[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1116036-fr-FR":3},{"detail":4,"match":255,"insight":256,"providers":257,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":49,"similar":50,"tagline":55,"homepage":55,"overview":55,"softcore":6,"popularity":231,"vote_count":8,"poster_path":232,"release_date":233,"vote_average":8,"backdrop_path":26,"origin_country":234,"original_title":7,"watch\u002Fproviders":236,"spoken_languages":238,"original_language":190,"production_companies":242,"production_countries":249,"belongs_to_collection":26},1116036,false,"Et pourtant elles étaient là",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,34,39,43],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},4021368,"Director","Marta Álvarez","6441f793fcec2e02fcd945c7","Directing",0.0071,null,{"id":28,"job":21,"name":29,"adult":6,"gender":30,"credit_id":31,"department":24,"popularity":32,"profile_path":33,"original_name":29,"known_for_department":24},1459422,"Carolina Astudillo Muñoz",1,"6441f727d35dea0505faab1d",0.0168,"\u002Fhhecrqq5qDcmPI7sYNfzD6m7yuv.jpg",{"id":35,"job":21,"name":36,"adult":6,"gender":8,"credit_id":37,"department":24,"popularity":38,"profile_path":26,"original_name":36,"known_for_department":24},4021364,"José Nicolás","6441f766fcec2e04e9d93a42",0.0143,{"id":40,"job":21,"name":41,"adult":6,"gender":8,"credit_id":42,"department":24,"popularity":38,"profile_path":26,"original_name":41,"known_for_department":24},4021366,"Lucien Petitjean","6441f77bb3f6f502fc9db25d",{"id":44,"job":45,"name":46,"adult":6,"gender":8,"credit_id":47,"department":48,"popularity":8,"profile_path":26,"original_name":46,"known_for_department":48},4021369,"Cinematography","Caroline Perret","6441f7ad651fcf05069c4de5","Crew",30,{"page":30,"results":51,"total_pages":229,"total_results":230},[52,63,71,79,93,101,108,116,123,134,142,152,160,169,179,191,197,203,212,221],{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":58,"poster_path":59,"release_date":60,"vote_average":61,"backdrop_path":26,"original_title":54,"original_language":62},474464,"The Judge","",[11],0.3192,9,"\u002FbRTFXm1B63wxPKdW7iaiCGtsD1B.jpg","2017-09-10",6.1,"en",{"id":64,"adult":6,"title":65,"video":6,"overview":55,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":30,"poster_path":68,"release_date":69,"vote_average":70,"backdrop_path":26,"original_title":65,"original_language":62},804216,"$avvy",[11],0.7856,"\u002FyZ6zhtSdXR0Kfc1xaBrlmPeHpd9.jpg","2021-04-01",8,{"id":72,"adult":6,"title":73,"video":6,"overview":55,"softcore":6,"genre_ids":74,"popularity":76,"vote_count":30,"poster_path":26,"release_date":55,"vote_average":77,"backdrop_path":26,"original_title":73,"original_language":78},1363274,"Inn Pannon Mein",[11,75],10751,0.3007,10,"bn",{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":86,"vote_count":87,"poster_path":88,"release_date":89,"vote_average":90,"backdrop_path":91,"original_title":92,"original_language":62},817127,"Brainwashed - Le sexisme au cinéma","Analysant avec rigueur plus de 175 extraits de films, la réalisatrice Nina Menkes montre qu'un sexisme systémique guide la représentation des femmes au cinéma. Le septième art, \"langage commun de la culture du viol\" ?",[11,84,85],18,80,0.564,32,"\u002FxV5xfz27w3OuYiwsP6hqAE5bXiX.jpg","2022-10-21",6.063,"\u002F1lYzSHOvk8ZgxEj8fjOHZ3Pajb.jpg","Brainwashed: Sex-Camera-Power",{"id":94,"adult":6,"title":95,"video":6,"overview":55,"softcore":6,"genre_ids":96,"popularity":97,"vote_count":8,"poster_path":98,"release_date":99,"vote_average":8,"backdrop_path":100,"original_title":95,"original_language":62},461456,"A