_average":238,"vote_count":239},"\u002Fpm9G1rfVvtBP32hNy4EwDEJpVtL.jpg",[10],16612,"Carmencita","The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.",0.3815,"\u002FsDbM3NnfnsEZYEJMt4O06Vb8Z9k.jpg","1894-03-14",5.2,78,{"adult":5,"backdrop_path":6,"genre_ids":241,"id":242,"title":243,"original_language":17,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],992459,"Easter Customs","Велигденски обичаи","Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.",0.205,"\u002FmnTSBxLR5d3Otrc1qlAZbHd3438.jpg","1954-01-01",{"adult":5,"backdrop_path":6,"genre_ids":250,"id":251,"title":252,"original_language":67,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":5,"video":5,"vote_average":257,"vote_count":191},[10],454555,"Antonio Gades, la ética de la danza","Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.",0.2405,"\u002Fid2pkbdt65TtEHQQsGhA62OCEE9.jpg","2007-03-18",6,{"adult":5,"backdrop_path":6,"genre_ids":259,"id":260,"title":261,"original_language":79,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],454797,"Busby Berkeley: A Journey with a Star","Profile of famed dance director Busby Berkeley's career, in particular \"The Gang's All Here\"",0.2987,"\u002Fyg660o1m9oTUs3F72XPU3yLkqvZ.jpg","2007-02-20",11421,228420,{"results":269},{},{"results":271},[],45,"A documentary story that tends to land well.",[]]