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C’est un travail non seulement sur la vérité historique mais aussi sur la mémoire. Construit essentiellement à partir d’interviews menées auprès de ceux qui ont été mêlés aux événements, avec des séquences d’archives, des photos et des documents radiophoniques de l’époque, notre enquête prouve que près de 200 Algériens ont été tués (noyés, torturés) cette nuit-là et les jours suivants par la police française. Une journée portée disparue s’attache à poser deux questions-clé : comment de tels événements ont-ils pu se dérouler dans la capitale d’une démocratie occidentale il y a à peine trente ans ? Et pourquoi ont-ils, depuis, été passés sous silence ?",[1571,14,11],99,0.5915,"\u002Fqwlaiwt3b8HWD0cij8IlipfCtD6.jpg","1992-01-01","\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg","fr",{"id":1578,"adult":6,"title":1579,"video":6,"overview":1580,"softcore":6,"genre_ids":1581,"popularity":1582,"vote_count":44,"poster_path":1583,"release_date":1584,"vote_average":127,"backdrop_path":1585,"original_title":1579,"original_language":1576},1627235,"Mémoires du 17 octobre 1961","Trois manifestants du 17 octobre 1961 et un journaliste témoignent du succès pacifique de la manifestation et de sa répression d'une sauvagerie inouie dans les rues de Paris. Cinq mois avant la fin de la Guerre d'Algérie, le pouvoir gaulliste a réprimé de façon extrêmement violente (40 à 300 morts en une soirée selon les sources) une manifestation pacifique de toute la population civile algérienne de la région parisienne, contre le couvre-feu frappant cette seule population (tous avaient la nationalité française). Le pouvoir a longuement nié ce crime d'Etat, la version officielle : 3 morts ! En 1962, ces faits ont été amnistiés par un simple décret (devenu une loi par la suite) du même pouvoir gaulliste.",[1571,14,11],0.3876,"\u002FbOKjU8QWUCozFTnwOYs8UxLq2Jn.jpg","2002-01-01","\u002FlCJ0XcwwB2ZDb4TJz3gEyAJYhjo.jpg",{"id":1587,"adult":6,"title":1588,"video":6,"overview":1589,"softcore":6,"genre_ids":1590,"popularity":1591,"vote_count":44,"poster_path":1592,"release_date":1593,"vote_average":44,"backdrop_path":1594,"original_title":1588,"original_language":29},1239470,"The Heart Stays","",[11],0.6946,"\u002Fq1De3bZ0q8zYJ7uCTue9ZVN8qni.jpg","2024-03-26","\u002FxdS7p97PqQqonAKd8Qwuikdb14y.jpg",{"id":1596,"adult":6,"title":1597,"video":6,"overview":1589,"softcore":6,"genre_ids":1598,"popularity":1599,"vote_count":42,"poster_path":1600,"release_date":1601,"vote_average":42,"backdrop_path":229,"original_title":1597,"original_language":1602},845368,"Martin Fruwein osmadvacátý odsouzený",[1571,11,14],0.7811,"\u002FsgLHSb1jn9jN1RnLdzgfXWePaSr.jpg","2021-06-22","cs",{"id":1604,"adult":6,"title":1605,"video":6,"overview":1606,"softcore":6,"genre_ids":1607,"popularity":1608,"vote_count":44,"poster_path":1609,"release_date":1610,"vote_average":127,"backdrop_path":1611,"original_title":1605,"original_language":1612},1239229,"Yasmina","\"Yasmina\" filmé en 1961 en pleine guerre d'Algérie raconte l'histoire d’une petite algérienne avec sa poule et sa famille dont le père à été tué dans un bombardement de l'armée coloniale d'occupation française. La famille après un long périple se dirige vers les camps de réfugiés à la frontière tunisienne. Produits par le Service Cinéma du Gouvernement Provisoire de la République Algérienne (GPRA) en pleine guerre d'indépendance, ces films étaient destinés à réinformer la population et l'opinion publique internationale sur les exactions commises par l'armée française coloniale : tortures, arrestations et exécutions arbitraires, bombardements au napalm, incendies dans les douars, villages entiers rayés de la carte etc. que les médias français qualifiaient de campagne de \"pacification\". Ces derniers censurant ou réorientant toutes images pouvant nuire au récit colonial.",[11],0.3852,"\u002FfwwnU8dtDn1t8zMSI1sC3lTjocE.jpg","1961-01-01","\u002F28HH3PTD8SBtzxpHTWUnWO6DfIz.jpg","ar",{"id":1614,"adult":6,"title":1615,"video":6,"overview":1616,"softcore":6,"genre_ids":1617,"popularity":1619,"vote_count":1620,"poster_path":1621,"release_date":1622,"vote_average":1623,"backdrop_path":1624,"original_title":1615,"original_language":29},12701,"Revolution","1776, Tom Dobb, émigrant écossais, arrive à New York en pleine révolte contre le pouvoir de l'Anglais. Une nation est en train de naître. Tom ne se sent pas concerné par cette lutte enragée. Seul le sort de son