[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1248070-fr-FR":3},{"detail":4,"match":285,"insight":286,"providers":287,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":8,"similar":78,"tagline":83,"homepage":83,"overview":83,"softcore":6,"popularity":264,"vote_count":8,"poster_path":26,"release_date":265,"vote_average":8,"backdrop_path":26,"origin_country":266,"original_title":7,"watch\u002Fproviders":268,"spoken_languages":270,"original_language":273,"production_companies":275,"production_countries":282,"belongs_to_collection":26},1248070,false,"Pod hasprunskou slivkou",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"id":5,"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},2531972,"Vladimír Mináč",2,1,"archiv","65d5f4d3b04605017b09116b",0.8368,null,"Writing",[29,36,41,44,50,56,63,70],{"id":30,"job":31,"name":32,"adult":6,"gender":21,"credit_id":33,"department":34,"popularity":35,"profile_path":26,"original_name":32,"known_for_department":27},4066072,"Creator","Peter Holka","65d5f4fe33a37601867834b3","Crew",0.4758,{"id":37,"job":31,"name":38,"adult":6,"gender":21,"credit_id":39,"department":34,"popularity":40,"profile_path":26,"original_name":38,"known_for_department":27},4443503,"Peter Štrelinger","65d5f51bfdf8b7017cc703b6",0.365,{"id":37,"job":42,"name":38,"adult":6,"gender":21,"credit_id":43,"department":27,"popularity":40,"profile_path":26,"original_name":38,"known_for_department":27},"Writer","65d5f527609750016222dab1",{"id":45,"job":46,"name":47,"adult":6,"gender":8,"credit_id":48,"department":34,"popularity":49,"profile_path":26,"original_name":47,"known_for_department":34},4549470,"Dramaturgy","Gabriela Goliašová","65d5f55133a376014a7778da",0.3921,{"id":51,"job":52,"name":53,"adult":6,"gender":8,"credit_id":54,"department":52,"popularity":55,"profile_path":26,"original_name":53,"known_for_department":52},3408327,"Sound","Ján Kurilla","65d5f57c6097500185237f4e",0.2691,{"id":57,"job":58,"name":59,"adult":6,"gender":22,"credit_id":60,"department":61,"popularity":62,"profile_path":26,"original_name":59,"known_for_department":61},2082293,"Editor","Darina Smržová","65d5f58ac8a5ac0162e1534c","Editing",0.4592,{"id":64,"job":65,"name":66,"adult":6,"gender":21,"credit_id":67,"department":68,"popularity":69,"profile_path":26,"original_name":66,"known_for_department":68},2726101,"Director of Photography","Martin Roll","65d5f5c2ffd44d01872b2b11","Camera",0.5096,{"id":71,"job":72,"name":73,"adult":6,"gender":21,"credit_id":74,"department":75,"popularity":76,"profile_path":26,"original_name":73,"known_for_department":77},2629897,"Director","Matúš Oľha","65d5f5d2db154f017da0ed06","Directing",0.488,"Acting",{"page":22,"results":79,"total_pages":262,"total_results":263},[80,90,98,108,118,131,138,143,152,165,173,182,192,200,207,215,223,234,242,252],{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":22,"poster_path":86,"release_date":87,"vote_average":88,"backdrop_path":26,"original_title":82,"original_language":89},453268,"Arne Sucksdorff: Uma Vida Documentando a Vida","",[11],1.102,"\u002F3SVPpq5j8KagLycRju01DNehUda.jpg","2004-01-01",6,"pt",{"id":91,"adult":6,"title":92,"video":6,"overview":83,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":22,"poster_path":95,"release_date":96,"vote_average":88,"backdrop_path":26,"original_title":92,"original_language":97},453334,"Billy Wilder: The Human Comedy",[11],2.1583,"\u002F6RslLlmMRbnuU9aM8WLc4cFxmAb.jpg","1998-02-04","en",{"id":99,"adult":6,"title":100,"video":6,"overview":83,"softcore":6,"genre_ids":101,"popularity":103,"vote_count":88,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":100,"original_language":97},453390,"The Mentors: Kings of Sleaze Rockumentary",[11,102],10402,0.7418,"\u002Ftdu7NLci7M7LlDwzuc67X5vTnrs.jpg","2017-04-21",6.8,"\u002FwGKhhvPfHhTaybrTgSLaQR9O4yO.jpg",{"id":109,"adult":6,"title":110,"video":6,"overview":83,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":22,"poster_path":113,"release_date":114,"vote_average":115,"backdrop_path":116,"original_title":110,"original_language":117},1214821,"Barbara Stok - Hoe goed te leven",[11],0.6396,"\u002Fz49THzllrclREV7bgrBFX4wJ15o.jpg","2023-12-05",8,"\u002FzPY2bB3DE2ckZCrkhJhWoCSunBG.jpg","nl",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":125,"vote_count":126,"poster_path":127,"release_date":128,"vote_average":106,"backdrop_path":129,"original_title":120,"original_language":130},1214553,"L'affaire Jeanne d'Arc","1456. Vingt-cinq ans après la mort de Jeanne d’Arc sur le bûcher, un procès en