[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1134360-fr-FR":3},{"detail":4,"match":215,"insight":216,"providers":217,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":23,"runtime":29,"similar":30,"tagline":36,"homepage":36,"overview":36,"softcore":6,"popularity":206,"vote_count":23,"poster_path":207,"release_date":36,"vote_average":23,"backdrop_path":27,"origin_country":208,"original_title":7,"watch\u002Fproviders":210,"spoken_languages":212,"original_language":53,"production_companies":213,"production_countries":214,"belongs_to_collection":27},1134360,false,"A Mensch is a Mensch",5000,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},1857471,"Director","Tamara Moos",0,"6477552a00508a00f98ab6bf","Directing",0.268,null,"Crew",11,{"page":31,"results":32,"total_pages":204,"total_results":205},1,[33,44,54,65,73,81,89,97,105,112,124,132,141,152,158,164,171,179,186,198],{"id":34,"adult":6,"title":35,"video":6,"overview":36,"softcore":6,"genre_ids":37,"popularity":38,"vote_count":39,"poster_path":40,"release_date":41,"vote_average":42,"backdrop_path":27,"original_title":35,"original_language":43},449671,"Cinéma, de notre temps: Shohei Imamura - Le libre penseur","",[11],0.7538,2,"\u002Fsj1qImSd5HgCwP3wUpcZGk2QaCV.jpg","1995-04-12",8.5,"fr",{"id":45,"adult":6,"title":46,"video":6,"overview":36,"softcore":6,"genre_ids":47,"popularity":48,"vote_count":31,"poster_path":49,"release_date":50,"vote_average":51,"backdrop_path":52,"original_title":46,"original_language":53},449768,"The Executive Empress",[11],0.9715,"\u002Fx0fSmbxpwHZpxxAvBZ0Mydh3ejs.jpg","2019-03-31",7,"\u002FwARNBv9d6sTu0yn0D4bOmWvNNRh.jpg","en",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":59,"vote_count":60,"poster_path":61,"release_date":62,"vote_average":63,"backdrop_path":64,"original_title":56,"original_language":43},1408238,"Pretty Woman, un conte de fées hollywoodien","Des cuissardes interminables, un éclat de rire irrésistible, un escargot qui vole dans un restaurant chic, une séance de shopping inoubliable au son d’une chanson-culte… Mais aussi l’amour au bout du chemin et la naissance d’une star. Sorti en 1990, Pretty Woman, réalisé par Gary Marshall avec Julia Roberts et Richard Gere, a immédiatement battu tous les records, devenant la comédie romantique la plus rentable de l’histoire du cinéma. A l’origine fable désabusée sur la prostitution à Los Angeles, son scénario a subi un sérieux relooking par le studio Disney. Et c’est ainsi que cette histoire d’amour improbable entre un homme d’affaires et une prostituée, sorte de version revisitée de My Fair Lady où une fille des rues se mue en lady, a fait rêver des millions de spectateurs et révélé au monde entier une jeune actrice de 22 ans : Julia Roberts. Bienvenue dans un monde étrange où les prostituées sont des héroïnes de contes de fées. Bienvenue… à Hollywood !",[11],0.9668,8,"\u002Fl2LsZo2P22DweZ5yVzpFFoj2d2a.jpg","2024-12-27",7.2,"\u002FvrWgE6zE97wGluzRlW4swqMPu1m.jpg",{"id":66,"adult":6,"title":67,"video":6,"overview":36,"softcore":6,"genre_ids":68,"popularity":69,"vote_count":23,"poster_path":70,"release_date":71,"vote_average":23,"backdrop_path":72,"original_title":67,"original_language":53},1408160,"Echoes of a Lost Gaza",[11],0.4759,"\u002FujafkvG6IfPFkB1Yl1DhqWlN6Vy.jpg","2024-10-27","\u002F9C78DkGMXrP5a3GFttsL7V2fGHu.jpg",{"id":74,"adult":6,"title":75,"video":6,"overview":36,"softcore":6,"genre_ids":76,"popularity":77,"vote_count":23,"poster_path":78,"release_date":79,"vote_average":23,"backdrop_path":27,"original_title":75,"original_language":80},826026,"The Factory",[11],0.9421,"\u002Fjz2t5uxWZyAzxvGap0TUY3sI4LW.jpg","2015-06-01","hi",{"id":82,"adult":6,"title":83,"video":6,"overview":36,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":31,"poster_path":86,"release_date":87,"vote_average":88,"backdrop_path":27,"original_title":83,"original_language":43},450918,"Cinéastes de notre temps : Norman McLaren",[11],1.2426,"\u002FcUtTJH3RmJQhkE2BHkJ1yQxCvuR.jpg","1972-07-26",6,{"id":90,"adult":6,"title":91,"video":6,"overview":36,"softcore":6,"genre_ids":92,"popularity":93,"vote_count":23,"poster_path":94,"release_date":95,"vote_average":23,"backdrop_path":27,"original_title":91,"original_language":96},1024782,"Ensaio sobre a cor e sua ausência",[11],0.7741,"\u002FwMzUzeGvIGYnikKGGCM2nxQYJFi.jpg","2022-10-08","pt",{"id":98,"adult":6,"title":99,"video":100,"overview":36,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":31,"poster_path":27,"release_date":103,"vote_average":60,"backdrop_path":27,"original_title":99,"original_language":104},451014,"Visconti: La verdad del melodrama",true,[11],1.1221,"2001-03-12","es",{"id":106,"adult":6,"title":107,"video":6,"overview":36,"softcore":6,"genre_ids":108,"popularity":109,"vote_count":23,"poster_path":110,"release_date":111,"vote_average":23,"backdrop_path":27,"original_title":107,"original_language":53},1593156,"Ojo