[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1251230-fr-FR":3},{"detail":4,"match":245,"insight":246,"providers":247,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":12,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":24,"revenue":7,"runtime":25,"softcore":5,"spoken_languages":26,"status":29,"tagline":12,"title":18,"video":5,"vote_average":30,"vote_count":31,"watch\u002Fproviders":32,"videos":34,"credits":36,"similar":64},false,null,0,[9],{"id":10,"name":11},99,"Documentaire","",1251230,"tt0409485",[16],"GB","en","A Woman's Place",0.7726,[],[22],{"iso_3166_1":16,"name":23},"United Kingdom","1971-01-01",32,[27],{"english_name":28,"iso_639_1":17,"name":28},"English","Released",10,1,{"results":33},{},{"results":35},[],{"cast":37,"crew":46},[38],{"adult":5,"gender":7,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":6,"cast_id":43,"character":44,"credit_id":45,"order":7},937152,"Directing","Tony Wickert",0.6483,5,"Interviewer","65de4ae8dcb6a3016285c318",[47,54,57,59],{"adult":5,"gender":7,"id":48,"known_for_department":40,"name":49,"original_name":49,"popularity":50,"profile_path":6,"credit_id":51,"department":52,"job":53},4561616,"Sue Crockford",0.4419,"65de4a1fa894d601870dbf9a","Writing","Writer",{"adult":5,"gender":7,"id":39,"known_for_department":40,"name":41,"original_name":41,"popularity":42,"profile_path":6,"credit_id":55,"department":40,"job":56},"65de4aa37776f0017c11fa7c","Director",{"adult":5,"gender":7,"id":48,"known_for_department":40,"name":49,"original_name":49,"popularity":50,"profile_path":6,"credit_id":58,"department":40,"job":56},"65de4a12dcb6a3018586f2cf",{"adult":5,"gender":7,"id":60,"known_for_department":40,"name":61,"original_name":61,"popularity":62,"profile_path":6,"credit_id":63,"department":40,"job":56},4561619,"Ellen Adams",0.3205,"65de4a6c903c520163bd1d22",{"page":31,"results":65,"total_pages":243,"total_results":244},[66,74,83,90,101,110,121,130,139,149,156,164,175,184,191,199,206,214,222,232],{"adult":5,"backdrop_path":6,"genre_ids":67,"id":68,"title":69,"original_language":70,"original_title":69,"overview":71,"popularity":72,"poster_path":6,"release_date":73,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1412968,"Alliances Terrestres","fr","La lutte locale contre le projet de l’autoroute A69 prévoyant de relier Castres à Toulouse a démarré depuis de nombreuses années. Voilà qu’elle a pris une nouvelle dimension depuis 2021, non seulement en raison des premiers signes concrets de sa construction mais surtout en raison de la multiplication des collectifs s’opposant à ce projet d’autoroute aberrant qui s’acharne à fracturer le territoire. Isabelle Haelvoët nous retrace l’histoire de la montée en puissance du mouvement de résistance. Suivant la lutte depuis ses débuts, elle a gagné la confiance des diverses personnes impliquées sur le terrain. Elle s’appuie sur ses propres images, sur des archives journalistiques, ainsi que des images capturées par des militants.",1.3909,"2024-07-10",{"adult":5,"backdrop_path":6,"genre_ids":75,"id":76,"title":77,"original_language":17,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1215555,"Conversation avec B. Ruby Rich","Chantal Akerman: An Interview","Chantal Akerman (1950-2015) a acquis une reconnaissance internationale avec son chef-d'œuvre de trois heures et demie, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), qui dépeint l'existence morne d'une femme au foyer et l'action violente qui s'ensuit. Elle est restée l'une des cinéastes européennes les plus novatrices, avec plus de quarante projets cinématographiques et télévisuels à son actif. L'œuvre d'Akerman est minimaliste, structuraliste et féministe. Les principaux thèmes de ses films sont les femmes au travail et à la maison, les relations des femmes avec les hommes, les autres femmes et les enfants, la nourriture, l'amour, le sexe, la romance, l'art et la narration. Dans cet entretien datant de 1976, Akerman évoque ses premiers films et le développement de sa vision