réhabilitation est ouvert. En véritable détective, l’inquisiteur Jean Bréhal, à la tête de la justice de l’Église, va reconstituer le puzzle de la courte vie de Jeanne, en partant à la recherche des témoignages de ses amis d’enfance, de ses compagnons d’armes et de ses juges. Une enquête haletante, de Domrémy à Rouen, en passant par Orléans et Reims, entre intrigue religieuse et manipulation politique : L’Affaire Jeanne d’Arc, docu-fiction en animation 3D, dénoue les fils d’une épopée tragique et dessine, derrière le mythe, le portrait d’une jeune femme à l’incroyable destin.",[11,123,124],36,16,0.9257,4,"\u002F2Zel7Ao5Fs30D0TcBIrs6NxFL6f.jpg","2023-12-19","\u002FhCekXFbPaH4pjIxIfIv76G4Mbxt.jpg","fr",{"id":132,"adult":6,"title":133,"video":6,"overview":83,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":8,"poster_path":26,"release_date":136,"vote_average":8,"backdrop_path":26,"original_title":133,"original_language":137},453432,"Fendrich über Fendrich: Zum 60. Geburtstag",[11,102],0.9957,"2015-02-26","de",{"id":139,"adult":6,"title":140,"video":6,"overview":83,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":26,"release_date":83,"vote_average":8,"backdrop_path":26,"original_title":140,"original_language":137},1411277,"Konfrontation: Markus Feldenkirchen trifft Hendrik Wüst",[11],0.8446,{"id":144,"adult":6,"title":145,"video":6,"overview":83,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":148,"poster_path":149,"release_date":150,"vote_average":151,"backdrop_path":26,"original_title":145,"original_language":97},271360,"Merton: A Film Biography",[11],1.8082,5,"\u002FxzwGFvhqbKNhIPc39dadUgi3FyX.jpg","1984-01-01",7.8,{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":158,"vote_count":21,"poster_path":159,"release_date":160,"vote_average":161,"backdrop_path":162,"original_title":163,"original_language":164},637902,"Jiří Trnka – L’ami retrouvé","L'histoire d'un artiste extraordinaire qui a involontairement signé un pacte avec un diable. Jiří Trnka était l'un des plus grands artistes tchèques du XXe siècle et l'un des fondateurs de l'animation de marionnettes. Son travail a démontré au monde que la société communiste peut offrir de meilleures conditions pour des créations artistiques extraordinaires. L'affrontement idéologique entre l'Ouest et l'Est n'a pas laissé les enfants et leurs histoires en dehors de leur lutte dans des positions idéologiques et politiques.",[11,157],18,1.0045,"\u002Fkbo0aH7MJmVQOYHerZZy9vIPu61.jpg","2019-11-28",6.5,"\u002Ff1Cozg8l103JXHWBnkpOSZvI2B3.jpg","Jiří Trnka: Nalezený přítel","cs",{"id":166,"adult":6,"title":167,"video":6,"overview":83,"softcore":6,"genre_ids":168,"popularity":169,"vote_count":148,"poster_path":170,"release_date":171,"vote_average":172,"backdrop_path":26,"original_title":167,"original_language":130},454029,"E. M. Cioran. Sa vie. Son oeuvre",[11],2.3581,"\u002FSCBINiGnZiADFHLrIEPKYeJlY7.jpg","1999-04-14",6.2,{"id":174,"adult":6,"title":175,"video":6,"overview":83,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":22,"poster_path":178,"release_date":179,"vote_average":180,"backdrop_path":181,"original_title":175,"original_language":97},637909,"Louis Kahn's Tiger City",[11],0.7899,"\u002FatLWDpRhPiSlujjl7cNsEVOqqlw.jpg","2019-04-10",10,"\u002FmW6tN41nxX6IhWy9XCwy8w7faY2.jpg",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":21,"poster_path":188,"release_date":189,"vote_average":190,"backdrop_path":191,"original_title":184,"original_language":130},828826,"Sean Connery, de James Bond à Indiana Jones","Né à Edimbourg en 1930 dans un foyer modeste, Sean Connery commence à arpenter les planches et les studios de cinéma et de télévision dans les années 1950. On le voit notamment dans la production Disney, «Darby O'Gill et les Farfadets». Mais le succès éclate en 1962, quand il se glisse dans le costume du plus connu des agents secrets, James Bond. Et le comédien, dont le talent ne se limite pas au port du smoking, saura vite trouver une seconde carrière en tournant dans des films aussi divers et réussis que «Le Nom de la rose», «Les Incorruptibles», ou encore «Indiana Jones et la Dernière Croisade», où il incarne le père du célèbre archéologue. En images d'archives et interviews se dresse le portrait d'un acteur singulier.",[11],0.6619,"\u002FnztpCQdCtTDIiVJ7KMMFQpPEEWs.jpg","2019-01-09",5.5,"\u002F4mNEIpRylGtqJXdI3xzrUYh7Jf2.jpg",{"id":193,"adult":6,"title":194,"video":6,"overview":83,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":22,"poster_path":197,"release_date":198,"vote_average":88,"backdrop_path":26,"original_title":194,"original_language":199},453670,"De