fils enlevé par les Anglais l'inquiète.",[145,11,14,1618],10752,1.4973,134,"\u002Fm4LPxSJ8G8KVtySaleJhlTJqKBF.jpg","1985-12-25",5.4,"\u002FqkA2NPLmKLieMIggjC3LtRgEE6S.jpg",{"id":1626,"adult":6,"title":1627,"video":6,"overview":1589,"softcore":6,"genre_ids":1628,"popularity":1629,"vote_count":60,"poster_path":1630,"release_date":1631,"vote_average":1632,"backdrop_path":229,"original_title":1627,"original_language":1633},277578,"La conquista de Albania",[145,11,14],0.4042,"\u002F4hOltGpFzuBbij7UBj3eB40jtRv.jpg","1983-09-20",5.2,"es",{"id":1635,"adult":6,"title":1636,"video":6,"overview":1637,"softcore":6,"genre_ids":1638,"popularity":1640,"vote_count":1641,"poster_path":1642,"release_date":1643,"vote_average":1644,"backdrop_path":1645,"original_title":1646,"original_language":29},8316,"La Comtesse","À la mort de son mari, la comtesse Elizabeth Bathory se trouve à la tête d’un vaste domaine et d’une immense fortune. Aidée de sa confidente, la sorcière Anna Darvulia, Elizabeth étend progressivement son influence, suscitant chez chacun crainte, admiration et haine, pour devenir la femme la plus puissante de la Hongrie du 17ème siècle – dictant ses conditions jusqu’au roi lui-même. Elle rencontre alors un séduisant jeune homme dont elle tombe éperdument amoureuse mais celui-ci l’abandonne. Certaine d’avoir été délaissée car elle n’était plus assez jeune et belle. Sombrant progressivement dans la folie, Elizabeth, à la suite d’un accident, se persuade que le sang de jeunes vierges lui procure jeunesse et beauté...",[11,14,490,1639,146],9648,1.7182,192,"\u002Fd9LBB9hq6TJROjdbP1EwZZJc8NU.jpg","2009-03-13",5.892,"\u002Fw1kShva9ltxozY2UePgBjXjedvI.jpg","The Countess",{"id":1648,"adult":6,"title":1649,"video":6,"overview":1589,"softcore":6,"genre_ids":1650,"popularity":1651,"vote_count":84,"poster_path":1652,"release_date":1653,"vote_average":1654,"backdrop_path":229,"original_title":1649,"original_language":29},272936,"Everyone Says I Look Just Like Her",[338,11],0.4804,"\u002FG4K8Uw8nYZTnPAFyVR4ayhAU41.jpg","2010-07-19",4.5,{"id":1656,"adult":6,"title":1657,"video":6,"overview":1658,"softcore":6,"genre_ids":1659,"popularity":1660,"vote_count":406,"poster_path":1661,"release_date":1662,"vote_average":1663,"backdrop_path":1664,"original_title":1657,"original_language":1576},471858,"Maya","Décembre 2012, après quatre mois de captivité en Syrie, deux journalistes français sont libérés, dont Gabriel, trentenaire.  Après une journée passée entre interrogatoires et examens, Gabriel peut revoir ses proches : son père, son ex-petite amie, Naomi. Sa mère, elle, vit en Inde, où Gabriel a grandi. Mais elle a coupé les ponts.  Quelques semaines plus tard, voulant rompre avec sa vie d’avant, Gabriel décide de partir à Goa. Il s’installe dans la maison de son enfance et fait la connaissance de Maya, une jeune Indienne.",[11],0.5489,"\u002Fjx4sDfTW18lBpYaThqAkgQHANsp.jpg","2018-12-19",5.3,"\u002FcnDmD9TawKCb3fN4HcmFyXnDmBS.jpg",{"id":1666,"adult":6,"title":1667,"video":6,"overview":1589,"softcore":6,"genre_ids":1668,"popularity":1669,"vote_count":76,"poster_path":1670,"release_date":1671,"vote_average":1672,"backdrop_path":1673,"original_title":1667,"original_language":1633},282864,"Una pelea cubana contra los demonios",[11],0.3067,"\u002FwGs5SL26chMGD2XOHMqOwX7ia3Y.jpg","1972-01-02",5.6,"\u002FrTSaFrOVYrHgi1HcC60twFkZhM0.jpg",{"id":1675,"adult":6,"title":1676,"video":6,"overview":1677,"softcore":6,"genre_ids":1678,"popularity":1679,"vote_count":100,"poster_path":1680,"release_date":1681,"vote_average":1682,"backdrop_path":1683,"original_title":1676,"original_language":1576},283013,"L'Aube des Damnés","Film pamphlet. Réquisitoire anticolonialiste sur l’histoire de l’Afrique. Dans une capitale colonisée, des étudiants de disciplines diverses mettent en scène les propos des conteurs populaires et s’aperçoivent qu'ils sont plus réalistes que les programmes universitaires. Après l’Indépendance, un groupe de jeunes Algériens cherchent dans les livres, les musées, le passé des peuples colonisés de l’Afrique et de l’Asie. Le Centre National du Cinéma Algérien qui vient d’être créé en 1963 va permettre la mise en chantier de ce film. Œuvre ambitieuse, elle était l’hommage de l’Algérie libérée à tous ceux qui luttent contre le colonialisme et l’oppression. Dans la grande tradition des films de montage, ce film est soutenu par un commentaire écrit dans une langue admirable. 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