[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1191018-fr-FR":3},{"detail":4,"match":311,"insight":312,"providers":313,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":12,"popularity":18,"poster_path":6,"production_companies":19,"production_countries":24,"release_date":27,"revenue":7,"runtime":28,"softcore":5,"spoken_languages":29,"status":33,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":34,"similar":123,"watch\u002Fproviders":307,"videos":309},false,null,0,[9],{"id":10,"name":11},99,"Documentaire","",1191018,[15],"DE","de","Mama General",1.011,[20],{"id":21,"logo_path":22,"name":23,"origin_country":15},12640,"\u002F8ZrVPJZcLesWgHhZeNG98qzkq5u.png","Filmkraft",[25],{"iso_3166_1":15,"name":26},"Germany","1997-01-01",98,[30],{"english_name":31,"iso_639_1":16,"name":32},"German","Deutsch","Released",{"cast":35,"crew":36},[],[37,46,53,58,61,63,68,72,79,86,89,96,101,106,112,118],{"adult":5,"gender":38,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":6,"credit_id":43,"department":44,"job":45},2,1309138,"Directing","Peter Heller",0.3809,"652a6863f2883802a1db5b29","Writing","Writer",{"adult":5,"gender":38,"id":47,"known_for_department":48,"name":49,"original_name":49,"popularity":50,"profile_path":6,"credit_id":51,"department":48,"job":52},36106,"Camera","David Slama",0.4179,"652a6876ea84c700ca105c21","Director of Photography",{"adult":5,"gender":7,"id":54,"known_for_department":40,"name":55,"original_name":55,"popularity":56,"profile_path":6,"credit_id":57,"department":44,"job":45},4219392,"Sylvie Banuls",0.1308,"652a688a024ec800aecb1ecc",{"adult":5,"gender":7,"id":54,"known_for_department":40,"name":55,"original_name":55,"popularity":56,"profile_path":6,"credit_id":59,"department":40,"job":60},"652a688f1f3e6001399e27c8","Director",{"adult":5,"gender":38,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":6,"credit_id":62,"department":40,"job":60},"652a68681f3e6000ac4df524",{"adult":5,"gender":38,"id":64,"known_for_department":48,"name":65,"original_name":65,"popularity":66,"profile_path":6,"credit_id":67,"department":48,"job":52},1971591,"Otmar Schmid",0.1187,"652a687e1f3e6000ac4df53f",{"adult":5,"gender":7,"id":54,"known_for_department":40,"name":55,"original_name":55,"popularity":56,"profile_path":6,"credit_id":69,"department":70,"job":71},"652a6921f28838029f3203eb","Editing","Editor",{"adult":5,"gender":7,"id":73,"known_for_department":74,"name":75,"original_name":75,"popularity":76,"profile_path":6,"credit_id":77,"department":74,"job":78},4320044,"Production","Dorothea Senz",0.1935,"652a6a6f358da70100c0e1c7","Production Secretary",{"adult":5,"gender":7,"id":80,"known_for_department":81,"name":82,"original_name":82,"popularity":83,"profile_path":6,"credit_id":84,"department":81,"job":85},4320022,"Crew","Margit Schreiber-Brunner",0.3496,"652a6a581f3e6000ac4df609","Commissioning Editor",{"adult":5,"gender":38,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":6,"credit_id":87,"department":88,"job":88},"652a68d8024ec800c7739ae9","Sound",{"adult":5,"gender":38,"id":90,"known_for_department":88,"name":91,"original_name":91,"popularity":92,"profile_path":93,"credit_id":94,"department":88,"job":95},1551,"Philip Glass",0.6738,"\u002Fdsf8ajHq4BJeTHdrwcM9OW72x4R.jpg","652a6a39ea84c7012d6f92eb","Original Music Composer",{"adult":5,"gender":38,"id":97,"known_for_department":88,"name":98,"original_name":98,"popularity":99,"profile_path":6,"credit_id":100,"department":88,"job":88},4314790,"Boris