Film for Discussion",[11,84],0.1743,"\u002FcjqCdt9aj9JwKmdShc3v4DMgs0m.jpg","1973-01-06","\u002FpgF1y4NjEh0Yo7aNS3G2gTTMiS9.jpg",{"id":102,"adult":6,"title":103,"video":6,"overview":55,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":8,"poster_path":106,"release_date":107,"vote_average":8,"backdrop_path":26,"original_title":103,"original_language":62},1211751,"Women in Industry",[11],0.1568,"\u002Fd9s4tXe3hxIYJMMzcsWk0JIUgjj.jpg","1948-03-08",{"id":109,"adult":6,"title":110,"video":6,"overview":55,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":8,"poster_path":113,"release_date":114,"vote_average":8,"backdrop_path":115,"original_title":110,"original_language":62},1577494,"The cats, the sea, and everything in between.",[11],0.6189,"\u002F4T73Me7MWyGvd7GnDaCvKebX8ft.jpg","2025-10-26","\u002FbLY0wBdAmhUIqj1HVm1RjOLapcC.jpg",{"id":117,"adult":6,"title":118,"video":6,"overview":55,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":121,"release_date":122,"vote_average":8,"backdrop_path":26,"original_title":118,"original_language":62},1050380,"How to Be a Candid Woman",[11],0.1991,"\u002FsOu4uMUNg4WJWHXNg7gxSGiTr7.jpg","2022-11-16",{"id":124,"adult":6,"title":125,"video":6,"overview":126,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":30,"poster_path":129,"release_date":130,"vote_average":70,"backdrop_path":131,"original_title":132,"original_language":133},1461865,"Hollywood : sexe et puritanisme","Ces dernières années, les productions hollywoodiennes ont tourné le dos à la sensualité. La scène de sexe est-elle en voie d’extinction, ou de réinvention ? En compagnie de professionnels du cinéma et de chercheurs, décryptage d’une tendance qui en dit long sur l’évolution du secteur et de nos sociétés.",[11],0.4166,"\u002F6GUBObWruj5B7QExwLJ1bv52E5a.jpg","2025-04-08","\u002FgOrvCdAjyrmtOIkutNuQJ3IfjpR.jpg","Prüdes Hollywood - Laster, Lust und Leidenschaft im Film","de",{"id":135,"adult":6,"title":136,"video":6,"overview":55,"softcore":6,"genre_ids":137,"popularity":139,"vote_count":8,"poster_path":140,"release_date":141,"vote_average":8,"backdrop_path":26,"original_title":136,"original_language":62},1443582,"Welcome to my Darkside: Women in Horror",[11,138],27,0.1839,"\u002FmyowHZMnTewK6Vrk1S03alxjdod.jpg","2010-09-25",{"id":143,"adult":6,"title":144,"video":6,"overview":55,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":147,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":26,"original_title":144,"original_language":151},348188,"Déjalo ser (1970-1974)",[11],0.2622,2,"\u002FkWITlGFUDRcm0ZX8O5ow4JIGA34.jpg","1993-07-09",7.5,"es",{"id":153,"adult":6,"title":154,"video":6,"overview":55,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":8,"poster_path":157,"release_date":158,"vote_average":8,"backdrop_path":26,"original_title":154,"original_language":159},1253093,"Exergo",[11,84],0.2381,"\u002F9kPbuK3NomLS4daVwqzhR7oJBrh.jpg","2024-05-04","eu",{"id":161,"adult":6,"title":162,"video":6,"overview":55,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":165,"poster_path":166,"release_date":167,"vote_average":168,"backdrop_path":26,"original_title":162,"original_language":62},312421,"I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman",[11],0.5251,4,"\u002FqdUZN5B3pQ0v9xwbaASMMhIboHt.jpg","1988-04-01",6,{"id":170,"adult":6,"title":171,"video":6,"overview":55,"softcore":6,"genre_ids":172,"popularity":175,"vote_count":176,"poster_path":177,"release_date":178,"vote_average":77,"backdrop_path":26,"original_title":171,"original_language":62},551448,"The