reparto: retrato de un actor",[11],0.9298,"\u002FoFruk4IABnHjUM1hXn3E1uekFyz.jpg","2009-07-16","es",{"id":201,"adult":6,"title":202,"video":6,"overview":83,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":22,"poster_path":205,"release_date":206,"vote_average":88,"backdrop_path":26,"original_title":202,"original_language":199},453672,"Orson Welles y Goya",[11],0.946,"\u002FqfyMOaETn3wUfis9DjeSYbVyyxM.jpg","2008-05-14",{"id":208,"adult":6,"title":209,"video":6,"overview":83,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":214,"original_title":209,"original_language":89},637571,"Siron. Tempo sobre tela",[11],0.7411,"\u002FgcmaohXDj9PRdgBWCCoUSFyyLFE.jpg","2019-10-17","\u002F3Y9utPfPjaOimUM9skYnSJ7rkMD.jpg",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":21,"poster_path":221,"release_date":222,"vote_average":115,"backdrop_path":26,"original_title":217,"original_language":199},829056,"Del otro lado","Quelques jours après le début des pourparlers de paix avec la guérilla des FARC, la mère d'Iván décède. Avant sa mort, elle a exprimé sa volonté de ne plus voir personne subir le drame qu'elle a vécu. En effet, elle avait été détenue en otage dans la jungle colombienne pendant 600 jours. Durant sa captivité, elle a été autorisée à écrire un journal, dans lequel elle a décrit les deux pires années de sa vie.",[11],1.2725,"\u002F3M6PMUncpsXMBEXKb3cSmwk0coV.jpg","2021-11-18",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":229,"poster_path":230,"release_date":231,"vote_average":232,"backdrop_path":233,"original_title":225,"original_language":130},1215289,"Martin Scorsese, l'Italo-Américain","Martin Scorsese a fait entrer les Italo-Américains à Hollywood. Mais il a aussi rejeté le destin de cinéaste social et de porte-parole d’une communauté qu’on a voulu lui faire embrasser : trop facile. Refusant d’être un auteur identitaire, il a préféré interroger plus largement son identité double, voire multiple, et celle de toute l’Amérique – dans les pas de son modèle John Ford. Ce documentaire retrace sa trajectoire en se focalisant sur son rapport complexe et moderne à l’identité.",[11],2.8448,9,"\u002Fl4lF2ycieqLf3uHVpOdqySUPaIk.jpg","2024-02-11",8.1,"\u002FcEdu9p3oPfhXYQGCAl5kzIkKRut.jpg",{"id":235,"adult":6,"title":236,"video":6,"overview":83,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":22,"poster_path":239,"release_date":240,"vote_average":148,"backdrop_path":26,"original_title":236,"original_language":241},828922,"Adın sirri və tale. Qurban Səid",[11],0.9919,"\u002Fi7Bi8CaqanpA7bIQMaRmgTvePVc.jpg","2010-10-05","az",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":22,"poster_path":248,"release_date":249,"vote_average":250,"backdrop_path":26,"original_title":251,"original_language":97},453731,"Le Cinéma selon Dali","Toute sa vie, Salvador Dalí s'est intéressé aux métamorphoses et aux illusions d'optique. À l'aide de témoignages d'amis et d'experts, le film expose sa démarche, ses recherches formelles sur l'image animée, son goût de la provocation et son indifférence aux objectifs commerciaux du cinéma de son époque. On y découvre un artiste plein de fougue, provocateur, drôle, mais avant tout, conscient de ses conceptions esthétiques.",[11],0.9316,"\u002FxRMRQlNVDMuEmE7s8Ydkf0M8TOt.jpg","2010-05-20",7,"The Cinema According to Dalí",{"id":253,"adult":6,"title":254,"video":6,"overview":255,"softcore":6,"genre_ids":256,"popularity":257,"vote_count":258,"poster_path":259,"release_date":260,"vote_average":261,"backdrop_path":26,"original_title":254,"original_language":130},453749,"Albert Camus, la tragédie du bonheur","Ce portrait tente de déconstruire l'image négative, tragique ou, a contrario, naïve souvent accolée à ce grand nom de la littérature et de l'histoire politique moderne. Le commentaire subjectif de Jean Daniel fait passer ce bonheur simple qui habite l'œuvre d'Albert Camus... un bonheur entravé, blessé, bientôt perdu de vue.",[11],1.0945,3,"\u002Fu6ZrUuesmDyweuhj27z3c29VNY1.jpg","1999-03-09",8.3,1001,20001,0.7496,"2002-01-01",[267],"SK",{"results":269},{},[271],{"name":272,"iso_639_1":273,"english_name":274},"Slovenčina","sk","Slovak",[276,279],{"id":277,"name":278,"logo_path":26,"origin_country":83},221376,"ALFA SLOVAKIA, spol. s r.o.",{"id":280,"name":281,"logo_path":26,"origin_country":267},5926,"Slovenská televízia",[283],{"name":284,"iso_3166_1":267},"Slovakia",45,"Un récit documentaire qui fait souvent mouche.",[]]