Terpinç",0.3022,"652a68c50cb33516f7472474",{"adult":5,"gender":7,"id":102,"known_for_department":81,"name":103,"original_name":103,"popularity":104,"profile_path":6,"credit_id":105,"department":81,"job":85},4320021,"Rudolf Blank",0.1442,"652a6a46358da70100c0e1ad",{"adult":5,"gender":107,"id":108,"known_for_department":70,"name":109,"original_name":109,"popularity":110,"profile_path":6,"credit_id":111,"department":70,"job":71},1,4320018,"Pauline Pauli",0.5684,"652a69de0cb33516f63e48d0",{"adult":5,"gender":7,"id":113,"known_for_department":88,"name":114,"original_name":114,"popularity":115,"profile_path":6,"credit_id":116,"department":88,"job":117},4320043,"Alfred Lohmeyer",0.1648,"652a6a1cea84c7012d6f92da","Sound Editor",{"adult":5,"gender":7,"id":119,"known_for_department":70,"name":120,"original_name":120,"popularity":121,"profile_path":6,"credit_id":122,"department":70,"job":71},2174633,"Wolfgang Grimmeisen",0.1939,"652a69eb1f3e6001399e285d",{"page":107,"results":124,"total_pages":305,"total_results":306},[125,139,148,157,166,174,181,191,199,210,217,226,234,241,250,260,272,280,289,297],{"adult":5,"backdrop_path":126,"genre_ids":127,"id":129,"title":130,"original_language":131,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":5,"video":5,"vote_average":137,"vote_count":138},"\u002FcwLO0lQiZWFlPmtM2iH2NYV6tzG.jpg",[10,128],18,53925,"La Bocca del Lupo","it","La bocca del lupo","C’est le portrait d'Enzo que dessine Pietro Marcello, restitué par bribes, comme autant de morceaux d’une vie brisée, et celui de cette population marginale des quartiers Génois de Croce Bianca, Via Prè, Sottoripa, dédale de ruelles coupe-gorge.",1.149,"\u002Fn48GJloiuYkZofC4YEHa7OhnE8j.jpg","2009-11-15",6.147,51,{"adult":5,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":144,"original_title":143,"overview":12,"popularity":145,"poster_path":146,"release_date":147,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F7XcBo2v9CMF0FwM6H9zxbZK3MqU.jpg",[10],1237766,"Children in Crisis: The Story of CHIP","en",0.1715,"\u002Fk8EErJLhIkisd3Z66hPMa3fkApj.jpg","2024-01-08",{"adult":5,"backdrop_path":149,"genre_ids":150,"id":151,"title":152,"original_language":153,"original_title":152,"overview":12,"popularity":154,"poster_path":155,"release_date":156,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FypFRfcAkBoyR8GRY200HLQFmIRG.jpg",[10],1208287,"Hijos de África","es",0.5082,"\u002F24vweX9pvBPvrgNPKZWYGE85nm3.jpg","2023-10-12",{"adult":5,"backdrop_path":158,"genre_ids":159,"id":160,"title":161,"original_language":144,"original_title":161,"overview":12,"popularity":162,"poster_path":163,"release_date":164,"softcore":5,"video":5,"vote_average":165,"vote_count":38},"\u002FbbCSxTA4K6S3hrpFxAxx6zk2omU.jpg",[10],467445,"The Salt Mines",0.6263,"\u002FrvsUAjFcvWPFWo8QVccEmc70TJn.jpg","1990-10-01",7,{"adult":5,"backdrop_path":6,"genre_ids":167,"id":168,"title":169,"original_language":153,"original_title":169,"overview":12,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":173,"vote_count":165},[10],35693,"Deuda",0.9942,"\u002F5KHYijBUVlm221XmuKf8p352AUX.jpg","2004-10-07",6.286,{"adult":5,"backdrop_path":6,"genre_ids":175,"id":176,"title":177,"original_language":16,"original_title":177,"overview":12,"popularity":178,"poster_path":179,"release_date":180,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1575258,"\"...arm würd' ich nicht sagen...