Good, The Bad, and the Beautiful",[11,173,174],36,10770,0.5891,3,"\u002Fnl5PGgetUTdADk1gO12BPXb7wtB.jpg","1996-03-17",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":185,"poster_path":186,"release_date":187,"vote_average":188,"backdrop_path":189,"original_title":181,"original_language":190},554967,"Varda par Agnès","Agnès Varda prend place sur une scène de théâtre. Cette photographe professionnelle, artiste d'installation et pionnière de la Nouvelle Vague est une institution du cinéma français mais un féroce opposant à tout type de pensée institutionnelle. Dans ce film, elle offre un aperçu de son œuvre en utilisant des extraits de son travail pour illustrer - de manière plus associative que chronologique - ses visions et ses idées artistiques. Son discours vif, riche en anecdotes et intelligent est divisé en deux parties.",[11],0.3508,76,"\u002Fg0bWPMGp3DfbQ4QH0JEulmnueAH.jpg","2019-04-05",7.9,"\u002FvNYnOjQJykFModnm0e7jpnVTryG.jpg","fr",{"id":192,"adult":6,"title":193,"video":6,"overview":55,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":26,"release_date":196,"vote_average":8,"backdrop_path":26,"original_title":193,"original_language":62},1485142,"Jodie Promo",[11],0.1841,"1995-01-01",{"id":198,"adult":6,"title":199,"video":6,"overview":55,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":30,"poster_path":26,"release_date":202,"vote_average":77,"backdrop_path":26,"original_title":199,"original_language":62},959928,"Battle Front in Britain",[11],0.1382,"1918-06-01",{"id":204,"adult":6,"title":205,"video":6,"overview":55,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":30,"poster_path":208,"release_date":209,"vote_average":210,"backdrop_path":211,"original_title":205,"original_language":62},984099,"Island Home Country",[11,173],0.1233,"\u002F6HKfTJw0AecNUFIOS5F97FtauK5.jpg","2008-08-02",5,"\u002Fo58jALpIQssPvCuasfmP7DmhKgH.jpg",{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":147,"poster_path":218,"release_date":219,"vote_average":58,"backdrop_path":220,"original_title":214,"original_language":190},1059321,"Un homme de Parole","Documentaire sur Michel Chartrand et cinquante ans de vie politique et d'action syndicale au Québec à travers lui. Ayant consacré sa vie à défendre les droits des travailleurs, ce passionné de justice sociale s'y révèle homme de cœur, complexe et généreux, amateur de poésie et de fine cuisine.",[11],0.1226,"\u002FxGfRDHynySc7O8vA4FmoG9d2bx.jpg","1991-01-01","\u002FfS6A35MxdceH9vlWtWEWULtNyTH.jpg",{"id":222,"adult":6,"title":223,"video":6,"overview":55,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":228,"original_title":223,"original_language":62},1306232,"SPEAKABLE",[11],0.1189,"\u002FtVwJcH4d7iAVND59uYjHXOFAlhQ.jpg","2024-07-12","\u002FyqN5LKm5wcrpwiOEoVcgqy5AIrf.jpg",11460,229184,0.1169,"\u002FodrvxN1Las3ASxkwzSHKlhlRod5.jpg","2021-12-31",[235],"ES",{"results":237},{},[239],{"name":240,"iso_639_1":190,"english_name":241},"Français","French",[243,246],{"id":244,"name":245,"logo_path":26,"origin_country":55},198315,"Arakun Productions",{"id":247,"name":248,"logo_path":26,"origin_country":55},198316,"Mujeres Y Cine",[250,253],{"name":251,"iso_3166_1":252},"France","FR",{"name":254,"iso_3166_1":235},"Spain",45,"Un récit documentaire qui fait souvent mouche.",[]]