[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-997542-en-US":3},{"detail":4,"match":236,"insight":237,"providers":238,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":25,"revenue":8,"runtime":35,"similar":36,"tagline":116,"homepage":220,"overview":221,"softcore":6,"popularity":222,"vote_count":8,"poster_path":223,"release_date":224,"vote_average":8,"backdrop_path":25,"origin_country":225,"original_title":7,"watch\u002Fproviders":227,"spoken_languages":229,"original_language":47,"production_companies":232,"production_countries":233,"belongs_to_collection":25},997542,false,"Reservoir (Seven Fragments)",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,30],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":21,"popularity":24,"profile_path":25,"original_name":22,"known_for_department":26},3616690,"Sound","John Winn","62c873034b9bae004d1cda88",0.1343,null,"Directing",{"id":20,"job":28,"name":22,"adult":6,"gender":8,"credit_id":29,"department":26,"popularity":24,"profile_path":25,"original_name":22,"known_for_department":26},"Director","62c872f4e8d0280052f01deb",{"id":31,"job":21,"name":32,"adult":6,"gender":8,"credit_id":33,"department":21,"popularity":34,"profile_path":25,"original_name":32,"known_for_department":21},3616692,"Aaron Dowdy","62c87313cddbbc0067d2b6b2",0.0954,10,{"page":37,"results":38,"total_pages":218,"total_results":219},1,[39,48,59,68,77,86,96,104,113,120,131,142,150,160,168,176,184,190,200,207],{"id":40,"adult":6,"title":41,"video":6,"overview":42,"softcore":6,"genre_ids":43,"popularity":44,"vote_count":8,"poster_path":45,"release_date":46,"vote_average":8,"backdrop_path":25,"original_title":41,"original_language":47},816281,"Destruction of the Berlin Wall","Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.",[11],0.3463,"\u002FdIVqx6jry3mckE7vwkJppgJliri.jpg","2014-11-09","en",{"id":49,"adult":6,"title":50,"video":6,"overview":51,"softcore":6,"genre_ids":52,"popularity":54,"vote_count":37,"poster_path":55,"release_date":56,"vote_average":57,"backdrop_path":58,"original_title":50,"original_language":47},1549653,"Pride & Snide","A contrast between two kinds of attitudes to gay liberation in Adelaide.",[11,53],36,0.3359,"\u002F32gDM5WRH9v69AKi0BPNnqC752S.jpg","1976-06-05",6,"\u002FvoECiDlLP28TXGXyMLub41rTNxK.jpg",{"id":60,"adult":6,"title":61,"video":6,"overview":62,"softcore":6,"genre_ids":63,"popularity":64,"vote_count":37,"poster_path":65,"release_date":66,"vote_average":35,"backdrop_path":67,"original_title":61,"original_language":47},1549477,"to the stranger who has loved you all your life","An experimental short film that traces the emotional landscape of life after heartbreak. Through intimate narration and cinematography, the film reflects on time, healing, and the rediscovery of self. A quiet yet cinematic portrait of learning to love the stranger within, and rediscovering the beauty of simply being alive.",[11],0.3977,"\u002FiEuMJVRW5o0ua4NwtZps57UqKkc.jpg","2024-07-12","\u002FA9UmXgOoviYx3RV9BqgNK6VgZTQ.jpg",{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":73,"vote_count":8,"poster_path":74,"release_date":75,"vote_average":8,"backdrop_path":25,"original_title":76,"original_language":47},996743,"The Ruins","A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of \"standing by the ruins\". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe",[11],0.1436,"\u002FrpXDJGLW3CHhq9HOHmkQORByvip.jpg","2021-09-09","Al-Atlal",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":82,"vote_count":8,"poster_path":83,"release_date":84,"vote_average":8,"backdrop_path":85,"original_title":79,"original_language":47},1552791,"7","A self-portrait in the form of a video essay that explores her identity, her relationship with the places she has lived, and her present.",[11],0.2859,"\u002FAhokdfTG3FHW6Yl06QmWYhqD4aM.jpg","2025-05-21","\u002FblmoA2ccbcZmrsqZmhKMsmk9AGI.jpg",{"id":87,"adult":6,"title":88,"video":6,"overview":89,"softcore":6,"genre_ids":90,"popularity":91,"vote_count":8,"poster_path":92,"release_date":93,"vote_average":8,"backdrop_path":94,"original_title":88,"original_language":95},1185470,"Here We Are","A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.",[11],0.5918,"\u002FdWD4KWdkDdAPvWf8D9gg0N1a2zY.jpg","2023-05-03","\u002Foqcj86OBt24DiOaupUrBxrJwIsO.jpg","th",{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":8,"poster_path":102,"release_date":103,"vote_average":8,"backdrop_path":25,"original_title":98,"original_language":47},1186803,"Dominion","Landscapes, things, men, women and children taken by an \"evil eye\" more than a century ago haunt the present in this jagged reverie. A persona voicelessly narrates, via captions, going through colonial photographs, digresses to eating fruit and entering a cave on a tropical vacation island.",[11,53],0.2793,"\u002FgD81wTBLbjHPDzMZq1C8NfcqTnn.jpg","2023-08-25",{"id":105,"adult":6,"title":106,"video":6,"overview":107,"softcore":6,"genre_ids":108,"popularity":109,"vote_count":8,"poster_path":110,"release_date":111,"vote_average":8,"backdrop_path":112,"original_title":106,"original_language":47},1554593,"Half a Summer on Waterpenny Farm","24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.",[11],0.2591,"\u002F9owI9QVqylxLhoRxgzYfS35cAZL.jpg","2025-06-12","\u002Fsd7UX208CAdNCseJYjxj8HUJdoy.jpg",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":8,"poster_path":25,"release_date":116,"vote_average":8,"backdrop_path":25,"original_title":115,"original_language":119},1187481,"Dali","",[11],0.5234,"fr",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":126,"vote_count":8,"poster_path":127,"release_date":128,"vote_average":8,"backdrop_path":25,"original_title":129,"original_language":130},619875,"The Dream of the Little Dancing Men","Film is about communication. Kobrin pays homage to Vasili Nalimov, to his work and life. Nalimov was a mathematician and philosopher, but was also an eccentric anarchist with mystic tendencies who spent eighteen years in a concentration camp.  