\"",0.3387,"\u002FmKiWha8c2z5nDpgvc68LVBSw460.jpg","1978-04-22",{"adult":5,"backdrop_path":182,"genre_ids":183,"id":184,"title":185,"original_language":186,"original_title":185,"overview":12,"popularity":187,"poster_path":188,"release_date":189,"softcore":5,"video":5,"vote_average":190,"vote_count":107},"\u002FosdcgJF6YY5D09Dqnr7y0sGtVgC.jpg",[10],297279,"Tem Gringo no Morro","pt",0.4024,"\u002FjTYiOMihBF4rVEGK97EGv13PTdC.jpg","2015-07-21",3,{"adult":5,"backdrop_path":192,"genre_ids":193,"id":194,"title":195,"original_language":144,"original_title":195,"overview":12,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F6tO4hbImwKmimxWSRwNfjZUSN5D.jpg",[10],489575,"The Bowl",0.1585,"\u002F4nLEVVM1HxEspHoQseZGEJM7oMn.jpg","2017-10-01",{"adult":5,"backdrop_path":6,"genre_ids":200,"id":201,"title":202,"original_language":144,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":5,"video":5,"vote_average":208,"vote_count":209},[10],50641,"La fin de la pauvreté?","The End of Poverty?","Avec tant de richesses dans le monde, pourquoi y a-t-il encore tant de pauvreté ?\r S'aventurant au-delà des réponses \"populaires\" sur les origines de la pauvreté, The End of Poverty ? se demande si les véritables causes ne viennent pas d'une orchestration des pays riches pour exploiter les plus pauvres, de l'époque coloniale à aujourd'hui.\r Les peuples qui luttent contre la pauvreté répondent, condammant le colonialismes et ses conséquences : appropriation des terres, exploitation des ressources naturelles, dette, néolibéralisme, demande permanente dans lequel 25% de la population mondiale utilise 85% des richesses.\r Des favelas d'Amérique Latine aux bidonvilles d'Afrique, des économistes de renom, des personnalités politiques et des acteurs sociaux révèlent comment les pays développés pillent la planète ; un saccage qui menace ses capacités à soutenir la vie et accroît toujours plus la pauvreté...",0.5928,"\u002FnD9qsHBqBsbsi8re1Hc8kaZemGP.jpg","2008-05-19",7.9,10,{"adult":5,"backdrop_path":6,"genre_ids":211,"id":213,"title":214,"original_language":153,"original_title":214,"overview":12,"popularity":215,"poster_path":6,"release_date":216,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,212],36,857874,"sin título",0.2365,"2021-07-31",{"adult":5,"backdrop_path":6,"genre_ids":218,"id":219,"title":220,"original_language":16,"original_title":220,"overview":12,"popularity":221,"poster_path":222,"release_date":223,"softcore":5,"video":5,"vote_average":224,"vote_count":225},[10],293908,"Zeitprobleme: Wie der Arbeiter wohnt",0.6181,"\u002FzqCh4N0TjBZaM9cjvzpYSPDt7nj.jpg","1930-12-31",5.9,5,{"adult":5,"backdrop_path":227,"genre_ids":228,"id":229,"title":230,"original_language":153,"original_title":230,"overview":12,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F7NbSKGTqc42mtsAEkivEk5Sshv9.jpg",[10],662423,"El Infierno",0.4011,"\u002FlZTph6lIIlfF9iu2O07GirIbsGs.jpg","2019-10-16",{"adult":5,"backdrop_path":6,"genre_ids":235,"id":236,"title":237,"original_language":144,"original_title":237,"overview":12,"popularity":238,"poster_path":6,"release_date":239,"softcore":5,"video":5,"vote_average":240,"vote_count":38},[10],48424,"Zimbabwe's Forgotten Children",0.219,"2010-01-01",5.2,{"adult":5,"backdrop_path":6,"genre_ids":242,"id":243,"title":244,"original_language":144,"original_title":244,"overview":12,"popularity":245,"poster_path":246,"release_date":247,"softcore":5,"video":5,"vote_average":248,"vote_count":249},[10],296105,"Naples