particulière.",1.2492,"\u002FaB3Ycqj2Vw89sFlQiwCnOLjnwkA.jpg","1976-01-01",{"adult":5,"backdrop_path":6,"genre_ids":84,"id":85,"title":86,"original_language":17,"original_title":86,"overview":12,"popularity":87,"poster_path":88,"release_date":89,"softcore":5,"video":5,"vote_average":30,"vote_count":31},[10],451146,"Who’s Counting? Marilyn Waring on Sex, Lies and Global Economics",1.2734,"\u002F69wnm0AHTKEOzHdqz0ygqiFDykE.jpg","1995-10-22",{"adult":5,"backdrop_path":91,"genre_ids":92,"id":94,"title":95,"original_language":17,"original_title":95,"overview":12,"popularity":96,"poster_path":97,"release_date":98,"softcore":5,"video":5,"vote_average":99,"vote_count":100},"\u002FymgZc8VtBeCu3Kg9rLdalyOAUMU.jpg",[10,93],10402,2152,"Dixie Chicks: Shut Up and Sing",1.8662,"\u002F7aZ8uWvCckLTbalbiqut3Vrt33c.jpg","2006-10-27",6.7,48,{"adult":5,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":106,"original_title":105,"overview":12,"popularity":107,"poster_path":108,"release_date":109,"softcore":5,"video":5,"vote_average":30,"vote_count":31},"\u002FyJzTGTMuL8yW4e5czIHtgpLpnqe.jpg",[10],451540,"Mexeu com Uma, Mexeu com Todas","pt",0.8753,"\u002F290BiwaJe2HS4QjtZcT1U5wDZvc.jpg","2017-05-05",{"adult":5,"backdrop_path":111,"genre_ids":112,"id":113,"title":114,"original_language":17,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":5,"video":5,"vote_average":119,"vote_count":120},"\u002FhSHw4aeEqnFjSfGBzTcTDfbEwft.jpg",[10],274381,"Town Bloody Hall","Le soir du 30 avril 1971, un public de lettré·es et de militant·es se presse à l'hôtel de ville de New York pour voir l'écrivain, scénariste, réalisateur et acteur Norman Mailer (qui vient d'écrire \"The Prisoner of Sex\") débattre avec un panel d'intellectuelles féministes. Le sujet est la libération des femmes, question sur laquelle Mailer se fait l'avocat du diable. Pour le mettre à l'épreuve sont notamment réunies l'écrivaine et critique Jill Johnston (autrice de \"Lesbian Nation : The Feminist Solution\"), la critique littéraire Diana Trilling, la présidente de la National Organization of Women (NOW), Jacqueline Ceballos, et peut-être son adversaire la plus coriace, l'autrice de \"La Femme eunque\" à la langue affûtée, Germaine Greer. Cet événement a fait date, et ce film se révèle stimulant ainsi que diablement divertissant.",1.1132,"\u002F1iZWzL8D1nQc7jThYxkdQ2gKYC9.jpg","1979-04-03",5.8,13,{"adult":5,"backdrop_path":122,"genre_ids":123,"id":124,"title":125,"original_language":70,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fp2elCpUa801ozKjH25oGIYNLxLh.jpg",[10],1419783,"Nous, Jeunesse(s) d'Iran","Son nom a fait le tour du monde : Jina Mahsa Amini, 22 ans, décédée le 16 septembre 2022 à la suite d'une arrestation violente par la police religieuse de Téhéran. Sa mort en garde à vue provoque l'étincelle \"Femme Vie Liberté\". Cette révolte massive portée par la jeunesse, principalement des étudiants issus de la petite classe moyenne, est réprimée dans la violence à l'automne 2022. Si le mouvement s'est essoufflé face à la répression, la génération Z est en train de provoquer une mutation culturelle irrépressible. Six récits de jeunes de moins de 25 ans donnent vie aux transformations en cours dans la société iranienne. N.B. : Visages modifiés à l'Intelligence Artificielle.",1.4236,"\u002Fodz9ye888G4hQirbhTOiIUiHyft.jpg","2024-04-21",{"adult":5,"backdrop_path":131,"genre_ids":132,"id":133,"title":134,"original_language":17,"original_title":134,"overview":12,"popularity":135,"poster_path":136,"release_date":137,"softcore":5,"video":5,"vote_average":43,"vote_count":138},"\u002FogXMjMiHke5bRwnYjzASuTeFurE.jpg",[10],459345,"Play Your Gender",1.3572,"\u002FWVWWIAjHoWbuTf3hTkJGqciZ2q.jpg","2017-07-09",3,{"adult":5,"backdrop_path":6,"genre_ids":140,"id":143,"title":144,"original_language":17,"original_title":144,"overview":12,"popularity":145,"poster_path":146,"release_date":147,"softcore":5,"video":5,"vote_average":148,"vote_count":31},[141,10,142,93],35,18,274406,"Perfect