de Mujer",[11],0.7525,"\u002FvTfx8SOpkm8GwLDMD3n23YHxsmr.jpg","2025-12-20",{"id":113,"adult":6,"title":114,"video":6,"overview":36,"softcore":6,"genre_ids":115,"popularity":120,"vote_count":39,"poster_path":121,"release_date":122,"vote_average":31,"backdrop_path":123,"original_title":114,"original_language":53},631449,"War Baby",[11,116,117,118,119],18,36,10749,35,1.0522,"\u002FfA9rUM0x4ZcBY6QDX0aZxaQVgYe.jpg","2019-06-22","\u002FqwyyQxPoiTMkq0P1pHTH5NhtbJ2.jpg",{"id":125,"adult":6,"title":126,"video":6,"overview":36,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":23,"poster_path":129,"release_date":130,"vote_average":23,"backdrop_path":131,"original_title":126,"original_language":53},823133,"Backyard Epics: A Retrospective of Curranator Productions",[11],0.5015,"\u002FhCBkAcV1iiOABRBUZKc0E7dmtjO.jpg","2018-09-22","\u002Fa2yPBu010elPSFYvudlz9xXT1v7.jpg",{"id":133,"adult":6,"title":134,"video":6,"overview":36,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":137,"poster_path":138,"release_date":139,"vote_average":140,"backdrop_path":27,"original_title":134,"original_language":53},265949,"It Conquered Hollywood! The Story of American International Pictures",[11],1.6882,4,"\u002Fs0yMeAG9GtnQFXiebh9PP9n43ti.jpg","2001-05-01",7.4,{"id":142,"adult":6,"title":143,"video":6,"overview":36,"softcore":6,"genre_ids":144,"popularity":146,"vote_count":147,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":151,"original_title":143,"original_language":53},262988,"The Men Who Made the Movies: Samuel Fuller",[11,145],10770,2.2475,5,"\u002F1LNn1c8jFnmKZoBquzAMJt4L91s.jpg","2002-07-02",6.2,"\u002FnLj2qCibT9Re3IiIyORQzNASzhX.jpg",{"id":153,"adult":6,"title":154,"video":6,"overview":36,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":23,"poster_path":157,"release_date":36,"vote_average":23,"backdrop_path":27,"original_title":154,"original_language":104},1026907,"Noche de agosto sin luz",[11],0.555,"\u002F7E3nJPsG4taRuIKrS6lbjJkhK4U.jpg",{"id":159,"adult":6,"title":160,"video":6,"overview":36,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":23,"poster_path":163,"release_date":36,"vote_average":23,"backdrop_path":27,"original_title":160,"original_language":104},1026659,"Chicas Malasaña en tierras gallegas",[11],0.4328,"\u002F5C7hXMGiKRNmCCMVP9jEv8Ib4eL.jpg",{"id":165,"adult":6,"title":166,"video":6,"overview":36,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":23,"poster_path":169,"release_date":170,"vote_average":23,"backdrop_path":27,"original_title":166,"original_language":53},829040,"Business Ethics: a Documentary",[116,11],0.4936,"\u002FtH2063n3ACVBGvARqAgVIeDmiNL.jpg","2019-11-05",{"id":172,"adult":6,"title":173,"video":6,"overview":36,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":23,"poster_path":176,"release_date":177,"vote_average":23,"backdrop_path":178,"original_title":173,"original_language":96},637634,"A Jangada de Welles",[11],1.402,"\u002F13VAAu6RFcSwXroK7aWc5ObHIo8.jpg","2022-06-23","\u002FjIMOD4Oh5iI1GqoL82wY8KpkQbt.jpg",{"id":180,"adult":6,"title":181,"video":100,"overview":36,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":23,"poster_path":184,"release_date":185,"vote_average":23,"backdrop_path":27,"original_title":181,"original_language":53},1216123,"My Friend Haden",[11],0.7171,"\u002FAdXQIBXlPTJ9vHX1SB36YglFhZ.jpg","2022-04-16",{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":191,"vote_count":147,"poster_path":192,"release_date":193,"vote_average":194,"backdrop_path":195,"original_title":196,"original_language":197},836481,"Cahiers noirs","Dans un taxi parisien, un homme apprend, par un voyant marocain, que sa sœur est sur le point de mourir. Pour tenter de déjouer la prédiction, le frère entreprend alors un voyage fictif entre le Maroc, Israël et Paris. A partir d’extraits de la trilogie écrite et réalisée par Ronit et Shlomi Elkabetz et d’archives familiales, Cahiers Noirs - Viviane et Cahiers Noirs - Ronit nous invitent dans l’intimité d’une famille judéo-arabe. Une histoire imaginaire où le frère et la sœur revisitent le passé et le présent pour défier un avenir implacable. Mais l’ombre de la prophétie plane toujours, dans la vie comme au cinéma.",[11],1.323,"\u002F45K3z03ymFDL6ZfUEEdPijcPci9.jpg","2021-07-07",6.5,"\u002FozmIivOFE5XhfU6cgIWvR3R3xYv.jpg","מחברות שחורות","he",{"id":199,"adult":6,"title":200,"video":100,"overview":36,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":23,"poster_path":27,"release_date":203,"vote_average":23,"backdrop_path":27,"original_title":200,"original_language":53},1034259,"Attica in Motion",[11],0.4,"2016-11-01",1001,20001,0.3845,"\u002FgxKV6BvmyG4FHktx4Nxsk6KIzR0.jpg",[209],"US",{"results":211},{},[],[],[],45,"Un récit documentaire qui fait souvent mouche.",[]]