Is a Battlefield",0.2162,"\u002FxRGOikJYIYPgbOZoFTeWbHyiVtZ.jpg","1944-09-01",6.375,4,{"adult":5,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":255,"original_title":254,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F5JC3SxFZ3YxBcOzqcBXML54xy0X.jpg",[10],1591614,"Sissi, nouveau pharaon d'Égypte","fr","L’Égypte, que sa population surnomme la mère du monde, est méconnaissable. Des chantiers gigantesques sont sortis du désert à une vitesse exponentielle, des routes, des ponts, des mégaprojets sur la côte méditerranéenne… Cette nouvelle Égypte est un trompe-l’œil : en 10 ans, la population a sombré dans une pauvreté inouïe. Le régime ne fait pas de quartiers pour les pauvres. Abdel Fattah el Sissi, le nouveau pharaon, et son armée ont mis en place un système financier pyramidal, bâti sur les subsides des grandes institutions internationales - dont l’Union Européenne - et les investissements étrangers. La nation la plus peuplée du monde arabe se retrouve au bord du gouffre.",1.4747,"\u002FtOYpGe5oC03Ai2zg8GSGG8jWsoq.jpg","2025-12-02",{"adult":5,"backdrop_path":261,"genre_ids":262,"id":263,"title":264,"original_language":186,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":5,"video":5,"vote_average":270,"vote_count":271},"\u002F41dlwQGNLTTTmEajckj3l2wdqxS.jpg",[10],45318,"L'Île aux fleurs","Ilha das Flores","Douze minutes, c'est le temps durant lequel nous suivons le parcours d'une tomate, depuis sa production dans la plantation de M. Suzuki, jusqu'à son point d'arrivée, décharge publique de l'île aux Fleurs.  Film pamphlet, systématique et grinçant, ce court métrage dénonce la sous-humanité qu'entraîne l'économie de marché et les 13 millions de Brésiliens sous-alimentés.",1.5219,"\u002F6qMQrAevDGTmrZEIgl7XLXkGzqC.jpg","1989-09-06",8.164,229,{"adult":5,"backdrop_path":6,"genre_ids":273,"id":274,"title":275,"original_language":144,"original_title":275,"overview":12,"popularity":276,"poster_path":277,"release_date":278,"softcore":5,"video":5,"vote_average":279,"vote_count":107},[10,128],1030933,"Bread",0.1865,"\u002FoPvstxDnNnKeosD0ASUbW2NLysZ.jpg","1934-01-01",9,{"adult":5,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":144,"original_title":284,"overview":12,"popularity":285,"poster_path":286,"release_date":287,"softcore":5,"video":5,"vote_average":288,"vote_count":165},"\u002FydiVj0pROEDDhoN3UVuLsCWBRFI.jpg",[10],25366,"Methadonia",0.6139,"\u002FuENzlfTihkRuNkBbvo9ajOZs7Di.jpg","2005-10-06",5.143,{"adult":5,"backdrop_path":290,"genre_ids":291,"id":292,"title":293,"original_language":144,"original_title":293,"overview":12,"popularity":294,"poster_path":295,"release_date":296,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F1EfRhcZvWeNm9j7rDEfD2hSpI9Z.jpg",[10],476415,"Who Owns New Zealand Now?",0.1876,"\u002FtGnB93dEH5v9YcCF5Vtegc9BgcI.jpg","2017-09-12",{"adult":5,"backdrop_path":6,"genre_ids":298,"id":299,"title":300,"original_language":144,"original_title":300,"overview":12,"popularity":301,"poster_path":302,"release_date":303,"softcore":5,"video":5,"vote_average":304,"vote_count":107},[10],441944,"The Fall of the I-Hotel",0.3465,"\u002F1Vx476UfkXwSfR4m7564hnroA3v.jpg","1983-06-15",8,11654,233078,{"results":308},{},{"results":310},[],45,"Un récit documentaire qui fait souvent mouche.",[]]