Image?",0.6629,"\u002FpZV9lySl50Ufv3XSe9QoYWry6Qb.jpg","1989-01-02",9,{"adult":5,"backdrop_path":6,"genre_ids":150,"id":151,"title":152,"original_language":17,"original_title":152,"overview":12,"popularity":153,"poster_path":154,"release_date":155,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1212304,"Repeal! Procession",1.4506,"\u002F9kIVciLUprOXNFrZl9PiNti3ZNE.jpg","2018-04-29",{"adult":5,"backdrop_path":6,"genre_ids":157,"id":159,"title":160,"original_language":17,"original_title":160,"overview":12,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,158],10770,448937,"TOMBOY",0.872,"\u002FuLZlhICGmlEZXCjT32fXcAyQRme.jpg","2017-03-05",{"adult":5,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":17,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":173,"vote_count":174},"\u002Fp9TrGKA4rh4PMxMimGxUsivbMO6.jpg",[10],269705,"She's Beautiful When She's Angry","Ce documentaire exaltant dresse le portrait des femmes scandaleuses et brillantes qui ont été à l'origine du mouvement féministe dans les années 1960.",1.4417,"\u002FoDmeDTNKbbR8P0ukjff1Ey77dl1.jpg","2014-12-05",7.4,53,{"adult":5,"backdrop_path":176,"genre_ids":177,"id":179,"title":180,"original_language":106,"original_title":180,"overview":12,"popularity":181,"poster_path":182,"release_date":183,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fyf7KOAUGkUejjohNb7bcLcBkVRj.jpg",[10,178],10751,1446120,"Quatro em Linha",0.5282,"\u002Fny8NYzfZ121B13KKI2Vt8dRoUQW.jpg","2025-05-02",{"adult":5,"backdrop_path":6,"genre_ids":185,"id":186,"title":187,"original_language":106,"original_title":187,"overview":12,"popularity":188,"poster_path":189,"release_date":190,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],670012,"Subversivas",0.7168,"\u002F6p7asflpwvChe71YTNeiCtJD6qO.jpg","2013-10-01",{"adult":5,"backdrop_path":6,"genre_ids":192,"id":193,"title":194,"original_language":195,"original_title":194,"overview":12,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1636681,"Mapas desde adentro","es",1.116,"\u002FkdyUZ3lQYrebjOFMAIHAHM9FTvQ.jpg","2026-03-21",{"adult":5,"backdrop_path":6,"genre_ids":200,"id":201,"title":202,"original_language":203,"original_title":202,"overview":12,"popularity":204,"poster_path":6,"release_date":205,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1262934,"Wir haben lange geschwiegen","de",0.8237,"1975-01-04",{"adult":5,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":203,"original_title":210,"overview":12,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FqhF6V5pgxtctMAztk8bnf1zKKnJ.jpg",[10],643188,"Widerstandsmomente",0.6264,"\u002FaY9VNypv2PTby0nIh1ihF5vOFq5.jpg","2019-10-28",{"adult":5,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":17,"original_title":218,"overview":12,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":30,"vote_count":31},"\u002F1Q5TX7rWIUN4f9J9fnevb50ILZk.jpg",[10],467648,"The Feminist Library",0.6787,"\u002FqIXBaL43VxKBxnprSQN7n7g8bcv.jpg","2016-09-17",{"adult":5,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":70,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":231,"vote_count":148},"\u002F3d4tH7I9JtSA1JGPQUgwQy42UMg.jpg",[10],643925,"Mon nom est clitoris","Ce documentaire est un dialogue entre jeunes femmes autour de la sexualité féminine. Avec une liberté, un courage et un humour communicatifs, elles partagent leurs expériences et leurs histoires, dans la volonté de changer le monde autour d’elles et de faire valoir le droit des femmes à une éducation sexuelle informée délivrée des contraintes et des tabous.",1.066,"\u002Fv87aoRrcZrak7os8kEkdn2Ynn4g.jpg","2019-10-30",5.9,{"adult":5,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":70,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":241,"vote_count":242},"\u002FrUkV3P86iNn4vfxpJwvQJje7q6S.jpg",[10],468653,"Ouaga Girls","Bien décidées à devenir mécaniciennes, Bintou, Chantale et Dina apprennent le métier à Ouagadougou. Au programme ? Étincelles sous le capot, mains dans le cambouis et surtout, bouleversements joyeux des préjugés : aucun métier ne devrait être interdit aux femmes !",1.8266,"\u002FjCXZHSVeQPhdpMWjiQuNiNpY32P.jpg","2017-08-25",6.8,7,1001,20001,54,"Un récit documentaire qui fait souvent mouche.",[]]