Nalimov’s philosophy relies on probabilistic methods in the natural and social sciences and applies them to the study of language and consciousness.",[125,11],16,0.0919,"\u002FoALVQnZkUQ8zrIGPvyEbt31V8HX.jpg","1997-08-08","Сон пляшущих человечков","ru",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":137,"release_date":138,"vote_average":8,"backdrop_path":139,"original_title":140,"original_language":141},1375671,"City with Dreams of the Sea","Short film of a general landscape about the saturation of the city. 35mm.",[11],0.402,"\u002F1knTdbZT8o4jJ7xhMkJot4N2EJq.jpg","2024-10-24","\u002F3kmuRL1I6uEE9rurSR09BA340sL.jpg","Ciudad con Sueños de Mar","xx",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":8,"poster_path":148,"release_date":149,"vote_average":8,"backdrop_path":25,"original_title":144,"original_language":119},813198,"Lucina Annulata","Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.",[11],0.1619,"\u002Ftqa7XIHoYT2KSiAybHaFpDGwpoR.jpg","2021-10-22",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":156,"vote_count":8,"poster_path":157,"release_date":158,"vote_average":8,"backdrop_path":159,"original_title":152,"original_language":47},1549741,"Hear O, Mahatma","In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?",[155,11],18,0.4905,"\u002Fk4E38MGIBfrZ9oXrCUjkGK2N07C.jpg","2024-11-20","\u002FyGLv059DiH3tDMz3uZB1MquNFHI.jpg",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":8,"poster_path":166,"release_date":167,"vote_average":8,"backdrop_path":25,"original_title":162,"original_language":47},997554,"Parergon","“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).",[11],0.7542,"\u002Fmbe5Bml50ZmyMjO3Z2CGP4ouORO.jpg","2022-03-31",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":8,"poster_path":174,"release_date":175,"vote_average":8,"backdrop_path":25,"original_title":170,"original_language":47},1182923,"Road to the Keltic","A travelogue along the scenic highways of Cape Breton Island—particularily along the Cabot Trail near Keltic Lodge.",[11],0.3276,"\u002Fy6pSULXs0PNgkTAQuHhTq7AWSg.jpg","1956-03-08",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":8,"poster_path":182,"release_date":183,"vote_average":8,"backdrop_path":25,"original_title":178,"original_language":47},1187557,"ZION USA","An intimate portrait of Salt Lake City and its surroundings. Shot on 16mm film.",[11],0.3219,"\u002F6RWEDlVQH6t15SJ4Jq9ORxuMHh6.jpg","2023-11-12",{"id":185,"adult":6,"title":186,"video":6,"overview":116,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":8,"poster_path":189,"release_date":116,"vote_average":8,"backdrop_path":25,"original_title":186,"original_language":119},1378316,"Café au Lait",[11],0.2283,"\u002FgZl2d73Pkvg6sOUpAvs0rUGRBJw.jpg",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":198,"original_title":199,"original_language":141},1002264,"99 days","Two instants separated by 99 days conflict with each other.",[11],1.0457,"\u002Fl5jSaQwrhnpDo7rngrHhwVvaxrc.jpg","2022-09-18","\u002FdrjVZfvr7vSBwHLtlGnwXSnbtnv.jpg","99 dies",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":25,"release_date":206,"vote_average":8,"backdrop_path":25,"original_title":202,"original_language":47},812562,"While You Were Sleeping – The Documentary","\"When I first started to photograph in dark and unfamiliar places all over Singapore in 2003, I had no idea that those images I made would come to define me as a photographer. Born out of a curiosity of the unknown, as well as a young photographer’s restlessness, While You Were Sleeping grew to say as much about our country as it did of me. Eighteen years, two books and two exhibitions later, Singapore is now a very different place. Many of the locations I visited in the early 2000s, once alien, are now completely transformed.\" – Darren Soh, photographer",[11],0.2968,"2021-03-31",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":213,"vote_count":8,"poster_path":214,"release_date":215,"vote_average":8,"backdrop_path":216,"original_title":217,"original_language":119},1381079,"Cinemaker","Two children are directed by a cinemaker.",[212,11],35,0.4604,"\u002F82QI2A4G9VKHuA0UHTTuKZixFfH.jpg","2024-11-01","\u002F4rhues5fgwYuyLxEOY0wqlpQDpn.jpg","Cinémateur",11758,235142,"https:\u002F\u002Fjohn-winn.com\u002F89-2\u002F","Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.",0.2674,"\u002FfALQgdnuLr930qUWihdSecMjVYa.jpg","2022-07-09",[226],"US",{"results":228},{},[230],{"name":231,"iso_639_1":47,"english_name":231},"English",[],[234],{"name":235,"iso_3166_1":226},"United States of America",45,"A documentary story that tends to land well.",[]]